Music, movies, meanings, and markets
Subtitle: cinemajazzamatazz
By: by Morris B. Holbrook
Series: Routledge interpretive marketing research -- 14
Publisher: Routledge
Published: 2011
Place of publication: New York
Language: eng
Number of pages: 382
ISBN-13: 9780415893138
Subjects: Motion picture music; History and criticism; Jazz in motion pictures
Notes: Includes bibliographical references and index.
Table of contents: title: Introduction  : ambi-diegetic music in motion pictures. The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land; title: Ambi-diegetic jazz and the development of character. Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956); title: The cinemusical role of "My funny Valentine" in The fabulous Baker  Boys (1989) and The talented Mr. Ripley (1999); title: The plot thickens : cinemusical meanings in the crime-plus-jazz genre. Pete Kelly's blues (1955); title: The Cotton Club (1984); title: Kansas City (1996); title: Jazz, films, and macromarketing themes : art versus commerce in the young man-with-a-horn genre. Young man with a horn (1949); title: Paris blues (1961); title: Mo' better blues (1990); title: Ambi-diegetic, nondiegetic, and diegetic cinemusical meanings in motion pictures : commerce, art, and Brando loyalty; title: or; title: De Niro, my God, to thee. Commerce and New York, New York (1977) : he's delightful, he's delicious, he's De Niro; title: Art and Heart beat (1980) : stars fell on Algolagnia; title: Brando loyalty and The score (2001) : how do you keep the music paying?; title: God is in the details. His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis; title: Small-but-significant implications of the man who isn't there in Sweet smell of success (1957); title: Jazz biopics as tragedy and comedy : pivotal ambi-diegetic. Cinemusical moments in tragedepictions and comedepictions of jazz heroes; title: When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen; title: A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no.