Chopin in Paris the 1830s
By: [editorial board, Artur Szklener, John Comber, Magdalena Chylińska ; English language translation and revision, John Comber]
Contributors: Narodowy Instytut Fryderyka Chopina
Publisher: Narodowy Instytut Fryderyka Chopina
Published: 2007
Place of publication: Warszawa
Language: eng
Number of pages: 386
ISBN-13: 9788391741092
Copyright date: 2007
Subjects: Criticism and interpretation
Other titles: Chopin in Paris the 1830s Warszawa 2006
Notes: Includes bibliographical references.
Table of contents: title: Chopin and others.; title: Between Paris and Leipzig: encountering Chopin in the music of Clara Schumann  -- Daniel Gallagher ;; title: Hexameron: six hypostases of piano music in the 1830's: between convention, poetics and inventiveness  -- Haiganuş Preda-Schimek -- Chopin and his pupils.; title: Chopin in translation: the mazurkas of Thomas Tellefsen  -- Ingrid Loe Dalaker ;; title: Adolf Gutmann: the second 'great' copyist of Chopin's works  -- Jan Ekier ;; title: Lumières nouvelles sur les partitions annotèes de la collection Camille Dubois- O'Meara  -- Jean-Jacques Eigeldinger -- Disciplining the mazurkas.; title: On attempts at interpreting Chopin's mazurkas from an ethnomusicological perspective  -- Piotr Dahlig ;; title: Performance analysis and Chopin's mazurkas  -- Nicholas Cook -- Analytical perspectives.; title: Register, large-scale structure, and piano sound in Chopin's works of the 1830's  -- Judith V. Petty ;; title: A play of two keys in Chopin's second ballade  -- Wai-Ling Cheong ;; title: Grundgestalt and manifestation of the octatonic collection in Chopin's G minor ballade  -- Kaori Katayama Noland ;; title: Tonal and rhythmic hidden repetition in Chopin's Prelude, op. 28 no. 14  -- Alison Hood ;; title: Connecting analysis and performance: practical issues for developing an effective approach: a case study  -- Annie Yih -- Aesthetics and social history.; title: A 'bluffer's guide' to Chopin's romanticism  -- Katharine Ellis ;; title: Regarding Chopin: visual culture and musical genre in 1830's Paris  -- David Kasunic ;; title: Chopin and Hesse: new facts concerning their artistic acquaintance  -- Krzysztof Rottermund ;; title: Chopin and the discourse on salons  -- Jolanta T. Pekacz -- The new Chopin.; title: Chopin's path to plenitude: the turning points and metamorphoses of the thirties: 1829-1840  -- Mieczyslaw Tomaszewski ;; title: Sense and meaning in two recently discovered editions annotated by Chopin  -- Jeffrey Kallberg ;; title: 'Catechism' or 'transcendence'? Chopin's etudes in the light of Immanuel Kant's Kritik der reinen Vermunft (1787)  -- Tomi Mäkelä ;; title: Chopin's early piano style: compass, notation and texture -- David Rowland.