A practical approach to 16th century counterpoint
By: Robert Gauldin, Eastman School of Music
Edition: Revised edition.
Publisher: Waveland Press
Published: 2013
Place of publication: Long Grove, Illinois
Language: eng
Number of pages: 312
ISBN-13: 9781478604716
Subjects: Counterpoint; History
Other titles: Practical approach to sixteenth century counterpoint
Notes: Includes bibliographical references (pages 293-303) and indexes.
Table of contents: title: Melodic writing with white notes; title: Two-voice texture with white notes; title: Melodic writing with black notes; title: Two-voice texture with black notes; title: Other aspects of two-voice texture; title: Examples of two-voice compositions for analysis; title: Three-voice texture with white notes; title: Cadences in three-voice texture : other white-note dissonance; title: Black notes in three-voice texture : imitation and reentries; title: Paraphrase technique : further studies in canon; title: Examples of three-voice compositions for analysis; title: General considerations of four-voice texture : familiar style; title: Imitation and reentry in four-voice texture : cantus firmus technique; title: Examples of four-voice compositions for analysis; title: Aspects of five- and six-voice texture : triple meter; title: The motet : parody technique; title: Examples of five- and six-voice compositions for analysis; title: Eight-voice texture : polychoral style; title: Examples of eight-voice compositons for analysis; title: Additional harmonic devices in the late sixteenth century; title: Extended musica ficta and chromaticism.