Reel tracks
Subtitle: Australian feature film music and cultural identities
By: edited by Rebecca Coyle
Contributors: Coyle, Rebecca
Publisher: John Libbey Pub.; Distributed in North America by Indiana University Press
Published: 2005
Place of publication: Eastleigh, UK; Bloomington
Language: eng
Number of pages: 257
Subjects: Motion picture music -- Australia -- History and criticism
Other titles: Australian feature film music and cultural identities
Notes: Includes bibliographical references (p. 243-252) and index
Table of contents: title: Soundscapes of surf and steel : "Blackrock" and "Bootmen" / Shane Homan; title: New-Age Ned : Scoring Irishness and masculinity in "Ned Kelly" / Helen O'Shea; title: Hauntings : Soundtrack representations of Papua New Guinea in "To have and to hold" and "In a savage land" / Philip Hayward; title: "Hei-fen" and musical subtexts in two Australian films by Clara Law / Tony Mitchell; title: Lost in music : popular music, multiculturalism and Australian film / Jon Stratton; title: Scoring : sexuality and Australian film music, 1990-2003 / Bruce Johnson and Gaye Poole; title: "Christ kid, you're a weirdo" : aural construction of subjectivity in "Bad boy bubby" / Melissa Iocco and Anna Hickey-Moody; title: The sound of redemption in "Chopper" : rediscovering ambience as affect / Mark Evans; title: Sounds of Australia in "Rabbit-proof fence" / Marjorie D. Kibby; title: Untangling "Lantana" : a study of film sound production / Rebecca Coyle; title: Moon music : musical meanings in "One night the moon" / Kate Winchester; title: Transcendent voices : choral music in "Paradise road" / Jude Magee; title: Musical intertextuality in "The bank" / Michael Hannan; title: Carl Vine's score in "beDevil" / Catherine Summerhayes and Roger Hillman; title: The composer as alchemist : an overview of Australian feature film scores 1994-2004 / Michael Atherton