The string quartet in Spain
By: Christiane Heine & Juan Miguel González Martínez (eds)
Series: Varia musicologia -- Band 22; Varia musicologica -- Bd. 22.
Publisher: Peter Lang
Published: 2016
Place of publication: Bern; New York
Language: eng
Number of pages: 982
ISBN-13: 9783034316927
Copyright date: 2016
Description: The volume deals with the development of the String Quartet in Spain from the eighteenth century up to the present. It includes 24 studies on composers and specific works from different perspectives, and provides information about the primary and secondary sources located to date.
Notes: Includes bibliographical references (pages 857-931) and index.

Preface, introduction, and 10 essays, in English; 9 in Spanish; 3 in German; 2 in French. Abstracts in English.
Table of contents: title: Fuentes documentales del cuarteto de cuerda en España (1770-c1920)  -- José Carlos Gosálvez Lara; title: Haydn, Boccherini and the Rise of the String Quartet in Late Eighteenth-Century Madrid  -- Miguel Ángel Marín; title: Die zweite Blüte: Spanische Streichquartettproduktion im frühen 20. Jahrhundert  -- Christiane Heine; title: The String Quartet in Spain after 1960: Some Aesthetic Remarks  -- Germán Gan-Quesada; title: Zum Streichquartettschaffen von Luigi Boccherini  -- Christian Speck; title: Luigi Boccherini Composing his Opus ultimum under the Patronage of Spain: Inventiveness, Animation and Sensibility in the Sonata Form Movement of his Fragmentary String Quartet No. 91 in D major Op. 64 No. 2, G249 (1804)  -- Walter Kurt Kreyszig; title: João Pedro Almeida Mota: los cuartetos de un pasticheur en Madrid  -- Màrius Bernadó & José María Domínguez; title: Forma y textura en los primeros cuartetos de Manuel Canales  -- Jorge Fonseca; title: Arriagas Verwendung des spanischen e-Modus. Ein neues Beispiel für eine ältere Tradition?  -- Marie Winkelmüller; title: The String Quartets of Juan Crisóstomo de Arriaga: Experiments in Form, Harmony, and Counterpoint  -- Tim S. Pack; title: Identidad nacionalista en el Quatuor à cordes sur des thèmes populaires basques (1905) de José María Usandizaga: del material temático a su organización formal  -- Stéphan Etcharry; title: Le Quatuor à cordes op. 4 (1910) de Joaquín Turina à la lumière du contexte musical parisien de l'époque  -- Florence Doé de Maindreville; title: A Critical Edition of Conrado del Campo's String Quartet No. 8, "At the Death of his Mother" (1913): Defining the Scope of the Critical Process through the Creation of a Musically Viable Score for Interpreters  -- John Stokes; title: The Forgotten String Quartets (1927-1933) by Gaspar Cassadó  -- Gabrielle Kaufman; title: El Cuarteto en Sol (1936-1937) de Francisco Escudero: ssun programa secreto?  -- Itziar Larrinaga Cuadra; title: Félix Antonio: sus Cuartetos de cuerda  -- Francisco García Álvarez; title: Conrado del Campo's String Quartet No. 12 in B flat major (1948): An Approach to his Compositional Technique  -- Torcuato Tejada Tauste; title: El Cuarteto Indiano (1951) de Xavier Montsalvatge  -- Desirée García Gil; title: Le 3e Quatuor à cordes (1958) de Julián Bautista au sein de l'évolution du langage musical au XXe siècle : une œuvre atonale ou tonétique ?  -- Henri Gonnard; title: Ramón Barce's Quintessential String Quartet No. 5 (1978)  -- Rafael Liñán Vallecillos; title: Mis seis Cuartetos de cuerda  -- Tomás Marco; title: More than Composing for 4 Instruments  -- Alfredo Aracil; title: Componer para cuarteto de cuerda hoy -- la música de cámara en estado puro  -- Benet Casablancas; title: Writings of Space and Memory: The String Quartet as locus amoenus -- José M. Sánchez-Verdú.