The Musician's Guide to Theory and Analysis
By: Jane Piper Clendinning, Florida State University College of Music, Elizabeth West Marvin, Eastman School of Music
Edition: 3rd ed.
Publisher: W. W. Norton & Co.
Published: 2016
Place of publication: New York; London
Language: eng
Format: Hardcover
Number of pages: 1008
ISBN-13: 9780393263053
Copyright date: 2016
Notes: New purchased copies include an access card for 'Total Access' resources, including an interactive ebook, video tutorials, formative quizzes and an online workbook.
Table of contents: title: To our students : Why study music theory?; title: Part one : Elements of music.; title: Pitch and Pitch Class; title: Simple Meters; title: Pitch Collections, Scales, and Major Keys; title: Compound Meters; title: Minor Keys and the Diatonic Modes; title: Intervals; title: Triads; title: Seventh Chords; title: Connecting Intervals in Note-to-Note Counterpoint; title: Melodic and Rhythmic Embellishment in Two-Voice Composition; title: Part two : Diatonic harmony and tonicization.; title: From Species to Chorale Style : Soprano and Bass Lines; title: The Basic Phrase in SATB Style; title: Dominant Sevenths, the Predominant Area, and Chorale Harmonization; title: Expanding the Basic Phrase; title: New Cadence Types and Diatonic Root Progressions; title: Embellishing Tones; title: Voice-Leading Chords: vii-6, vii-7, vii-7, and Others; title: Phrase Structure and Motivic Analysis; title: Diatonic Sequences; title: Secondary Dominant and Leading-Tone Chords to V; title: Tonicizing Scale Degrees Other Than V; title: Part three : Chromatic harmony and form.; title: Modulation to Closely Related Keys; title: Binary and Ternary Forms; title: Invention, Fugue, and Baroque Counterpoint; title: Variation; title: Modal Mixture; title: The Neapolitan Sixth and Augmented-Sixth Chords; title: Vocal Forms; title: Popular Music; title: Chromatic Harmony and Voice-Leading; title: Chromatic Modulation; title: Sonata, Sonatina, and Concerto; title: Rondo, Sonata-Rondo, and Large Ternary; title: Part four : The twentieth century and beyond.; title: Modes, Scales, and Sets; title: Rhythm, Meter, and Form in Music after 1900; title: Music Analysis with Sets; title: Sets and Set Classes; title: Ordered Segments and Serialism; title: Rhythm, Meter, and Form after 1945; title: Recent Trends; title: Appendixes.; title: Try it Answers; title: Glossary; title: The Overtone Series; title: Guidelines for Part-Writing; title: Ranges of Orchestral Instruments; title: Set-Class Table