Exploring Literature
Subtitle: Fourth Edition
Edition: Fourth Edition (1), Sampler
Publisher: Pearson Longman
Published: 2009
Place of publication: New York
Language: eng
Format: paperback
Number of pages: 1337
ISBN-13: 9780205640201
Copyright date: 2009
Table of contents: title: Alternate Contents by Genre xxi; title: Preface to Instructor xxvii; title: About the Author xxxv; title: PART I MAKING CONNECTIONS 1; title: CHAPTER 1; title: Participation: Personal Response and Critical Thinking 3; title: The Personal Dimension of Reading Literature 3; title: Personal Response and Critical Thinking 4; title: Writing to Learn 4; title: Your First Response 4; title: Checklist:Your First Response 5; title: Keeping a Journal or Reading Log 5; title: Double-Entry Journals and Logs 7; title: The Social Nature of Learning: Collaboration 7; title: Personal, Not Private 8; title: Ourselves as Readers 8; title: Different Kinds of Reading 8; title: PETER MEINKE, Advice to My Son 9; title: Making Connections with Literature 10; title: Images of Ourselves 11; title: Connecting Through Experience 11; title: PAUL ZIMMER, Zimmer in Grade School 11; title: Connecting Through Experience 12; title: STEVIE SMITH, Not Waving but Drowning 12; title: Culture, Experience, and Values 12; title: Connecting Through Experience 13; title: ROBERT HAYDEN, Those Winter Sundays 13; title: Connecting Through Experience 14; title: MARGE PIERCY, Barbie Doll 14; title: Being in the Moment 15; title: NEW YORK TIMES, "Birmingham Bomb Kills 4" 16; title: DUDLEY RANDALL, Ballad of Birmingham 17; title: Participating, Not Solving 19; title: Using Our Imaginations 19; title: The Whole and Its Parts 20; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page vii; title: viii Detailed Contents; title: CHAPTER 2; title: Communication: Writing a Response Essay 21; title: The Response Essay 21; title: Checklist:The Basics of a Response Essay 22; title: Voice and Writing 22; title: Voice and Response to Literature 23; title: Connecting Through Experience 23; title: COUNTEE CULLEN, Incident 24; title: Writing to Describe 25; title: Choosing Details 25; title: Choosing Details from Literature 26; title: Connecting Through Experience 26; title: SANDRA CISNEROS, Eleven 26; title: Writing to Compare 29; title: Comparing and Contrasting Using a Venn Diagram 29; title: Connecting Through Experience 31; title: ANNA QUINDLEN, Mothers 31; title: Connecting Through Experience 32; title: LANGSTON HUGHES, Salvation 32; title: Possible Worlds 34; title: From First Response to Final Draft 36; title: The Importance of Revision 37; title: Using First or Third Person in Formal Essays 37; title: Step 1: Using Your First Response 38; title: Step 2: Choosing a Topic 38; title: Step 3: Brainstroming 38; title: Extending Your Ideas 38; title: Semantic Mapping, or Clustering 41; title: Mix and Match 42; title: Generating Ideas Through Collaboration 42; title: Step 4: Composing a Draft 42; title: Dierdre's Draft 43; title: Step 5: Revision 46; title: Checklist: Revision 46; title: Revising Dierdre's Draft 47; title: Formatting and Documenting Your Essay 48; title: Checklist: Basics for a Literary Essay 48; title: Checklist: Editing and Proofreading 49; title: Step 6: Dierdre's Revised Essay 50; title: PART II ANALYSIS, ARGUMENTATION, AND RESEARCH 53; title: CHAPTER 3; title: Exploration and Analysis: Genre and the Elements of Literature 55; title: Close Reading 55; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page viii; title: Detailed Contents ix; title: Annotating the Text 56; title: First Annotation: Exploration 56; title: PERCY BYSSHE SHELLEY, Ozymandias 56; title: Second Annotation: Analysis 57; title: Literature in Its Many Contexts 57; title: Your Critical Approach 57; title: Reading and Analyzing Fiction 58; title: Narration 58; title: Point of View 59; title: Setting 60; title: Conflict 61; title: Plot 62; title: Character 63; title: Language and Style 64; title: Diction 64; title: Symbol 64; title: Irony 65; title: Theme 65; title: Checklist:Analyzing Fiction 66; title: Getting Ideas for Writing About Fiction 67; title: KATE CHOPIN, The Story of an Hour 67; title: Reading and Analyzing Poetry 71; title: Language and Style 72; title: Denotation and Connotation 72; title: Voice 72; title: Tone 72; title: Irony 73; title: STEPHEN CRANE, War Is Kind 73; title: Imagery 74; title: HELEN CHASIN, The Word Plum 74; title: ROBERT BROWNING, Meeting at Night 75; title: Parting at Morning 75; title: Figurative Language: Everyday Poetry 75; title: LANGSTON HUGHES, A Dream Deferred 76; title: N. SCOTT MOMADAY, Simile 76; title: CARL SANDBURG, Fog 77; title: JAMES STEPHENS, The Wind 78; title: Symbol 78; title: ROBERT FROST, The Road Not Taken 78; title: Sound and Structure 79; title: Alliteration, Assonance, and Rhyme 79; title: Rhyme and Rhythm: Limericks 80; title: Meter 81; title: Formal Verse: The Sonnet 81; title: WILLIAM SHAKESPEARE, Sonnet No.29 82; title: Blank Verse 82; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page ix; title: x Detailed Contents; title: Free or Open Form Verse 83; title: WALT WHITMAN, When I Heard the Learn'd Astronomer 83; title: Interpretation: What Does the Poem Mean? 83; title: Explication 84; title: Types of Poetry 84; title: Lyric Poetry 84; title: Narrative Poetry 85; title: Checklist:Analyzing Poetry 85; title: Getting Ideas for Writing About Poetry 86; title: MAY SWENSON, Pigeon Woman 86; title: Reading and Analyzing Drama 89; title: Reading a Play 90; title: Point of View 90; title: Set and Setting 90; title: Conflict 91; title: Plot 91; title: The Poetics 92; title: Tragedy 92; title: Comedy 92; title: Characterization 93; title: Language and Style 93; title: Diction 93; title: Symbol 94; title: Irony 94; title: Theme 94; title: Periods of Drama: A Brief Background 95; title: Greek Drama 95; title: Shakespearean Drama 96; title: Tips on Reading the Language of Shakespeare 98; title: Modern Drama 100; title: Checklist:Analyzing Drama 102; title: Getting Ideas for Writing About Drama 103; title: Tips on Reading AntigonÉ 103; title: SOPHOCLES, AntigonÉ 104; title: Reading and Analyzing Essays 137; title: Types of Essays 138; title: Narrative 138; title: Expository 138; title: Argumentative 139; title: Language, Style, and Structure 139; title: Formal or Informal 139; title: Voice 139; title: Irony 140; title: Word Choice and Style 140; title: Theme: What's the Point? 140; title: The Aims of an Essay: Inform, Preach, or Reveal 140; title: Checklist:Analyzing Essays 141; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page x; title: Getting Ideas for Writing About the Essay 141; title: AMY TAN, Mother Tongue 142; title: CHAPTER 4; title: Argumentation: Writing a Critical Essay 148; title: The Critical Essay 148; title: Suzanne's Response to AntigonÉ 149; title: Interpretation and Evaluation 149; title: Interpretation: What Does it Mean? 150; title: Evaluation:How Well Does it Work? 150; title: Options for a Critical Essay: Process and Product 151; title: Checklist: Options for a Critical Essay 151; title: An Analytical Essay 153; title: A Comparative Essay 155; title: A Thematic Essay 155; title: A Philosophical or Ethical Evaluation 156; title: A Contextual Essay 156; title: Argumentation:Writing a Critical Essay 156; title: The Shape of an Argument 157; title: Checklist:Writing a Critical Essay 157; title: Planning Your Argument 159; title: Supporting Your Argument: Induction and Substantiation 160; title: Opening, Closing, and Revising Your Argument 164; title: From First Response to Critical Essay 165; title: The Development of a Critical Essay 166; title: Step 1: Planning an Argument 166; title: Step 2: Supporting the Argument 166; title: Suzanne's Draft 167; title: Step 3: Revising the Essay 169; title: Step 4: Suzanne's Revised Essay 171; title: CHAPTER 5; title: Research: Writing with Secondary Sources 174; title: The Research Essay 174; title: Creating, Expanding, and Joining Interpretive Communities 175; title: It Is Your Interpretation 175; title: Getting Started 176; title: Choosing a Topic 176; title: Some Popular Areas of Literary Research 176; title: Your Search 177; title: People 177; title: The Library 177; title: Reference Works 178; title: Some Other Encyclopedias and Indexes Useful for Literary Research 178; title: Some Bibliographies,Indexes, and Abstracts Useful for Literary Research 179; title: Finding Sources on the Internet 180; title: Detailed Contents xi; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page xi; title: Some Internet Sources Useful for Literary Research 181; title: Evaluating Internet Sources 181; title: Checklist: Evaluating Internet Sources 181; title: Taking Notes 182; title: Integrating Sources into Your Writing 182; title: What Must Be Documented 183; title: Where and How 183; title: Paraphrasing and Summarizing 183; title: Quoting 184; title: Avoiding Plagiarism 184; title: Examples of Paraphrasing,Summarizing, Quoting, and Plagiarizing 185; title: From First Response to Research Essay 186; title: Checklist:Writing a Research Essay 186; title: CASE STUDY IN RESEARCH; title: James Joyce and "Eveline" 189; title: JAMES JOYCE, Eveline 190; title: Professor Devenish's Commentary 193; title: Kevin's Motivation and Process 194; title: A Student Research Essay-"Leaving Home" 196; title: PART III A THEMATIC ANTHOLOGY 201; title: Family and Friends 202; title: A Dialogue Across History 203; title: Family and Friends: Exploring Your Own Values and Beliefs 205; title: Reading and Writing About Family and Friends 205; title: FICTION 206; title: CHINUA ACHEBE, Marriage Is a Private Affair 206; title: JAMES BALDWIN, Sonny's Blues 211; title: JOHN CHEEVER, Reunion 233; title: LOUISE ERDRICH, The Red Convertible 236; title: LINDA CHING SLEDGE, The Road 243; title: AMY TAN, Two Kinds 250; title: EUDORA WELTY, A Worn Path 259; title: POETRY 265; title: Connecting Through Comparison:Remembrance 265; title: ELIZABETH GAFFNEY, Losses That Turn Up in Dreams 265; title: WILLIAM SHAKESPEARE, When to the Sessions of Sweet Silent Thought; title: (Sonnet No. 30) 266; title: JULIA ALVAREZ, Dusting 267; title: ROBERT FROST, Mending Wall 268; title: SEAMUS HEANEY, Digging 270; title: PHILIP LARKIN, This Be the Verse 272; title: MICHAEL LASSELL, How to Watch Your Brother Die 273; title: LI-YOUNG LEE, The Gift 276; title: JANICE MIRIKITANI, For My Father 278; title: SHARON OLDS, 35/10 280; title: xii Detailed Contents; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page xii; title: THEODORE ROETHKE, My Papa's Waltz 281; title: CATHY SONG, The Youngest Daughter 282; title: DRAMA 284; title: TENNESSEE WILLIAMS, The Glass Menagerie 284; title: ESSAYS 335; title: BELL HOOKS, Inspired Eccentricity 335; title: MARK TWAIN, Advice to Youth 340; title: CASE STUDY IN BIOGRAPHICAL CONTEXT; title: Lorraine Hansberry and A Raisin in the Sun 343; title: LORRAINE HANSBERRY, A Raisin in the Sun 344; title: Lorraine Hansberry-In Her Own Words 408; title: In Others'Words 414; title: JAMES BALDWIN, Sweet Lorraine 414; title: JULIUS LESTER, The Heroic Dimension in A Raisin in the Sun 416; title: ANNE CHENEY, The African Heritage in A Raisin in the Sun 419; title: STEVEN R. CARTER, Hansberry's Artistic Misstep 421; title: MARGARET B. WILKERSON, Hansberry's Awareness of Culture and; title: Gender 422; title: MICHAEL ANDERSON, A Raisin in the Sun: A Landmark Lesson in Being; title: Black 424; title: A Student Essay 428; title: Exploring the Literature of Family and Friends: Making Connections and; title: Arguments 432; title: Making Connections 432; title: Making an Argument 432; title: A Research Option 433; title: Writing About Connections Across Themes 433; title: Collaboration:Writing and Revising with Your Peers 434; title: A Writing/Research Portfolio Option 434; title: Innocence and Experience 435; title: A Dialogue Across History 436; title: Innocence and Experience: Exploring Your Own Values and Beliefs 438; title: Reading and Writing About Innocence and Experience 438; title: FICTION 439; title: JULIA ALVAREZ, Snow 439; title: TONI CADE BAMBARA, The Lesson 440; title: THOMAS BULFINCH, The Myth of Daedalus and Icarus 446; title: RALPH ELLISON, Battle Royal 448; title: LILIANA HEKER, The Stolen Party 459; title: JAMES JOYCE, Araby 463; title: JOYCE CAROL OATES, Where Are You Going, Where Have You Been? 468; title: FRANK O'CONNOR, Guests of the Nation 480; title: Two Readers-Two Different Views:Exploring A&P and Making; title: Connections 489; title: JOHN UPDIKE, A&P 490; title: Two Student Essays-Two Different Views 495; title: Detailed Contents xiii; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page xiii; title: POETRY 500; title: Connecting Through Comparison: The City 500; title: WILLIAM BLAKE, London 500; title: WILLIAM WORDSWORTH, Composed upon Westminster Bridge,; title: September 3, 1802 501; title: Connecting Through Comparison: The Chimney Sweepers 502; title: WILLIAM BLAKE, The Chimney Sweeper (From Songs of Innocence) 502; title: The Chimney Sweeper (From Songs of Experience) 503; title: MARGARET ATWOOD, Siren Song 504; title: ROBERT FROST, "Out, Out. . ." 505; title: SEAMUS HEANEY, Mid-Term Break 507; title: A. E. HOUSMAN, When I Was One-and-Twenty 508; title: EDGAR LEE MASTERS, Spoon River Anthology #111: Ernest Hyde 509; title: EDWIN ARLINGTON ROBINSON, Richard Cory 510; title: ANNE SEXTON, Pain for a Daughter 512; title: WALT WHITMAN, There Was a Child Went Forth 514; title: ESSAYS 517; title: JUDITH ORTIZ COFER, I Fell in Love, or My Hormones Awakened 517; title: EDWARD CONLON, The Midnight Tour 521; title: DAVID SEDARIS, The Learning Curve 529; title: CASE STUDY IN THEATRICAL CONTEXT; title: Hamlet and Performance 536; title: Interpretation and Performance 536; title: Multiple Interpretations of Hamlet 536; title: WILLIAM SHAKESPEARE, Hamlet, Prince of Denmark 537; title: Desperately Seeking Hamlet: Four Interpretations 662; title: Olivier's Hamlet 663; title: Jacobi's Hamlet 663; title: Gibson's Hamlet 664; title: Branagh's Hamlet 664; title: From Part to Whole, from Whole to Part 665; title: A Student Essay-Explication and Analysis of the "To be, or not to be"; title: Soliloquy 665; title: A Critic's Influential Interpretation 669; title: ERNEST JONES, Hamlet's Oedipus Complex 669; title: Hamlet On Screen 671; title: BERNICE W. KLIMAN, The BBC Hamlet 671; title: CLAIRE BLOOM, Playing Gertrude on Television 673; title: STANLEY KAUFFMANN, Branagh's Hamlet 674; title: RUSSELL JACKSON, A Film Diary of the Shooting of Kenneth Branagh's; title: Hamlet 677; title: Exploring the Literature of Innocence and Experience: Making Connections; title: and Arguments 679; title: A Research Option 680; title: Writing About Connections Across Themes 680; title: Collaboration:Writing and Revising with Your Peers 682; title: A Writing/Research Portfolio Option 682; title: xiv Detailed Contents; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page xiv; title: CASE STUDY IN AESTHETIC CONTEXT; title: Poetry and Painting 683; title: Making Connections with Painting and Poetry 685; title: PIETER BRUEGHEL THE ELDER: Landscape with the Fall of Icarus 686; title: W.H. AUDEN: Mus¿e des Beaux Arts 686; title: ALAN DEVENISH: Icarus Again 687; title: JACOPO TINTORETTO: Crucifixion 688; title: N. SCOTT MOMADAY: Before an Old Painting of the Crucifixion 689; title: EDWARD HOPPER: Nighthawks 690; title: SAMUEL YELLEN: Nighthawks 691; title: VINCENT VAN GOGH: Starry Night 692; title: ANNE SEXTON: The Starry Night 693; title: HENRI MATISSE: Dance 694; title: NATALIE SAFIR: Matisse's Dance 695; title: JEAN-FRANCOIS MILLET: The Gleaners 696; title: MARY ELLEN LECLAIR: The Clark Institute: Labor Day, 1999 697; title: EDWIN ROMANZO ELMER: Mourning Picture 698; title: ADRIENNE RICH: Mourning Picture 699; title: JAN VERMEER: The Loveletter 700; title: SANDRA NELSON: When a Woman Holds a Letter 700; title: A Student's Comparison and Contrast Essay: Process and Product 701; title: Exploring Poetry and Painting:Making Connections and; title: Arguments 708; title: Women and Men 709; title: A Dialogue Across History 710; title: Women and Men: Exploring Your Own Values and Beliefs 712; title: Reading and Writing About Women and Men 712; title: FICTION 713; title: ANTON CHEKHOV, The Lady with the Pet Dog 713; title: CHARLOTTE PERKINS GILMAN, The Yellow Wallpaper 725; title: BESSIE HEAD, Life 737; title: ERNEST HEMINGWAY, Hills Like White Elephants 745; title: D. H. LAWRENCE, The Horse Dealer's Daughter 750; title: BOBBIE ANN MASON, Shiloh 762; title: ROSARIO MORALES, The Day It Happened 773; title: POETRY 776; title: Connecting Through Comparison: Be My Love 776; title: CHRISTOPHER MARLOWE, The Passionate Shepherd to His Love 776; title: WALTER RALEIGH, The Nymph's Reply to the Shepherd 777; title: ANDREW MARVELL, To His Coy Mistress 778; title: MAYA ANGELOU, Phenomenal Woman 780; title: MARGARET ATWOOD, You Fit into Me 782; title: ELIZABETH BARRETT BROWNING, How Do I Love Thee? 783; title: ROBERT BROWNING, Porphyria's Lover 784; title: NIKKI GIOVANNI, Woman 786; title: JUDY GRAHN, Ella, in a Square Apron, Along Highway 80 788; title: ESSEX HEMPHILL, Commitments 789; title: EDNA ST. VINCENT MILLAY, What Lips My Lips Have Kissed, and Where,; title: and Why 790; title: Detailed Contents xv; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page xv; title: Love Is Not All 791; title: PABLO NERUDA, The Fickle One 792; title: SHARON OLDS, Sex Without Love 793; title: SYLVIA PLATH, Mirror 794; title: ALBERTO RIOS, The Purpose of Altar Boys 796; title: Connecting Through Comparison: Shall I Compare Thee? 797; title: WILLIAM SHAKESPEARE,; title: Shall I Compare Thee to a Summer's Day? (Sonnet No. 18) 797; title: My Mistress' Eyes Are Nothing Like the Sun (Sonnet No. 130) 798; title: HOWARD MOSS, Shall I Compare Thee to a Summer's Day? 798; title: Connecting and Comparing Across Genres: Cinderella 800; title: JACOB LUDWIG KARL GRIMM AND WILHELM KARL GRIMM, Cinderella 800; title: ANNE SEXTON, Cinderella 804; title: BRUNO BETTELHEIM, Cinderella 807; title: DRAMA 813; title: ANTON CHEKHOV, The Proposal 813; title: Connecting and Comparing Across Genres: Fiction and Drama 824; title: SUSAN GLASPELL, Trifles 824; title: A Jury of Her Peers 835; title: ESSAYS 851; title: SEI SHÍNAGAN, A Lover's Departure 851; title: VIRGINIA WOOLF, If Shakespeare Had a Sister 852; title: CASE STUDY IN HISTORICAL CONTEXT; title: Women in Culture and History 855; title: HENRIK IBSEN, A Doll's House 856; title: The Adams Letters 915; title: A Husband's Letter to His Wife 916; title: SOJOURNER TRUTH, Ain't I a Woman 917; title: HENRIK IBSEN, Notes for the Modern Tragedy 918; title: The Changed Ending of A Doll's House for a German Production 919; title: Speech at the Banquet of the Norwegian League for Women's Rights 919; title: ELIZABETH CADY STANTON, Excerpt from "The Solitude of Self" 920; title: WILBUR FISK TILLETT, Excerpt from "Southern Womanhood" 921; title: DOROTHY DIX, The American Wife 922; title: Women and Suicide 922; title: CHARLOTTE PERKINS STETSON (GILMAN), Excerpt from "Women and; title: Economics" 923; title: NATALIE ZEMON DAVIS AND JILL KER CONWAY, The Rest of the Story 925; title: A Student Essay 931; title: Exploring the Literature of Women and Men: Making Connections and; title: Arguments 935; title: A Research Option 936; title: Writing About Connections Across Themes 936; title: Collaboration:Writing and Revising with Your Peers 937; title: A Writing/Research Portfolio Option 938; title: Culture and Identity 939; title: A Dialogue Across History 940; title: Culture and Identity: Exploring Your Own Values and Beliefs 942; title: xvi Detailed Contents; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page xvi; title: Reading and Writing About Culture and Identity 942; title: FICTION 943; title: T. CORAGHESSAN BOYLE, Greasy Lake 943; title: KATE CHOPIN, D¿sir¿e's Baby 951; title: WILLIAM FAULKNER, A Rose for Emily 955; title: JAMAICA KINCAID, Girl 962; title: THOMAS KING, Borders 964; title: GABRIEL GARCIA MARQUEZ, A Very Old Man with Enormous; title: Wings 972; title: TAHIRA NAQVI, Brave We Are 977; title: ALICE WALKER, Everyday Use 982; title: POETRY 1004; title: Connecting Through Comparison: The Mask We Wear 989; title: W. H. AUDEN, The Unknown Citizen 989; title: PAUL LAURENCE DUNBAR, We Wear the Mask 990; title: T. S. ELIOT, The Love Song of J. Alfred Prufrock 991; title: SHERMAN ALEXIE, On the Amtrak from Boston to New York City 996; title: GLORIA ANZALDòA, To Live in the Borderlands Means You 998; title: ELIZABETH BISHOP, In the Waiting Room 1000; title: GWENDOLYN BROOKS, We Real Cool 1003; title: E.E. CUMMINGS, anyone lived in a pretty how town 1004; title: MARTIN ESPADA, Latin Night at the Pawn Shop 1006; title: PAT MORA, Immigrants 1007; title: EDWIN ARLINGTON ROBINSON, Mr. Flood's Party 1008; title: JOHN UPDIKE, Ex-Basketball Player 1010; title: WILLIAM CARLOS WILLIAMS, At the Ball Game 1011; title: WILLIAM BUTLER YEATS, The Lake Isle of Innisfree 1013; title: Connecting Through Comparison: What Is Poetry? 1014; title: ARCHIBALD MACLEISH, Ars Poetica 1014; title: LAWRENCE FERLINGHETTI, Constantly Risking Absurdity 1015; title: BILLY COLLINS, Introduction to Poetry 1017; title: DRAMA 1018; title: SOPHOCLES, Oedipus Rex 1018; title: LUIS VALDEZ, Los Vendidos 1061; title: ESSAYS 1070; title: Connecting Through Comparison:Work and Identity 1070; title: RICHARD RODRIGUEZ, Workers 1070; title: MARGE PIERCY, To Be of Use 1074; title: JOAN DIDION, Why I Write 1075; title: FREDERICK DOUGLASS, Learning to Read and Write 1080; title: MARTIN LUTHER KING, JR., I Have a Dream 1085; title: CHARLES FRUEHLING SPRINGWOOD AND C. RICHARD KING, 'Playing Indian':; title: Why Native American Mascots Must End 1089; title: JONATHAN SWIFT, A Modest Proposal 1093; title: HENRY DAVID THOREAU, From Civil Disobedience 1099; title: CASE STUDY IN CULTURAL CONTEXT; title: Writers of the Harlem Renaissance 1102; title: ALAIN LOCKE, The New Negro 1103; title: LANGSTON HUGHES, From The Big Sea 1112; title: The Negro Artist and the Racial Mountain 1116; title: The Negro Speaks of Rivers 1119; title: Detailed Contents xvii; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page xvii; title: I, Too 1120; title: The Weary Blues 1120; title: One Friday Morning 1121; title: Theme for English B 1127; title: CLAUDE MCKAY, America 1128; title: GWENDOLYN B. BENNETT, Heritage 1128; title: JEAN TOOMER, Reapers 1129; title: COUNTEE CULLEN, Yet Do I Marvel 1130; title: From the Dark Tower 1131; title: ANNE SPENCER, Lady, Lady 1131; title: GEORGIA DOUGLAS JOHNSON, I Want to Die While You Love Me 1132; title: ZORA NEALE HURSTON, Sweat 1132; title: Commentary on "The Negro Speaks of Rivers" 1140; title: Langston Hughes 1140; title: Jessie Fauset 1142; title: Onwuchekwa Jemie 1142; title: R. Baxter Miller 1143; title: ALICE WALKER, Zora Neale Hurston:A Cautionary Tale and a; title: Partisan View 1143; title: A Sample Student Essay 1145; title: Exploring the Literature of Culture and Identity: Making Connections and; title: Arguments 1147; title: A Research Option 1148; title: Writing About Connections Across Themes 1149; title: Collaboration:Writing and Revising with Your Peers 1150; title: A Writing/Research Portfolio Option 1150; title: Faith and Doubt 1152; title: A Dialogue Across History 1153; title: Faith and Doubt: Exploring Your Own Values and Beliefs 1155; title: Reading and Writing About Faith and Doubt 1155; title: FICTION 1155; title: RAYMOND CARVER, Cathedral 1155; title: NATHANIEL HAWTHORNE, Young Goodman Brown 1167; title: PAM HOUSTON, A Blizzard Under Blue Sky 1176; title: TIM O'BRIEN, The Things They Carried 1180; title: FLANNERY O'CONNOR, A Good Man Is Hard to Find 1193; title: LUIGI PIRANDELLO, War 1205; title: JOHN STEINBECK, The Chrysanthemums 1208; title: POETRY 1216; title: Connecting Through Comparison: September 11, 2001 1216; title: DEBORAH GARRISON, I Saw You Walking 1216; title: BRIAN DOYLE, Leap 1217; title: BILLY COLLINS, The Names 1219; title: MATTHEW ARNOLD, Dover Beach 1221; title: ROBERT BRIDGES, London Snow 1223; title: STEPHEN CRANE, The Wayfarer 1224; title: A Man Said to the Universe 1225; title: xviii Detailed Contents; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page xviii; title: Detailed Contents xix; title: JOHN DONNE, A Valediction Forbidding Mourning 1125; title: Death, Be Not Proud 1226; title: MARK DOTY, Brilliance 1227; title: ROBERT FROST, Fire and Ice 1229; title: TESS GALLAGHER, The Hug 1230; title: THOMAS HARDY, Hap 1232; title: A.E. HOUSMAN, To an Athlete Dying Young 1233; title: JOHN KEATS, When I Have Fears That I May Cease To Be 1234; title: GALWAY KINNELL, Saint Francis and the Sow 1235; title: WILLIAM STAFFORD, Traveling Through the Dark 1237; title: DYLAN THOMAS, Do Not Go Gentle into That Good Night 1238; title: WALT WHITMAN, Song of Myself 6 1239; title: Connecting Through Comparison: The Impact of War 1240; title: THOMAS HARDY, The Man He Killed 1240; title: AMY LOWELL, Patterns 1241; title: WILFRED OWEN, Dulce et Decorum Est 1244; title: CARL SANDBURG, Grass 1245; title: RANDALL JARRELL, The Death of the Ball Turret Gunner 1246; title: YUSEF KOMUNYAKAA, Facing It 1246; title: DRAMA 1248; title: DAVID MAMET, Oleanna 1248; title: JOHN MILLINGTON SYNGE, Riders to the Sea 1279; title: ESSAYS 1288; title: DAN BARRY, Hurricane Katrina:The Corpse on Union Street 1288; title: ALBERT CAMUS, The Myth of Sisyphus 1291; title: PLATO, The Allegory of the Cave 1294; title: PHILIP SIMMONS, Learning to Fall 1300; title: CASE STUDY IN CONTEXTUAL CRITICISM; title: The Poetry of Emily Dickinson 1306; title: Her Life 1306; title: Her Work 1307; title: The Poems 1307; title: Success is counted sweetest 1307; title: Faith is a fine invention 1308; title: There's a certain Slant of light 1308; title: I like a look of Agony 1308; title: Wild Nights-Wild Nights! 1309; title: The Brain-is wider than the Sky- 1309; title: Much Madness is divinest Sense- 1309; title: I've seen a dying eye 1309; title: I heard a Fly buzz-when I died- 1310; title: After great pain, a formal feeling comes 1310; title: Some keep the Sabbath going to Church 1310; title: This world is not conclusion 1311; title: There is a pain-so utter- 1311; title: Because I could not stop for Death 1311; title: The Bustle in a House 1312; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page xix; title: Tell all the Truth but tell it slant- 1312; title: Making Connections 1313; title: Emily Dickinson-In Her Own Words 1315; title: To Susan Gilbert (Dickinson) (1852) 1315; title: To T.W. Higginson (1862) 1315; title: In Others'Words 1316; title: THOMAS WENTWORTH HIGGINSON, On Meeting Dickinson for the; title: First Time (1870) 1316; title: MABEL LOOMIS TODD, The Character of Amherst (1881) 1317; title: RICHARD WILBUR, On Dickinson's Sense of Privation (1960) 1318; title: SANDRA M. GILBERT AND SUSAN GUBAR, On Dickinson's White Dress; title: (1979) 1318; title: Critical Commentary on Her Poetry 1319; title: HELEN MCNEIL, Dickinson's Method 1319; title: CYNTHIA GRIFFIN WOLFF, On The Many Voices in Dickinson's Poetry; title: 1320; title: ALLEN TATE, On "Because I could not stop for Death" 1321; title: PAULA BENNETT, On "I heard a Fly buzz-when I died-" 1322; title: Poems About Emily Dickinson 1323; title: LINDA PASTAN, Emily Dickinson 1323; title: BILLY COLLINS, Taking Off Emily Dickinson's Clothes 1323; title: A Sample Student Essay 1325; title: Exploring the Literature of Faith and Doubt: Making Connections and; title: Arguments 1328; title: A Research Option 1328; title: Writing About Connections Across Themes 1329; title: Collaboration:Writing and Revising with Your Peers 1330; title: A Writing/Research Portfolio Option 1330; title: Appendix A: Critical Approaches to Literature 1331; title: Appendix B:Writing About Film 1338; title: Appendix C: Documentation 1345; title: Glossary of Literary Terms 1354; title: Literary and Photo Credits 1357; title: Index of Author Names,Titles, and First Lines of Poems 1364; title: Index of Terms 1370; title: xx Detailed Contents; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/2/06 12:54 PM Page xx; title: ALTERNATE CONTENTS; title: BY GENRE; title: FICTION; title: CHINUA ACHEBE Marriage Is a Private Affair 206; title: JULIA ALVAREZ, Snow 439; title: JAMES BALDWIN, Sonny's Blues 211; title: TONI CADE BAMBARA, The Lesson 440; title: T. CORAGHESSAN BOYLE, Greasy Lake 943; title: THOMAS BULFINCH, The Myth of Daedalus and Icarus 446; title: RAYMOND CARVER, Cathedral 1155; title: JOHN CHEEVER, Reunion 233; title: ANTON CHEKHOV, The Lady with the Pet Dog 713; title: KATE CHOPIN, The Story of an Hour 67; title: D¿sir¿e's Baby 951; title: SANDRA CISNEROS, Eleven 26; title: RALPH ELLISON, Battle Royal 448; title: LOUISE ERDRICH, The Red Convertible 236; title: WILLIAM FAULKNER, A Rose for Emily 955; title: SUSAN GLASPELL, A Jury of Her Peers 835; title: CHARLOTTE PERKINS GILMAN, The Yellow Wallpaper 725; title: JACOB LUDWIG AND WILHELM KARL GRIMM, Cinderella 800; title: NATHANIEL HAWTHORNE, Young Goodman Brown 1167; title: BESSIE HEAD, Life 737; title: LILIANA HEKER, The Stolen Party 459; title: ERNEST HEMINGWAY, Hills Like White Elephants 745; title: PAM HOUSTON, A Blizzard Under Blue Sky 1176; title: LANGSTON HUGHES, One Friday Morning 1121; title: ZORA NEALE HURSTON, Sweat 1132; title: JAMES JOYCE, Eveline 190; title: Araby 463; title: JAMAICA KINCAID, Girl 962; title: THOMAS KING, Borders 964; title: D.H. LAWRENCE, The Horse Dealer's Daughter 750; title: GABRIEL GARCIA MARQUEZ, A Very Old Man with Enormous Wings 972; title: BOBBIE ANN MASON, Shiloh 762; title: ROSARIO MORALES, The Day It Happened 973; title: TAHIRA NAQVI, Brave We Are 977; title: JOYCE CAROL OATES, Where Are You Going, Where Have You Been? 468; title: TIM O'BRIEN, The Things They Carried 1180; title: FLANNERY O'CONNOR, A Good Man Is Hard to Find 1193; title: xxi; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page xxi; title: xxii Alternate Contents; title: FRANK O'CONNOR, Guests of the Nation 480; title: LUIGI PIRANDELLO, War 1205; title: LINDA CHING SLEDGE, The Road 243; title: JOHN STEINBECK, The Chrysanthemums 1208; title: AMY TAN, Two Kinds 250; title: JOHN UPDIKE, A&P 490; title: ALICE WALKER, Everyday Use 982; title: EUDORA WELTY, A Worn Path 259; title: POETRY; title: SHERMAN ALEXIE, On the Amtrak from Boston to New York City 996; title: JULIA ALVAREZ, Dusting 267; title: MAYA ANGELOU, Phenomenal Woman 780; title: GLORIA ANZALDòA, To Live in the Borderlands Means You 998; title: MATTHEW ARNOLD, Dover Beach 1221; title: MARGARET ATWOOD, Siren Song 504; title: You Fit Into Me 782; title: W.H. AUDEN, Mus¿e des Beaux Arts 686; title: The Unknown Citizen 989; title: GWENDOLYN B. BENNETT, Heritage 1129; title: ELIZABETH BISHOP, In the Waiting Room 1000; title: WILLIAM BLAKE, London 500; title: The Chimney Sweeper (Songs of Innocence) 502; title: The Chimney Sweeper (Songs of Experience) 503; title: ROBERT BRIDGES, London Snow 1223; title: GWENDOLYN BROOKS, We Real Cool 1003; title: ELIZABETH BARRETT BROWNING, How Do I Love Thee? 783; title: ROBERT BROWNING, Meeting at Night 75; title: Parting at Morning 75; title: Porphyria's Lover 784; title: HELEN CHASIN, The Word Plum 74; title: BILLY COLLINS, Introduction to Poetry 1017; title: The Names 1219; title: Taking Off Emily Dickinson's Clothes 1323; title: STEPHEN CRANE, War Is Kind 73; title: The Wayfarer 1224; title: A Man Said to the Universe 1225; title: COUNTEE CULLEN, Incident 24; title: Yet Do I Marvel 1130; title: From the Dark Tower 1131; title: E.E. CUMMINGS, anyone lived in a pretty how town 1004; title: ALAN DEVENISH, Icarus Again 687; title: EMILY DICKINSON, Success is counted sweetest 1307; title: Faith is a fine invention 1308; title: There's a certain Slant of light 1308; title: I like a look of Agony 1308; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page xxii; title: Alternate Contents xxiii; title: Wild Nights-Wild Nights! 1309; title: The Brain-is wider than the Sky- 1309; title: Much Madness is divinest Sense- 1309; title: I've seen a dying eye 1309; title: I heard a Fly buzz-when I died- 1310; title: After great pain, a formal feeling comes 1310; title: Some keep the Sabbath going to Church 1310; title: This world is not conclusion- 1311; title: There is a pain-so utter- 1311; title: Because I could not stop for Death 1311; title: The Bustle in a House 1312; title: Tell all the Truth but tell it Slant- 1312; title: JOHN DONNE, A Valediction Forbidding Mourning 1225; title: Death, Be Not Proud 1226; title: MARK DOTY, Brilliance 1227; title: BRIAN DOYLE, Leap 1217; title: PAUL LAURENCE DUNBAR, We Wear the Mask 990; title: T.S. ELIOT, The Love Song of J. Alfred Prufrock 991; title: MARTIN ESPADA, Latin Night at the Pawn Shop 1006; title: LAWRENCE FERLINGHETTI, Constantly Risking Absurdity 1015; title: ROBERT FROST, The Road Not Taken 78; title: Mending Wall 268; title: "Out, Out. . . " 505; title: Fire and Ice 1229; title: ELIZABETH GAFFNEY, Losses That Turn Up in Dreams 265; title: TESS GALLAGHER, The Hug 1230; title: DEBORAH GARRISON, I Saw You Walking 1216; title: NIKKI GIOVANNI, Woman 786; title: JUDY GRAHN, Ella, in a Square Apron, Along Highway 80 788; title: THOMAS HARDY, HAP 1232; title: The Man He Killed 1240; title: ROBERT HAYDEN, Those Winter Sundays 13; title: SEAMUS HEANEY, Digging 270; title: Mid-Term Break 507; title: ESSEX HEMPHILL, Commitments 789; title: A.E. HOUSMAN, When I Was One-and-Twenty 508; title: To an Athlete Dying Young 1233; title: LANGSTON HUGHES, A Dream Deferred 76; title: The Negro Speaks of Rivers 1119; title: I, Too 1120; title: The Weary Blues 1120; title: Theme for English B 1127; title: RANDALL JARRELL, The Death of the Ball Turret Gunner 1246; title: GEORGIA DOUGLAS JOHNSON, I Want to Die While You Love Me 1132; title: JOHN KEATS, When I Have Fears that I May Cease to Be 1234; title: GALWAY KINNELL, Saint Francis and the Sow 1236; title: YUSEF KOMUNYAKKA, Facing It 1246; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 4:01 PM Page xxiii; title: xxiv Alternate Contents; title: PHILIP LARKIN, This Be the Verse 272; title: MICHAEL LASSELL, How To Watch Your Brother Die 273; title: MARY ELLEN LECLAIR, The Clark Institute: Labor Day, 1999 695; title: LI-YOUNG LEE, The Gift 276; title: AMY LOWELL, Patterns 1241; title: ARCHIBALD MACLEISH, Ars Poetica 1014; title: CHRISTOPHER MARLOWE, The Passionate Shepherd to His Love 776; title: ANDREW MARVELL, To His Coy Mistress 778; title: EDGAR LEE MASTERS, Spoon River Anthology #111: Ernest Hyde 509; title: CLAUDE MCKAY, America 1128; title: PETER MEINKE, Advice to My Son 9; title: EDNA ST. VINCENT MILLAY, Love Is Not All 791; title: What Lips My Lips Have Kissed, and Where, and Why 791; title: JANICE MIRIKITANI, For My Father 278; title: N. SCOTT MOMADAY, Simile 76; title: Before an Old Painting of the Crucifixion 689; title: PAT MORA, Immigrants 1007; title: HOWARD MOSS, Shall I Compare Thee to a Summer's Day 798; title: SANDRA NELSON, When a Woman Holds a Letter 699; title: PABLO NERUDA, The Fickle One 792; title: SHARON OLDS, 35/10 280; title: Sex Without Love 793; title: WILFRED OWEN, Dulce et Decorum Est 1244; title: LINDA PASTAN, Emily Dickinson 1323; title: MARGE PIERCY, Barbie Doll 14; title: To Be of Use 1074; title: SYLVIA PLATH, Mirror 795; title: WALTER RALEIGH, The Nymph's Reply to the Shepherd 777; title: DUDLEY RANDALL, Ballad of Birmingham 17; title: ADRIENNE RICH, Mourning Picture 697; title: ALBERTO RIOS, The Purpose of Altar Boys 796; title: EDWIN ARLINGTON ROBINSON, Richard Cory 511; title: Mr. Flood's Party 1008; title: THEODORE ROETHKE, My Papa's Waltz 281; title: NATALIE SAFIR, Matisse's Dance 694; title: CARL SANDBURG, Fog 77; title: Grass 1245; title: ANNE SEXTON, Pain for a Daughter 512; title: The Starry Night 693; title: Cinderella 804; title: WILLIAM SHAKESPEARE, When in Disgrace with Fortune and Men's Eyes; title: (Sonnet 29) 82; title: When to the Sessions of Sweet Silent Thought (Sonnet 30) 266; title: Shall I Compare Thee to a Summer's Day? (Sonnet 18) 797; title: My Mistress's Eyes Are Nothing Like the Sun (Sonnet 130) 798; title: PERCY BYSSHE SHELLEY, Ozymandias 56; title: MADD.6301.bkfm.pi-xxxvi.vpdf 6/1/06 3:25 PM Page xxiv; title: STEVIE SMITH, Not Waving, but Drowning 12; title: CATHY SONG, The Youngest Daughter 282; title: ANNE SPENCER, Lady, Lady 1131; title: WILLIAM STAFFORD, Traveling Through the Dark 1237; title: JAMES STEPHENS, The Wind 78; title: MAY SWENSON, Pigeon Woman 86; title: DYLAN THOMAS, Do Not Go Gentle into that Good Night 1238; title: JEAN TOOMER, Reapers 1129; title: JOHN UPDIKE, Ex-Basketball Player 1010; title: WALT WHITMAN, When I Heard the Learn'd Astronomer 83; title: There Was a Child Went Forth 514; title: Song of Myself 6 1239; title: WILLIAM CARLOS WILLIAMS, At the Ball Game 1011; title: WILLIAMWORDSWORTH, Composed upon Westminster Bridge; title: September 3, 1802 501; title: WILLIAM BUTLER YEATS, The Lake Isle of Innisfree 1013; title: SAMUEL YELLEN, Nighthawks 691; title: PAUL ZIMMER, Zimmer in Grade School 11; title: DRAMA; title: ANTON CHEKHOV, The Proposal 813; title: SUSAN GLASPELL, Trifles 824; title: LORRAINE HANSBERRY, A Raisin in the Sun 344; title: HENRIK IBSEN, A Doll's House 856; title: DAVID MAMET, Oleanna 1248; title: WILLIAM SHAKESPEARE, Hamlet, Prince of Denmark 537; title: SOPHOCLES, AntigonÉ 104; title: SOPHOCLES, Oedipus Rex 1018; title: JOHN MILLINGTON SYNGE, Riders to the Sea 1279; title: LUIS VALDEZ, Los Vendidos 1061; title: TENNESSEE WILLIAMS, The Glass Menagerie 284; title: ESSAYS; title: MICHAEL ANDERSON, A Raisin in the Sun: A Landmark Lesson in Being Black; title: 424; title: JAMES BALDWIN, Sweet Lorraine 414; title: DAN BARRY, Hurricane Katrina:The Corpse on Union Street 1288; title: BRUNO BETTELHEIM, Cinderella 807; title: PAULA BENNETT, On "I heard a Fly buzz-when I died-" 1322; title: ALBERT CAMUS, The Myth of Sisyphus 1291; title: ANNE CHENEY, The African Heritage in A Raisin in the Sun 419; title: JUDITH ORTIZ COFER, I Fell in Love, or My Hormones Awakened 517; title: EDWARD CONLON, The Midnight Tour 521; title: NATALIE ZEMON DAVIS AND JILL KER CONWAY, The Rest of the Story 925; title: JOAN DIDION, Why I Write 1075; title: Alternate Contents xxv; title: MADD.6301.bkfm.i-xxxvi 5/25/07 3:41 PM Page xxv; title: DOROTHY DIX, The American Wife 922; title: Women and Suicide 922; title: FREDERICK DOUGLASS, Learning to Read and Write 1080; title: BELL HOOKS, Inspired Eccentricity 335; title: LANGSTON HUGHES, Salvation 32; title: From The Big Sea 1112; title: The Negro Artist and the Racial Mountain 1116; title: ERNEST JONES, Hamlet's Oedipus Complex 669; title: MARTIN LUTHER KING, JR., I Have a Dream 1085; title: STANLEY KAUFFMANN, Branagh's Hamlet 674; title: BERNICE W. KLIMAN, The BBC Hamlet 671; title: JULIUS LESTER, The Heroic Dimension in A Raisin in the Sun 416; title: ALAIN LOCKE, The New Negro 1103; title: HELEN MCNEIL, Dickinson's Method 1319; title: PLATO, The Allegory of the Cave 1294; title: ANNA QUINDLEN, Mothers 31; title: RICHARD RODRIGUEZ, Workers 1070; title: DAVID SEDARIS, The Learning Curve 529; title: PHILIP SIMMONS, Learning to Fall 1300; title: CHARLES FRUEHLING SPRINGWOOD AND C. RICHARD KING, 'Playing Indian':; title: Why Native American Mascots Must End 1089; title: ELIZABETH CADY STANTON, Excerpt from "The Solitude of Self" 920; title: JONATHAN SWIFT, A Modest Proposal 1093; title: AMY TAN, Mother Tongue 142; title: ALLAN TATE, On "Because I could not stop for Death" 1321; title: HENRY DAVID THOREAU, From Civil Disobedience 1099; title: MARK TWAIN, Advice to Youth 340; title: MARGARET B. WILKERSON, Hansberry's Awareness of Culture and Gender; title: 422; title: CYNTHIA GRIFFIN WOLFF, On The Many Voices in Dickinson's Poetry 1320; title: VIRGINIA WOOLF, If Shakespeare Had a Sister 852; title: PAINTINGS; title: PIETER BRUEGHEL, Landscape with the Fall of Icarus 686; title: EDWIN ROMANZO ELMER, Mourning Picture 698; title: EDWARD HOPPER, Nighthawks 690; title: HENRI MATISSE, Dance 694; title: JEAN-FRANCOIS MILLET, The Gleaners 696; title: JACOPO TINTORETTO, Crucifixion 688; title: VINCENT VAN GOGH, Starry Night 692; title: JAN VERMEER, The Loveletter 700