Mothers and daughters in post-revolutionary Mexican literature
By: Teresa M. Hurley.
Series: Colección Támesis. Serie A, Monografías ;; 197
Publisher: Támesis
Published: 2003
Place of publication: Woodbridge, Suffolk, UK; Rochester, N.Y
Language: eng
Number of pages: 212
Subjects: Campobello, Nellie.; Castellanos, Rosario.; Garro, Elena.; Poniatowska, Elena.; Mexican fiction -- 20th century -- History and criticism.; Mothers and daughters in literature.
Description: "Nellie Campobello, Rosario Castellanos, Elena Garro and Elena Poniatowska, all born in the first half of the twentieth century, explore in a unique genre - a combination of memoir, autobiography and historical novel - some of the myths about women current in Mexico at the time.

Prime among these is that of the madre abnegada; the self-sacrificing mother, devoted exclusively to her children at the expense of her own fulfilment. In this study the mothers' dissenting voices are exposed, as are the feelings of the daughters who appear devoted to their mothers but feel resentment at what they perceive as their mother's emotional distance.

The antithesis of the madre abnegada is the mujer mala, the whore, a notion the author also questions by revealing the complexity of the mother-daughter relationship, through which women may perpetuate their own oppression."--Jacket.
Notes: Includes bibliographical references (p. [195]-206) and index.
Table of contents: title: Women and writing during and after the Mexican Revolution; title: Mother, memory and multivocality in Nellie Campobello's Cartucho and Las manos de mamá; title: Sensibility and subalternity : memory and mother-figures in Rosario Castellanos's Balún-Canán; title: Multivocality and gendered time in Elena Garro's Los recuerdos del porvenir; title: Mother/country and identity in Elena Poniatowska's La 'flor de lis'.