Who hears in Shakespeare?
Subtitle: Shakespeare's auditory world, stage and screen
By: editors, Laury Magnus, Walter W. Cannon
Publisher: Fairleigh Dickinson University Press; Rowman & Littlefield
Published: 2011
Place of publication: Madison; Lanham, Md
Language: eng
Number of pages: 249
ISBN-13: 9781611474749; 9781611474756
Subjects: Speech in literature; Listening in literature; Oral communication in literature; Voice in literature; Film adaptations; Dramatic production
Notes: Includes bibliographical references and index.
Table of contents: title: Why was the Globe round? / Andrew Gurr; title: Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh; title: Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon; title: If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl; title: Mimetic hearing and meta-hearing in Hamlet / David Bevington; title: Hearing and overhearing in The tempest / David Bevington; title: Asides and multiple audiences in The merchant of Venice / Anthony Burton; title: And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith; title: Hearing power in Measure for measure / Bernice W. Kliman; title: Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill; title: Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard; title: Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill; title: But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear.