Winnie-the-Pooh and The House at Pooh Corner
Subtitle: Recovering Arcadia
By: Paula T. Connolly.
Series: Twayne's Masterwork Studies No. 156
Publisher: Twayne Publishers
Published: 1995
Place of publication: New York, USA
Language: eng
Format: Hardcover
Number of pages: 142
ISBN-13: 9780805788105
Copyright date: 1995
Subjects: Milne, A. A. 1882-1956.; Milne, A. A. 1882-1956.; Children -- Books and reading -- Great Britain -- History -- 20th century.; Children's stories, English -- History and criticism.; Pastoral fiction, English -- History and criticism.; Winnie-the-Pooh (Fictitious character); Teddy bears in literature.; Arcadia in literature.; Boys in literature.
Description: In the Forest of A. A. Milne's Winnie-the-Pooh (1926) and The House at Pooh Corner (1928), we never see any "Hostile Animals" as one the size of a piglet might fear, but instead we see a community of toy animals - Pooh Bear, Piglet, Rabbit, Eeyore, Owl, Kanga, Roo, and Tigger - who accompany their friend. Christopher Robin on his "expeditions." Companionship, safe adventuring, and the acceptance of characters' flaws and foibles are common themes throughout both books, and the episodes tend to have a similar form in which characters meet, adventure together, and then either reconcile if need be or, more frequently, return to their homes - in Pooh's case, usually for some honey.

In this affectionate and balanced analysis of two of the most popular books ever written for children, Paula T. Connolly argues that Milne's toy characters and his Christopher Robin - a character modeled and named after his son - inhabit a pretechnological, Arcadian world. Milne's Forest ensures its inhabitants' safety much like the Edwardian nursery, according to Connolly - a world, she acknowledges, of privilege and class security. The 10 stories in each book function well as separate bedtime stories, but they are held together as sets not only through the same Forest world that they inhabit and the same characters who live there but also through the similarity of themes. 

Connolly notes that whereas the stories of Winnie-the-Pooh show a world of parties and adventuring, those of The House at Pooh Corner are a bit more sober: when the animals join together to say goodbye to Christopher Robin at the end of the book, the farewell is more muted than jubilant. The imminent departure of the child who had been seen asthe Forest's protector fundamentally reshapes the vision of the Forest as an unchanging Arcadia: such new concerns are apparent, for example, in the several incidents in which homes and characters are lost, sought after, and recovered. The interactions of the characters - and the...
--jacket flap
Notes: Includes bibliographical references (p. 135-138) and index.