The street was mine
Subtitle: white masculinity in hardboiled fiction and film noir
By: Megan E. Abbott.
Edition: 1st ed.
Publisher: Palgrave Macmillan
Published: 2002
Place of publication: New York
Language: eng
Number of pages: 246
Subjects: Detective and mystery stories, American -- History and criticism.; Detective and mystery films -- United States -- History and criticism.; Film noir -- United States -- History and criticism.; Noir fiction, American -- History and criticism.; City and town life in motion pictures.; Private investigators in literature.; City and town life in literature.; Masculinity in literature.; Men, White, in literature.; Men in motion pictures.
Description: "This book considers a recurrent figure in American literature: the solitary white man moving through urban space. The descendent of nineteenth-century frontier and western heroes, the figure reemerges in 1930s-50s America as the "tough guy." The Street Was Mine looks at the tough guy in the works of hardboiled novelists Raymond Chandler (The Big Sleep) and James M. Cain (Double Indemnity) and their popular film noir adaptations.

Focusing on the way the tough guy negotiates racial and gender "otherness," this study argues that he embodies the promise of an impervious white masculinity amidst the turmoil of the Depression through the beginnings of the Cold War. The book concludes with an analysis of Chester Himes, whose Harlem crime novels (For Love of Imabelle) unleash a ferocious revisionary critique of the tough guy tradition."--BOOK JACKET.
Notes: Includes bibliographical references (p. 229-238) and index.