The Enjoyment of Music
Edition: 13th ed.
Publisher: W. W. Norton & Co.
Published: 2018
Place of publication: New York; London
Language: eng
Format: Paperback
Number of pages: 528
ISBN-13: 9780393639032
Copyright date: 2018
Table of contents: title: Part 1 : Materials of music.; title: Listening to music; title: Melody : musical line; title: Rhythm and meter : musical time; title: Harmony : musical depth; title: The organization of musical sounds; title: Musical texture; title: Musical form; title: Musical expression : tempo and dynamics; title: Text and music; title: Voices and instrument families; title: Western musical instruments; title: Musical ensembles; title: Style and function of music in society; title: Putting music into words; title: Part 2 : The Middle Ages and Renaissance.; title: Music as commodity and social activity; title: Voice and worship : tradition and individuality in medieval chant; title: Layering lines : polyphony at Notre Dame; title: Symbols and puzzles : Machaut and the medieval mind; title: Singing in friendship : the Renaissance madrigal; title: Remember me : personalizing the motet in the Renaissance; title: Glory be : music for the Renaissance mass; title: Instrumental movements : medieval and Renaissance dance music; title: Part 3 : The Baroque era.; title: Music as exploration and drama; title: Voicing gender : women composers in Baroque Italy; title: Performing grief : Purcell and early opera; title: Musical sermons : Bach and the Lutheran cantata; title: Textures of worship : Handel and the English oratorio; title: Independent study : Billings and the North American sacred tradition; title: Grace and grandeur : the Baroque dance suite; title: Sounding spring : Vivaldi and the Baroque concerto; title: Process as meaning : Bach and the fugue; title: Part 4 : Eighteenth-century classicism.; title: Music as order and logic; title: Musical conversations : Haydn and classical chamber music; title: The ultimate instrument : Haydn and the symphony; title: Expanding the conversation : Mozart, chamber music, and larger forms; title: Conversation with a  leader : the classical concerto; title: Personalizing the conversation : Beethoven and the classical sonata; title: Disrupting the conversation : Beethoven and the symphony in transition; title: Making it real : Mozart and classical opera; title: Mourning a hero : Mozart and the Requiem; title: Part 5 : The nineteenth century.; title: Music as passion and individualism; title: Musical reading : Schubert, Schumann, and the early romantic Lied; title: Marketing music : Foster and early "popular" song; title: Dancing at the keyboard : Chopin and romantic piano music; title: Musical diaries : Hensel and programmatic piano music; title: Personal soundtracks : Berlioz and the program symphony; title: Sounding literature : orchestral program music by Mendelssohn and Grieg; title: Absolutely classic : Brahms and the nineteenth-century symphony; title: Multimedia hits : Verdi and Italian romantic opera; title: Total art : Wagner and German romantic opera; title: Poetry in motion : Tchaikovsky and the ballet; title: Exotic allure : Puccini and the Italian Verismo tradition; title: Accepting death : Fauré and the Requiem; title: Mythical impressions : program music at the end of the nineteenth century; title: Jubilees and jubilation : the African American spiritual tradition; title: A good beat : American vernacular music at the close of an era; title: Part 6 : Twentieth-century modernism.; title: Making music modern; title: Anything goes : Schoenberg and musical expressionism; title: Calculated shock : Stravinsky and modernist multimedia; title: Still sacred : religious music in the twentieth century; title: War is hell : Berg and expressionist opera; title: American intersections : jazz and blues traditions; title: Modern America : still and musical moderism in the United States; title: Modern experiments : Gershwin and "cultivated jazz"; title: Sounds American : Ives, Copland, and musical nationalism; title: Also American : Revueltas and Mexican musical modernism; title: Classic rethinking : Bartók and the neo-classical turn; title: Part 7 : Postmodernism : the mid-twentieth century and beyond.; title: Beyond modernism?; title: New sound palettes : mid-twentieth-century American experimentalists; title: Staged sentiment : Bernstein and American musical theater; title: Less is more : Reich and minimalist music; title: Rolling Beethoven over : roots and reworkings of rock; title: Returning with interest : Bowie, Glass, and postmodern elaboration; title: Neo-romantic evocations : Higdon and program music into the twenty-first century; title: Understanding meaning : Williams and music for film; title: Icons in sound : Tavener and postmodern orthodoxy; title: Reality shows : Adams and contemporary opera; title: Appendixes.; title: Musical notation; title: Glossary; title: Reporting on the concert experience