Art & Architecture on 1001 Afternoons in Chicago
Subtitle: Essays and Tall Tales of Artists and the Cityscape of the 1920s
Publisher: Snickersnee Press
Published: 2003
Place of publication: Washington, DC
Format: Hardcover oblong book printed on cream paper stock by Acme of Boston.
Number of pages: 114
Table of contents: title: The Faithful Lorelei by Ben Hecht
label: My Last  Park Bench by  Ben Hecht; title: A Letter to Ta-Samo by Ben Hecht
label: Urbimania by Ben Hecht; title: Wild Roofs by Ben Hecht
label: In Behalf of Art by Ben Hecht; title: Dracula Film Still
label: Nicholas Roerich by Ben Hecht; title: Gallery IV:  Herman Rosse
label: Nothing Sacred Film Still; title: Photo Memories of Berlin DaDa
label: Gallery I:  Stanislav Szukalski; title: Da Da by Ben Hecht
label: Hecht by Way of Illustration; title: Janitor Joe and the Higher Criticism
label: The Indestructible Masterpiece by Ben Hecht; title: Study in Still Life by Ben Hecht
label: Notes by a Bogus Classiscist by Ben Hecht; title: Gaily Gaily Film Still
label: Enchanted Exiles by Ben Hecht; title: Skyscrapers by Hecht's Illustrators
label: Herman Sachs in Los Angeles; title: The New Skyscraper by Ben Hecht
label: Hoch das Dadaismus by Ben Hecht; title: Peer Gynt's Panhandle by Ben Hecht
label: Soak the Rich Film Still; title: My Last Park Bench by Ben Hecht
label: Gallery II:  George Grosz Americana; title: Notes and Embellishments by Florice Whyte Kovan
label: Afterword by Florice Whyte Kovan; title: Bibliography
label: The Art Institute of Chicago; title: Sahara by Ben Hecht; title: Gallery III:  Chicago No-Jury Artists; label: Skyscrapers by Rosse