"Twilight" in Delhi?
Subtitle: architecture, aesthetics, and urbanism in the late Mughal Empire
By: by Chanchal Dadlani
Published: 2009
Language: eng
Number of pages: 331
Description: This dissertation concentrates on architecture and its representation in the late seventeenth and eighteenth centuries in Mughal north India. Though this period has been characterized as part of the so-called "twilight" phase of the Mughal empire, I argue that the long eighteenth century was a period of creative transformation in India. Analysis of art historical materials from the period suggests that this was a dynamic time during which architecture was used to refashion Mughal identity in light of changing sociopolitical contexts. Art historical scholarship has tended to interpret the political losses of this period in sweeping terms, failing to examine a series of key moments in eighteenth-century Mughal architectural history. I explore issues such as architectural experimentation; changing conceptions of public space; piety and patronage; art and cultural exchange; and the codification and contestation of the Mughal historical past and its legacy in architectural representations on paper. Focusing primarily on the Mughal capital at Delhi, I investigate these developments through a consideration of large-scale monuments, sites of urban assembly, architectural plans and studies, and Mughal, French, and British textual sources. Monuments from the period evidenced a striking experimentation with visual form, purposefully drawing on an established, symbolically charged Mughal visual vocabulary while also embodying changing aesthetic sensibilities.

In addition, Delhi witnessed dramatic transformations in the conception, organization, and use of urban public space during this period. I argue that architectural projects were conceived of in relation to this new urban configuration. After tracing these developments, I demonstrate that they were synthesized in the 1753 funerary complex of Safdar Jang. Finally, I analyze the historicization of Mughal monuments articulated in late eighteenth-century representations of architecture, particularly works commissioned by the members of European trading companies based in India. Throughout, I ground my study historically, considering concurrent changes in the political and social order within the Mughal empire, the increased British and French colonial presence in the Indian subcontinent during this period, and the complex cultural negotiations resulting from these circumstances.
Notes: "June 2009."

Thesis (Ph.D., Dept. of History of Art and Architecture)--Harvard University, 2009.

Includes bibliographical references.