The blood book
By: Michele Burgess ; Chard deNiord
Contributors: DeNiord, Chard, 1952- author; Atkins, Anna, 1799-1871; Vesalius, Andreas, 1514-1564; Turner, Dawson, 1775-1858; Wyatt, Mary, 1789-1871; Martin, Nelle, printer; Warford, Sam, printer; Kopacz, Rafi, woodcutter; Jones, Sonja, contributor; Cordero, Amy, contributor; DeNiord, Chard, 1952-; Brighton Press; Morgan Conservatory; Cave Paper (Firm)
Series: Stratigraphic archives -- eleventh volume
Publisher: Brighton Press
Published: 2021
Place of publication: San Diego, California
Language: eng
Copyright date: 2021
Subjects: Artists' books; Specimens; Blood in art; Sea in art; Blood; Poetry
Notes: Title and statement of responsibility from label on clamshell box.

Edition of 30 copies.

"Poem copyright ©2020, by Chard deNiord"--Colophon

"Images and book design copyright ©2021, by Michele Burgess and Brighton Press"--Colophon

"Each book was signed by the poet and the artist. This is copy number ..."--Colophon

"The Blood Book is the eleventh volume of the 'Stratigraphic Archives' by Michele Burgess and elaborates on the poem 'Where and How Blood was Made' by Chard deNiord. It explores the provenance of human blood--a concentrate that evolved from the sea "where waters gathered to a clarity that was also sorrow," its legacy in atavism, evolution, intelligence, and human behavior--as well as the horror and fascination we feel toward it in our collective memory. It includes the poem by deNiord, hand set in Bembo, and woodcuts, pochoirs, drawings, and paintings by Burgess. The seaweed forms, printed as pochoirs, were adapted and altered from Anna Atkins's nineteenth-century cyanotypes of British algae, Dawson Turner's watercolors from his book FUCI, published in 1808, and dried and mounted specimens prepared and sold by Mary Wyatt in 1834-1840. The engraving of the blood vessel system by Andreas Vesalius is from 'Vivae imagines partium corporis humani aereis formis expressae' by Juan Valverde de Amusco, 1566. It was scanned from the primary source, made into a photopolymer relief plate, and printed letterpress. Nelle Martin printed the type and woodcuts on the letterpress, assisted by Sam Warford. Rafi Kopacz did most of the wood carving from Burgess's drawings. The paper was handmade by the Morgan Conservatory and Cave Paper ... Sonja Jones and Amy Cordero assisted with production. The line drawings were traced with pen and ink, and the watercolor paintings were done by hand to create a slightly variable edition of 30 copies with three additional artist's proofs"--Colophon

Rare Book copy: No. 20

Bound in vellum, buckram, and Cave paper over boards and housed in a clamshell box covered in silk.