Governing Cultures
Subtitle: Art Institutions in Victorian London
By: Colin Trodd
Contributors: Barlow, Paul
Edition: First edition.
Publisher: Taylor and Francis
Published: 2017
Place of publication: London
Language: eng
Number of pages: 226
ISBN-13: 9781315190846
Subjects: Art and society; Art; Societies; English Art
Description: "This title was first published in 2000. London in the nineteenth century saw the founding of the National Gallery, the National Portrait Gallery, the Victoria and Albert Museum and the Whitechapel Art Gallery. Other, less permanent, organisations flourished, among them the British Institution, water-colour societies and the Society of Female Artists. These worked alongside the schools such as the Royal Academy and the Slade School of Art. In this volume, eleven scholars, experts on the individual institutions, analyse their complex histories to investigate such issues as: How did they generate and redesign their publics? What identities did they create? What practice of art making, connoisseurship and spectatorship did they enshrine? These reports elucidate the values associated with the key institutions and describe the responses and adaptation over time to major cultural developments: new movements, political change and the development of the Empire. The volume as a whole offers a fascinating account of the interconnections between these key institutions. Challenging conventional readings of the subject, the Introduction, by Paul Barlow and Colin Trodd, offers a definition of public art during the Victorian period."--Provided by publisher.
Table of contents: title: Chapter Introduction --; title: Constituting the public: art and its institutions in nineteenth-century London  -- Paul Barlow; title: part I National taste: from élite to public? --; title: chapter 1 The paths to the National Gallery  -- Colin Trodd; title: chapter 2 Museum or market?: the British Institution  -- Nicholas Tromans; title: chapter 3 Representing the Victorian Royal Academy: the properties of culture and the promotion of art  -- Colin Trodd; title: chapter 4 'Fire, flatulence and fog': the decoration of Westminster Palace and the aesthetics of prudence  -- Paul Barlow; title: part II Communal taste: institutional discriminations --; title: chapter 5 The Society of Female Artists and the Song of the Sisterhood  -- Stephanie Brown; title: chapter 6 The cultivation of mind and hand: teaching art at the Slade School of Fine Art 1868-92  -- Emma Chambers; title: chapter 7 An art suited to the 'English middle classes'?: the watercolour societies in the Victorian period  -- Greg Smith; title: chapter 8 'The advantages of combination': the Art Union of London and state regulation in the 1840s  -- Duncan Forbes; title: part III Contradicting tastes: public art, the mass and the modern --; title: chapter 9 The National Portrait Gallery and its constituencies, 1858-96  -- Lara Perry; title: chapter 10 Consuming empire?: the South Kensington Museum and its spectacles  -- Paul Barlow; title: chapter 11 The highest art for the lowest people': the Whitechapel and other philanthropic art galleries, 1877-1901  -- Shelagh Wilson; title: chapter 12 A 'state' gallery? The management of British art during the early years of the Tate -- Alison Smith.