Inro and Lacquer from the Jacques Carre Collection
Publisher: BARRY DAVIES ORIENTAL ART
Published: 2000
Language: eng
Format: Hardcover
Number of pages: 102
Description: From the foreword: The origins of the Japanese Inro and the likely date of the earliest examples remain a matter of conjecture, but it is certain that they were in use some time before the death in 1636 of the great warlord Date Masamune, since an Inro decorated with a simple chrysanthemum design was excavated some years ago from his mausoleum in Sendai. By 1686 Inro were listed in the Yoshufushi a gazetteer of Yamashiro province, as one of the craft products of Kyoto, and although several of the most distinguished dynasties of Inro artists, for example the Kajikawa (catalogue number 25) and the Koma (catalogue numbers 10, 21 and 23) were founded in Edo (the former name for Tokyo)

During the seventeenth century, the nature of early Inro decoration suggests that the great majority of Inro made before about 1700 or 1725 came from Kyoto, the traditional centre of the high-quality lacquer industry. This is true not only of Inro showing the influence of the great calligrapher, painter and rejuvenator of classical culture Hon’ami Koetsu (1558—1637) and his followers, but also of examples such as numbers 1 and 2 in the present catalogue. The subject-matter of these two Inro and the similar examples found in many other collections — kirin, dragons and the like — neatly parallels the earliest ivory netsuke carved in Kyoto and Osaka, which so often depict mythological beasts of Chinese origin.

This Chinese design influence was brought to Japan — a century and a half before the well-known mythical creatures illustrated in Soken kisho compiled by Inaba Tsuryu and published in 1781 — thanks to illustrated books such as the Tushubian, a work in 127 juan [volumes compiled during the Wanli period (1573—1620) by Zhang Huang, and the San cai tuhui, published in 1607 and radically revised for a Japanese audience by the Osaka scholar and physician Terajima Ryoan whose version entitled Wakan sansai zue appeared in 1716. Alongside these reference works which tend to give equal status to empirically verifiable information and fantastic travellers’ tales, seventeenth- and eighteenth-century Japanese readers.
Table of contents: value: Foreword, Inro - Design during the Edo and Meiji Periods, Inro and Tabako-ire, Lacquer Boxes, Glossary, Bibliography, Previous Exhibitions,