The American imperial gothic
Subtitle: popular culture, empire, violence
By: Johan Höglund, Linnaeus University, Sweden
Series: The cultural politics of media and popular culture
Publisher: Ashgate
Published: 2014
Place of publication: Farnham, Surrey; Burlington, VT
Language: eng
Number of pages: 211
ISBN-13: 9781409449546; 9781409449553; 9781472406477
Subjects: American literature; History and criticism; Imperialism in literature; War in literature; Gothic fiction (Literary genre); Popular culture; Foreign relations
Description: The imagination of the early twenty-first century is catastrophic, with Hollywood blockbusters, novels, computer games, popular music, art and even political speeches all depicting a world consumed by vampires, zombies, meteors, aliens from outer space, disease, crazed terrorists and mad scientists. These frequently gothic descriptions of the apocalypse not only commodify fear itself; they articulate and even help produce imperialism. Building on, and often retelling, the British 'imperial gothic' of the late nineteenth century, the American imperial gothic is obsessed with race, gender, degeneration and invasion, with the destruction of society, the collapse of modernity and the disintegration of capitalism.Drawing on a rich array of texts from a long history of the gothic, this book contends that the doom faced by the world in popular culture is related to the current global instability, renegotiation of worldwide power and the American bid for hegemony that goes back to the beginning of the Republic and which have given shape to the first decade of the millennium. From the frontier gothic of Charles Brockden Brown's Edgar Huntly to the apocalyptic torture porn of Eli Roth's Hostel, the American imperial gothic dramatises the desires and anxieties of empire. Revealing the ways in which images of destruction and social upheaval both query the violence with which the US has asserted itself locally and globally, and feed the longing for stable imperial structures, this book will be of interest to scholars and students of popular culture, cultural and media studies, literary and visual studies and sociology.
Notes: Includes bibliographical references (pages 179-198) and index.
Table of contents: title: Introduction : the American imperial gothic; title: Imperial frontier gothic; title: The gothic of benevolent assimilation; title: Cold war horror; title: Post-vietnam gothic; title: 11 September and the gothic war on terror; title: Afghanistan, Iraq and the new frontiers of the imperial gothic; title: Militarising the virtual gothic; title: Tales of torture and invasion; title: The imperial gothic of the post-apocalypse; title: Conclusion.