Situating the feminist gaze and spectatorship in postwar cinema
By: edited by Marcelline Block.
Contributors: Block, Marcelline.
Publisher: Cambridge Scholars
Published: 2008
Place of publication: Newcastle upon Tyne
Language: eng
Number of pages: 319
ISBN-13: 9781847186645
Subjects: Feminist film criticism; Feminism and motion pictures
Notes: Preface by Jean-Michel Rabaté, Introduction by Marcelline Block, Includes bibliographical references and index.
Table of contents: class: part
title: 'Life finds a way': monstrous maternities and the quantum gaze in Jurassic Park and The thirteenth warrior / Lisa DeTora; class: part
title: Shifting gender(ed) desire in Anne Fontaine's Nathalie; class: part
title: / Rachel Ritterbusch; class: part
title: Eyes wide shut: kino-eye wide open / M. Hunter Vaughan; class: part
title: Hitchcock's 'good-looking blondes': first glimpses and second glances / Ian Scott Todd; class: part
title: Family resemblances: (en)gendering Claire Denis, Nicole Garcia, and Agnès Jaoui's film titles / Noëlle Rouxel-Cubberly; class: part
title: Return of the female gothic: the career-woman-in-peril thriller / Monica Soare; class: part
title: Mille genres: woman and women, horror film and horror films / Chuck Robinson; class: part
title: A feminist theorization of Sofia Coppola's postfeminist trilogy / Amy Woodworth; class: part
title: Laisse tomber les filles: (post)-feminism in Quentin Tarantino's Death proof / Jeremi Szaniawski; class: part
title: Duras ravaged, ravished; class: part
title: ravishing / Georgiana M.M. Colvile; class: part
title: Varda: The gleaner and the just / Sandy Flitterman-Lewis; class: part
title: 'No woman would die lilke that': Stage beauty as corrective-counterpoint to Othello / Elizabeth Gruber; class: part
title: Dis-abling the sadistic gaze and deaf prostitutes in Aleksei Balabanov's Of freaks and men and Valerii Todorovskii's Land of the deaf / Izabela Kalinowska; class: part
title: Chantal Akerman's cinematic transgressions: transhistorical and transcultural transpositions, translingualism, and the transgendering of the cinematic gaze / Sharon Lubkemann Allen.; class: chapter