Signs and meaning in eighteenth-century art
Subtitle: epistemology, rhetoric, painting, poesy, music, dramatic performance, and G.F. Handel
By: H. James Jensen.
Series: American university studies.; v. 33
Publisher: Peter Lang; Lang Publishing, Incorporated, Peter
Published: 1997
Place of publication: New York
Language: eng
Number of pages: 410
Subjects: Arts, Modern -- 18th century -- Psychological aspects.; Ut pictura poesis (Aesthetics); Emotions in art.; Rhetoric and psychology.
Other titles: Signs and meanings in 18th-century art
Description: Signs and Meaning explains historical assumptions about eighteenth-century art and performance, and the signs employed. It assumes that how artists thought they made art and how audiences thought they received it was how it was made, received, and understood. Eighteenth-century epistemological and rhetorical assumptions bring together meaning and practices of rhetoric, philosophy, literature, painting, dramatic performance, and music.

Musical drama shows the widest range of signs for an audience, presenting and representing the passions as the basis for the understanding of human nature and actions. This book starts with explanations of assumptions, and ends with analyses of G. F. Handel's dramatic oratorios.
Notes: Includes bibliographical references (p. [371]-397) and index.