The power and the darkness
Subtitle: the life of Josh Gibson in the shadows of the game
By: Mark Ribowsky.
Publisher: Simon & Schuster
Published: 1996
Place of publication: New York
Language: eng
Number of pages: 319
Subjects: Gibson, Josh, 1911-1947; Baseball players -- United States -- Biography; Negro leagues -- History
Description: There's a distinct sound that results from a great hitter making pure contact with a baseball, a thunder-clap of power that lesser hitters can only aspire to. Before his first exposure to Josh Gibson, long-time Negro leagues all-star Buck O'Neil had heard the sound just once, coming from the bat of Babe Ruth.

It is as "the black Babe Ruth" that Gibson is best remembered, but while Ruth invited the adoration of millions with his easy smile, becoming a beloved symbol of the national pastime, Gibson lived his life bathed in the darkness that came both from the shadow world of the Negro leagues and from within his own tortured soul.

The legends that grew up around Gibson are legion. It is said that he is the only man to have hit a fair ball out of Yankee Stadium. Some claim he hit as many as seventy-five home runs in a season. He was a fightening hitter to face, and in addition he played the most demanding position on the field, donning the mask, chest protector, and shin guards - the so-called tools of ignorance - required to play catcher, the defensive team's true leader and quarterback.

What Satchel Paige was to pitching in the Negro leagues, Gibson was to hitting: their greatest star, biggest gate attraction, and most important symbol.

But while Satchel Paige was not just a pitcher but an entertainer, mindful of the need to please the crowd and always ready to join what he called "the social ramble," Gibson was a harder man, a victim of a harder life. Forever haunted by the death in childbirth of the woman he loved, he destroyed his body through drink and drugs even as he kept launching tape-measure home runs into the far reaches of the bleachers.

Even at his peak, it was not unusual for him to spend part of a season in a hospital, drying out or under sedation for his violent rages. If Satchel Paige is baseball's Louis Armstrong, belatedly loved as an accommodating caricature that belies the greatness of his accomplishments, Josh Gibson is its Charlie Parker, a genius dead too soon in a body that bore the consequences of the life he led.
Notes: Includes index.