Recorded music
Subtitle: philosophical and critical reflections
By: edited by Mine Doğantan-Dack.
Contributors: Doğantan, Mine.
Publisher: Middlesex University Press
Published: 2008
Place of publication: London
Language: eng
Number of pages: 374
ISBN-13: 9781904750277
Subjects: Sound recordings; Music -- Philosophy and aesthetics
Notes: Includes bibliographical references and index.
Table of contents: title: Works, recordings, performances : classical, rock, jazz / Andrew Kania; title: Subject to a trace : the virtuality of recorded music / WIlliam Echard; title: Variations on a theme of Nelson Goodman as arranged by Glenn Gould for the piano phonograph / Colin Symes; title: Documentation and transformation in musical recordings / Theodore Gracyk; title: Performing after recording / Anthony Gritten; title: Phonography and the invention of sound / Marc Battier; title: Donner l'illusion de la chose ecrite : reflections on recordings of organ imporvisations / Michael Frith; title: Stealing licks : recording and identity in jazz / Bruce Ellis Benson; title: Acting on impulse! : recordings and the reification of jazz / Tony Whyton; title: A sense of place : a sense of space / Tony Gibbs and John Dack; title: Humanistic motivations in ethnomusicological recordings / Robert Reigle; title: Faithful to his master's voice? : questions of fidelity and infidelity in music recording / Francis Rumsey; title: Classical sound recordings and live performances : artistic and analytical perspectives / Dorottya Fabian; title: DIstortions and masks : transmutation of the 'performing breath' in the studio take / Simon Trezise; title: Recording the performer's voice / Mine Doǧantan-Dack; title: Inventing memory : documentary and imagination in acousmatic music / John Young; title: Deleuze and the sampler as an audio-microscope : on the music-historical and aesthetic foundations of digital micro-acoustic recording and EndoSonoScopy and the process of analysis and production / Sabine Schäfer and Joachim Krebs.