The end of the poem
Subtitle: studies in poetics
By: Giorgio Agamben ; translated by Daniel Heller-Roazen.
Contributors: Heller-Roazen, Daniel.
Series: Meridian, crossing aesthetics; Meridian (Stanford, Calif.)
Publisher: Stanford University Press
Published: 1999
Place of publication: Stanford, Calif
Language: eng
Number of pages: 148
Subjects: Italian poetry -- History and criticism; Poetics
Description: This book, by one of Italy's most important and original contemporary philosophers, represents a broad, general, and ambitious undertaking - nothing less than an attempt to rethink the nature of poetic language and to rearticulate relationships among theology, poetry, and philosophy in a tradition of literature initiated by Dante.

The book opens with a discussion of just how Dante's poem is a "comedy," and it concludes with a discussion of the "ends of poetry" in a variety of senses: enjambment at the ends of lines, the concluding lines of poems, and the end of poetry as a mode of writing this sort of literature. Of course, to have poetry "end" does not mean that people stop writing it, but that literature passes into a period in which it is concerned with its own ending, with its own bounds and limits, historical and otherwise.

Though most of the essays make specific reference to various authors of the Italian literary tradition (including Dante, Polifilo, Pascoli, Delfini, and Caproni), they transcend the confines of Italian literature and engage several other literary and philosophical authors (Plato, Aristotle, the Stoics, Boethius, the Provencal poets, Mallarme, and Holderlin, among others).
Notes: Includes bibliographical references.