The torchbearers
Subtitle: women and their amateur arts associations in America, 1890-1930
By: Karen J. Blair.
Series: Philanthropic studies
Publisher: Indiana University Press
Published: 1994
Place of publication: Bloomington
Language: eng
Number of pages: 259
Subjects: Feminism and the arts -- United States -- History -- 19th century.; Feminism and the arts -- United States -- History -- 20th century.; Women -- United States -- Societies and clubs.
Other titles: Torch bearers.
Description: The arts clubs for women that flourished during the Progressive Era played a major role in the emergence of middle-brow culture in America. Although nineteenth-century women were expected to acquire knowledge of the arts sufficient for the amusement and edification of their families, they were nonetheless excluded from professional circles.

For women seeking a more active role in cultural life, the voluntary arts associations were a vehicle by which they could expand into the public sphere their domestic support of the arts. The Torchbearers shows that these clubs were more than havens for artistic dilettantes. They were effective advocacy groups for promoting universal access to the fine arts, and they left a vital legacy of cultural programs and institutions.

Clubwomen - typically white, urban, Protestant, and middle class - considered themselves "torchbearers" who could lead others to embrace the highest ideals. They combatted popular or vulgar culture while promoting women and regional artists ignored by the professional elite and encouraging creative expression for everyone.

In the process, they helped build an audience for "high" culture, promoted municipal art galleries, started numerous little theaters, and made a place for the arts in the school curriculum. Even in the context of the growing professionalism in the arts and the benevolence of large, well-funded male philanthropic institutions, the women's amateur arts clubs were influential in the evolving cultural life of the nation
Notes: Includes bibliographical references (p. [239]-248) and index.