Introduction to Film Reader / 3rd Edition
Edition: 3rd edition
Publisher: Custom / McGraw-Hill
Published: 2004
Format: Paperback
Number of pages: 356
Table of contents: label: 1
title: Film as Technology, Business, Art/Entertainment and Cultural Product
pagenum: 1; title: A Survey History of Film Technology compiled by Mary Kearney
pagenum: 5; title: "The Invention of the Early Years of the Cinema, 1880s-1904" from Film History: An Introduction by David Bordwell & Kristin Thompson
pagenum: 9; title: "Singin' in the Rain" from Stanley Donen (1983) by Drew Casper
pagenum: 18; title: Critical Film Analyses; label: 1
title: Sunset Boulevard (1950) by Mary Kearney
pagenum: 25; label: 2
title: Singin' in the Rain (1952) by Dan Walkup
pagenum: 28; label: 2
title: Literary Design
pagenum: 31; title: Aristotle's Poetics
pagenum: 35; title: Critical Film Analyses; label: 1
title: Mildred Pierce (1945) by Paul N. Reinsch
pagenum: 57; label: 2
title: L.A. Confidential (1997) by Christie Milliken
pagenum: 60; label: 3
title: The Hours (2002) by Heidi Cooley
pagenum: 62; label: 3
title: Performance
pagenum: 65; title: "What Is Acting?" from Acting in the Cinema by James Naremore
pagenum: 69; title: "Rhetoric and Expressive Technique" from Acting in the Cinema by James Naremore
pagenum: 74; title: "A Dream of Passion: The Development of the Method" by Lee Strasberg
pagenum: 89; title: Critical Film Analyses - Featuring Bette Davis as Case Study; label: 1
title: Now, Voyager (1942) by Philantha Kon
pagenum: 95; label: 2
title: The Corn is Green (1945) by Jaime Nasser
pagenum: 98; label: 3
title: All About Eve (1950) by Mary Kearney
pagenum: 102; label: 4
title: The Quiet American (2002) by Paul N. Reinsch
pagenum: 106; label: 4
title: Visual Design
pagenum: 109; title: "Meet Me in St. Louis" from Vincente Minnelli and the Film Musical (1977) by Drew Casper
pagenum: 113; title: Critical Film Analyses; label: 1
title: Rosemary's Baby (1968) by Harmony H. Wu
pagenum: 117; label: 2
title: Babette's Feast (1987) by Broderick Fox
pagenum: 120; label: 3
title: Est-Ouest (East-West) (1999) by Broderick Fox
pagenum: 122; label: 5
title: Composition
pagenum: 129; title: Critical Film Analyses; label: 1
title: How Green Was My Valley (1941) by Philantha Kon
pagenum: 134; label: 2
title: The Paradine Case (1947) by Bobby Simmons
pagenum: 137; label: 3
title: Days of Heaven (1978) by Peter Britos
pagenum: 141; label: 6
title: Temporal Design
pagenum: 145; title: Two for the Road (1967) from Stanley Donen (1983) by Drew Casper
pagenum: 145; title: Critical Film Analyses; label: 1
title: The Adventures of Robin Hood (1938) by Richard Edwards
pagenum: 149; label: 2
title: Bugsy (1991) by Chia-Chi Wu
pagenum: 155; label: 3
title: Carlito's Way (1993) by Chia-Chi Wu
pagenum: 159; label: 7
title: Sound Design
pagenum: 159; title: Critical Film Analyses; label: 1
title: Captain Blood (1935) by Chia-Chi Wu
pagenum: 163; label: 2
title: The Exorcist (1973) by William Whittington
pagenum: 166; label: 3
title: All That Jazz (1979) by Shannon Mader
pagenum: 169; label: 4
title: Fargo (1997) by William Whittington
pagenum: 172; label: 8
title: Modes of Representation: Realism & Formalism
pagenum: 179; label: Types of Realist/Formalist Filmmaking; title: A Dialectic Approach to Film Form from Film Form (1929) by Sergei Eisenstein, Translated by Jay Leyda
pagenum: 187; title: The Ontology of the Photographic Image from What Is Cinema? (1967) by André Bazin
pagenum: 198; title: Critical Film Analyses; label: 1
title: Oil For the Lamps of China (1935) and Chariots of Fire (1981) by Paul N. Reinsch
pagenum: 202; label: 2
title: Sunset Blvd (1950) and Adaptation (2002) by Robert Buerkle
pagenum: 207; label: 9
title: The Production Process
pagenum: 213; title: Production Personnel and Their Functions (explained and defined using the credits of The Sixth Sense) by Robert Buerkle and Paul N. Reinsch
pagenum: 214; title: Production Personnel by Teams by Robert Buerkle and Paul N. Reinsch
pagenum: 222; title: Critical Film Analyses; label: 1
title: Papillon (1973) by Robert Buerkle
pagenum: 223; label: 2
title: Terminator 2: Judgment Day (1991) by William Whittington
pagenum: 227; label: 3
title: The Shawshank Redemption (1994) by Chris Cooling
pagenum: 230; label: 10
title: Genre: Classical Phase
pagenum: 233; title: Hollywood Genres (Excerpts) from Hollywood Genres by Thomas Schatz
pagenum: 237; title: The Genius of the System
pagenum: 246; title: Film Genres and the Genre Film
pagenum: 267; title: Hollywood Filmmaking and American Mythmaking
pagenum: 272; label: 1
title: The Roaring Twenties (1939) - Gangster Film in Its Classical Phase by Shannon Mader
pagenum: 272; label: 2
title: High Sierra (1941) - Gangster Film in Its Classical Phase by Chia-Chi Wu
pagenum: 274; label: 11
title: Genre: Postclassical Phase
pagenum: 277; title: Chinatown and Generic Transformation in Recent American Films by John G. Cawelti
pagenum: 281; title: The Killing (1956) - Gangster Film in Its Postclassical Phase by Peter Britos
pagenum: 291; label: 12
title: Genre: Modernist Phase
pagenum: 295; title: "Modernism" from Key Concepts in Cinema Studies by Susan Hayward
pagenum: 299; title: GoodFellas (1990) - Gangster Film in Its Modernist Phase by Shannon Mader
pagenum: 306; label: 13
title: Genre: Postmodernist Phase
pagenum: 311; title: "Postmodernism" from Key Concepts in Cinema Studies by Susan Hayward
pagenum: 315; title: Miller's Crossing (1990) - Gangster Film in Its Postmodernist Phase by Robert Buerkle
pagenum: 323; label: 14
title: Film as "Overdetermined" Art Form/Medium
pagenum: 329; title: "On Overdetermination" by Angelo Restivo
pagenum: 333; title: Critical Film Analyses - Featuring the Analysis of Three Westerns; title: Red River (1948) by Robert Buerkle
pagenum: 334; title: The Searchers (1956) by Shannon Mader
pagenum: 340; title: The Wild Bunch (1969) by Mary Kearney
pagenum: 343; label: 15
title: Movies and Meaning/Film Criticism
pagenum: 347; title: Various Types of Academic Criticism and Their Respective Methodologies by Drew Casper, Richard L. Edwards and Mary Kearney
pagenum: 351