Music patronage in Italy
By: edited by Galliano Ciliberti
Series: Studies on Italian Music History -- volume 15; Studies on Italian music history -- v. 15.
Publisher: Brepols
Published: 2021
Place of publication: Turnhout
Language: eng
Number of pages: 491
ISBN-13: 9782503595443
Subjects: Music patronage; History
Description: This book focuses on the various aspects of music patronage in Italy from the fifteenth to the eighteenth century. During the Renaissance and throughout the Baroque and Classical periods, musical production was linked to patronage. There are essentially two types of patronage. The first relates to political institutions, to public life, and aims to promote musical events that highlight the wealth and power of the patron in the eyes of rival courts and subjects - hence the birth of the court chapels. The second type belongs to the private sphere, in which the patron, of noble birth and as such in possession of high moral and intellectual virtues, has a discriminating artistic sensibility - hence the promotion of chamber music activities, the collecting of rare and valuable musical instruments, and the compilation and collection of musical manuscripts, possibly in deluxe or personalized copies. This musical production system lasted until the middle of the nineteenth century, when the advent of capitalism and the rise of the bourgeois class caused the decline of patronage.
Notes: Includes bibliographical references and index.