The collapse of the conventional
Subtitle: German film and its politics at the turn of the twenty-first century
By: edited by Jaimey Fisher and Brad Prager.
Contributors: Fisher, Jaimey.; Prager, Brad, 1971-
Series: Contemporary approaches to film and television series
Publisher: Wayne State University Press
Published: 2010
Place of publication: Detroit
Language: eng
ISBN-13: 9780814333778
Subjects: Motion pictures -- Germany -- History -- 21st century; Politics in motion pictures; Motion pictures -- Political aspcts -- Germany
Notes: Includes bibliographical references and index.
Table of contents: title: Introduction / Jaimey Fisher and Brad Prager; title: Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski; title: Public viewing: soccer patriotism and post-cinema / Lutz Koepnick; title: More war stories: Stalingrad and downfall / Elisabeth Krimmer; title: Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson; title: Dresden: the return of history as soap / Wilfried Wilms; title: Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke; title: German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher; title: A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson; title: Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson; title: Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel; title: Christoph Hochhausler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp; title: Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook; title: The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel; title: Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager.