Dance, identity and integration
Subtitle: tributes to the late Carl Worz and Muriel Topaz ; conference proceedings
By: Congress on Research in Dance ; International Dance Conference, Taiwan, August 1-4, 2004.
Contributors: Congress on Research in Dance.
Publisher: Conference/Taipei National University of the Arts
Published: 2004
Place of publication: Taipei, Taiwan
Language: eng
Number of pages: 344
Subjects: Ballet -- Congresses.
Genres: Congresses.
Notes: Presenters: Hong Kong Academy for Performing Arts, Hong Kong Dance Alliance, Provisional Urban Council, and Provisional Regional Council.

In English and Chinese.
Table of contents: value: The  role of doctoral research in cultural change; value: Dream yourself anew: choreographic strategies in women's solo contemporary dance making; value: Crossing cultural and generational boundaries with a reconstruction of "Bamboo grove"; value: Boost: a healing narrative through somatics and dance; value: Memory fields: creative explorations for movement and analysis; value: Contemporary dance and identity: the Singapore experience; value: Embodying gender struggle and social protest: the influence of tanztheater and the awakening of feminist consciousness in Taiwan's modern dance; value: The  transition of nation identity in Taiwan and the politics of exporting minzu wudao; value: Feminine qualities as conceptual embodiment in Korean dance: decoding Seung-Hee Choi's dance; value: Quest for artistic integrity: Balanchine's musical and choreographic reconstructions; value: New roles for traditional dance and dancers in Thailand; value: Identities in motion; value: Balanchine, Wittgenstein, and Les Ballets Trockadero de Monte Carlo: philosophical insights through artistic parody; value: Expression of dance movement techniques in Peking opera: focusing on segmentation and unification express; value: Emergent cultural and social dance identities in Aotearoa, New Zealand; value: On movement: bodily experiences and the self; value: A  decade of patriotism: the works of Doris Humphrey and Charles Weidman, 1930-1940; value: Wrestling with the angels: from yellow-face performance to performing yello power of modern China (1938-1959); value: Public vs. private displays: reinventing tradition in the dances of Sabah and Sarawak; value: What makes the snake-dissection of a contemporary Southeast Asian work; value: Dance in the plays of Gao Xingjian and David Henry Hwang; value: Gusmiata Suid and Gumarang Sakti: moving forward with tradition; value: Becoming the other in my own land: deconstructing the hidden ideology in the representation of Taiwanese aboriginal dance; value: Singapore ethnic dance development in the socio-economic and socio-political environment; value: To heal, to astonish, to know: what will propel Australian dances' future?; value: Living transformative lives: a doctoral dissertation on the life-world of Finnish contemporary freelance dance artists; value: Ballet class in flux: multiple embodiment and the dancer's cultural agency; value: Dance and socio-cultural identity: two tribes of eastern India in the face of social change; value: Preservation and research of materials of the traditional dancing culture of Yunnan's minority groups (aboriginal); value: A  study of space direction in Sanjai Juku's work: "The egg stands out of curiosity-Unetsu (egg fever)": in comparison to karensansui (dry landscape Japanese garden); value: Endemic species of Caribbean island dance; value: Affirming community identity through dance; value: Performing the post-human: dancing with cognitive systems (2002); value: Folk dances in the postmodern society; value: Riverdance boy; value: Taiwan's female choreographers: the next generation; value: Human rights through the eyes of artists; value: Erick Hawkin's 1991 tour to China and Japan: a reconsideration of Asian aesthetics on his approach to dance; value: Political movements?!; value: Wu shu gong fang yi shi zhi chu tan  = [The  exploration of the notion of "offending and defending" in Chinese martial arts].