Music, first-year
By: by Justine B. Ward and Elizabeth W. Perkins.
Contributors: Perkins, Elizebeth Ward, 1873- joint author.
Series: The Catholic education series
Publisher: Catholic Education Press
Published: 1914
Place of publication: Washington, D.C
Language: eng
Subjects: Music -- Handbooks, manuals, etc.
Genres: Handbooks, manuals, etc.
Table of contents: title: CONTENTS; title: Preface 1; title: Introduction 7; title: Part One; title: Chapter 1. First Steps in Tone and Rhythm 15; title: Chapter 2. Study of 1 2 3 4 5 23; title: Chapter 3. Study of I 2 3 4 5 29; title: Chapter 4. Study of 1 2 3 4 5 6 33; title: Chapter 5. Study of & 7 6 5 36; title: Chapter 6. The Major Scale as a whole 39; title: Chapter 7. The Scale in Fragments suggesting the Tonic Chord. Study of the Interval 3-4 42; title: Chapter 8. Study of 6-5 and 7-8 46; title: Chapter 9. Study of 2 in relation to 1 ; of 3 in relation to 2 48; title: Chapter 10. Study of 4 in relation to 3 and 5 51; title: Chapter 11. Study of 6 in relation to 5 53; title: Chapter 12. Compass Exercise, Form 1 56; title: Chapter 13. Study of notes 1 2 3 59; title: Chapter 14. Study of notes 7 6 5 and of 7 in relation to 8 61; title: Chapter 15. Compass Exercise Form 2 63; title: Chapter 16. The Tonic Chord 65; title: Chapter 17. The Tonic Chord 67; title: Chapter 18. Compass Exercise Form 3 70; title: Part Two; title: Chapter 19. The Tonic Chord, second inversion 77; title: Chapter 20. The Tonic Chord, second inversion 80; title: Chapter 21. The Tonic Chord, second inversion 83; title: Chapter 22. The Tonic Chord, first inversion 86; title: Chapter 23. Preparation of Compass Exercises, Form 4 89; title: Chapter 24. The Tonic Chord, freer use of intervals 92; title: Chapter 25. The Tonic Chord, freer use of intervals 95; title: Chapter 26. The Tonic Chord, free use of intervals 98; title: Chapter 27. The Tonic Chord and the Compass Exercise, Form 4 101; title: Chapter 28. The Dominant Chord 103; title: Chapter 29. The Dominant Chord 106; title: Chapter 30. The Dominant Chord, first inversion. The Dominant in relation to the Tonic Chord 109; title: Chapter 31. The Dominant Chord, first inversion. Preparation of the Sub-dominant 112; title: Chapter 32. The Dominant Chord, second inversion 115; title: Chapter 33. The Dominant, second inversion; the Dominant in relation to the Tonic Chord. 119; title: Chapter 34. The Dominant Chord, freer use of inversions 122; title: Chapter 35. The Dominant in relation to the Tonic Chord 125; title: Chapter 36. The Dominant in relation to the Tonic Chord 128; title: SONGS; title: 1. It is Love. Mozart, adapted 30, 135; title: 7. Little Robin. Folk Song 93, 143; title: 3. Jesus' Love. Old Bohemian Carol,; title: 9. The Mother's Prayer. Folk Song. 101, 145; title: 6. Come to Me. Humperdinck, adapted 34, 142; title: SOLFAS; title: 1. Two Gregorian Responses 50 10.; title: 2. Melody on Five Notes 60 11.; title: 3. Melody on Five Notes 62 12.; title: 4. French Folk Song, fragment 66 13.; title: 5. French Folk Song, fragment 66 14.; title: 6. French Folk Song 69 15.; title: 7. French Folk Song 78 16.; title: 8. French Folk Song 81 17.; title: 9. French Folk Song 87 18.; title: French Folk Song 90; title: German Folk Song 90; title: Song, Brahms 96; title: Kinderlied, Brahms 98; title: Old French Melody 110; title: French Folk Song 118; title: French Folk Song 120; title: French Folk Song 121; title: Old French Melody 128; title: Prayers; title: 1. The Lord's Prayer; title: 2. The Angelical Salutation.; title: 3. The Creed; title: 4. The Confiteor; title: Vocal Exercises; title: No. 1. Chapter 1. Noo 16; title: No. 2. Chapter 9. Noo 38; title: No. 3. Chapter 9. Noo 38; title: No. 4. Chapter 11. Noo 53; title: No. 5. Chapter 19. Noo 77; title: No. 6. Chapter 20. Noo 80; title: No. 7. Chapter 21. Noo 83; title: No. 8. Chapter 30. Noo, no and na 109; title: No. 9. Chapter 32. Noo, no, na, nay and nee 115; title: No. 10. Chapter 32. Noo, no, na, nay and nee 115