Making music modern
Subtitle: New York in the 1920s
By: Carol J. Oja
Publisher: Oxford University Press
Published: 2000
Place of publication: New York
Language: eng
Number of pages: 493
ISBN-13: 9780195058499; 9780195162578
Subjects: Composers; History and criticism; Muziek; Componisten; Histoire et critique; Compositeurs; Music; Musique
Description: "New York City witnessed a dazzling burst of creativity in the 1920s. Carol J. Oja explores this artistic renaissance from the perspective of composers of classical and modern music, who along with writers, painters, and jazz musicians were at the heart of early modernism in America. She also illustrates how aesthetic attitudes and institutional structures put in place during the 1920s prevailed throughout much of the 20th century."--BOOK JACKET.
Notes: Includes bibliographical references (p. 459-467), discography (p. 365-366), and index.
Table of contents: title: Introduction: The Modern Music Shop --; title: Enter the Moderns --; title: Leo Ornstein: "Wild Man" of the 1910s --; title: Creating a God: The Reception of Edgard Varese --; title: The Arrival of European Modernism --; title: The Machine in the Concert Hall --; title: Engineers of Art --; title: Ballet Mecanique and International Modernist Networks --; title: Spirituality and American Dissonance --; title: Dane Rudhyar's Vision of Dissonance --; title: The Ecstasy of Carl Ruggles --; title: Henry Cowell's "Throbbing Masses of Sounds" --; title: Ruth Crawford and the Apotheosis of Spiritual Dissonance --; title: Myths and Institutions --; title: A Forgotten Vanguard: The Legacy of Marion Bauer, Frederick Jacobi, Emerson Whithorne, and Louis Gruenberg --; title: Organizing the Moderns --; title: Women Patrons and Activists --; title: New World Neoclassicism --; title: Neoclassicism: "Orthodox Europeanism" or Empowering Internationalism? --; title: The fransatlantic Gaze of Aaron Copland --; title: Virgil Thomson's "Cocktail of Culture" --; title: A Quartet of New World Neoclassicists --; title: European Modernists and American Critics --; title: Europeans in Performance and on Tour --; title: Visionary Critics --; title: Widening Horizons --; title: Modernism and the "Jazz Age" --; title: Crossing Over with George Gershwin, Paul Whiteman, and the Modernists --; title: Programs of Modern-Music Societies in New York, 1920-1931.