Der Todten-Tanz, wie derselbe in der weitber©ơhmten Stadt Basel, als ein Spiegel menschlicher Beschaffenheit, ganz k©ơnstlich mit lebendigen Farben gemahlet, nicht ohne n©ơtzliche Verwunderung zu sehen ist = La Danse des morts, miroir de la nature humaine, peinte en couleurs v©♭ritables, telle qu'elle se voit non sans une utile admiration. Dans la c©♭l©·bre ville de B©Øle
By: [engraved by G. Scharffenberg and J.H. Klauber after the original cooper plates of M. Merian]
Contributors: Holbein, Hans, 1460-1524 (Attributed name); Scharffenberg, Georg, approximately 1530-1607 or 1608 (Engraver); Klauber, Hans-Hugo (Engraver); Royal College of Physicians of London
Publisher: bei M©Þhley-Lamy
Published: 1843
Place of publication: Basel
Number of pages: 98
Subjects: Dance of Death
Notes: Reprints of the plates that were issued by G. von Mechel in 1796, partly after the Basle paintings, and partly after Holbein's designs.

This material has been provided by Royal College of Physicians, London. The original may be consulted at Royal College of Physicians, London.

Royal College of Physicians, London.