Carlos Aldama's life in batá
Subtitle: Cuba, diaspora, and the drum
By: Umi Vaughan, Carlos Aldama
Contributors: Aldama, Carlos
Publisher: Indiana University Press
Published: 2012
Place of publication: Bloomington
Language: eng
Number of pages: 179
ISBN-13: 9780253357199; 9780253223784; 9780253005670
Subjects: Batá music; Santeria music; History and criticism
Description: From the publisher. Bata identifies both the two-headed, hourglass-shaped drum of the Yoruba people and the culture and style of drumming, singing, and dancing associated with it. This book recounts the life story of Carlos Aldama, one of the masters of the bata drum, and through that story traces the history of bata culture as it traveled from Africa to Cuba and then to the United States. For the enslaved Yoruba, bata rhythms helped sustain the religious and cultural practices of a people that had been torn from its roots. Aldama, as guardian of Afro-Cuban music and as a Santería priest, maintains the link with this tradition forged through his mentor Jesus Pérez (Oba Ilu), who was himself the connection to the preserved oral heritage of the older generation. By sharing his stories, Aldama and his student Umi Vaughan bring to light the techniques and principles of batá in all its aspects and document the tensions of maintaining a tradition between generations and worlds, old and new. The book includes rare photographs and access to downloadable audio tracks.
Notes: Includes bibliographical references and index.
Table of contents: title: Fundamento; title: Learning my trade; title: Batá in the revolution; title: Diaspora; title: Drum lesson; title: The future, what comes next?