Stanley Kubrick
Subtitle: a narrative and stylistic analysis
By: Mario Falsetto.
Edition: New and expanded 2nd ed.
Publisher: Praeger
Published: 2001
Place of publication: Westport, Conn
Language: eng
Number of pages: 204
Subjects: Kubrick, Stanley -- Criticism and interpretation
Notes: Includes bibliographical references (p. 197-200), filmography (p. 189-195), and index.
Table of contents: title: Machine generated contents note: I Patterns of Narrative Organization; title: Nonlinear Time: The Killing; title: Narrational Gaps: Absence and Presence in Lolita; title: Narrative Reversal, Repetition and Points of Convergence; title: A Clockwork Orange; title: Barry Lyndon; title: Eyes Wide Shut; title: 2 Time and Space: Part 1; title: The Long-Take Aesthetic; title: Individual Films; title: Paths of Glory; title: Dr. Strangelove; title: 2001: A Space Odyssey; title: ( Time and Space: Part 2; title: Individual Films; title: A Clockwork Orange; title: Barry Lyndon; title: The Shining; title: Full Metal Jacket; title: Eyes Wide Shut; title: 4 Filmic Narration: Part 1; title: Voice-Over; title: First-Person Commentary; title: Third-Person Commentary; title: 5 Filmic Narration: Part 2; title: Filmic Subjectivity; title: 2001: A Space Odyssey; title: A Clockwork Orange; title: The Shining; title: Eyes Wide Shut; title: Subjectivity versus Objectivity; title: 6 Character and Performance; title: A Clockwork Orange; title: Barry Lyndon; title: The Shining; title: 7 Final Thoughts; title: Appendix; title: Narrative Segmentations; title: The Killing; title: Lolita; title: A Clockwork Orange; title: Shot Description: Fragment of Dr. Strangelove; title: Filmography; title: Selected Bibliography; title: Index.