The operas of Maurice Ravel
By: Emily Kilpatrick
Series: Music in context; Music in context
Publisher: Cambridge University Press
Published: 2015
Language: eng
Number of pages: 267
ISBN-13: 9781107118126
Subjects: Opera; Analysis, appreciation; Operas
Description: "Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortilèges (1919-25) are pivotal works in the composer's relatively small œuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music"--Publisher description.
Notes: "Opera synopses": pages xvi-xvii.

Includes bibliographical references (pages 243-260) and index.
Table of contents: title: Making operas. Introduction : 'A single act at the Opéra-Comique' ; Ravel's hour ; The child and the impresarios; title: Words and music. The collaborative process ; Songs into operas ; 'This archaic attempt at a modern fantasy' ; A portrait of an opera-ballet; title: The compositional web. The 'calling cards' of L'heure espagnole ; From Carmen to Concepcion ; The 'big, small world' of L'enfant et les sortilèges ; A child of his time.