The popularization of images
Subtitle: visual culture under the July Monarchy
By: edited by Petra ten-Doesschate Chu and Gabriel P. Weisberg.
Contributors: Chu, Petra ten-Doesschate.; Weisberg, Gabriel P.
Series: The Princeton series in nineteenth-century art, culture, and society
Publisher: Princeton University Press
Published: 1994
Place of publication: Princeton, N.J
Language: eng
Number of pages: 299
Subjects: Arts, French -- 19th century; Mass media and the arts -- France -- History -- 19th century; Art and history -- France; France -- History -- Louis Philip, 1830-1848
Description: The portentous, eighteen-year period (1830-1848) in the history of French revolutions known as the July Monarchy was circumscribed by the rule of Louis Philippe d'Orleans and was characterized by the political and social ascendancy of the bourgeoisie. Accompanying this brief and transitional stage was a phenomenal increase in printed media, especially in all forms of culture with a visual component.

The nine essays that constitute this collection, gathered from social historians and art historians, address the formation and consequences of the emergence of a popular culture. They significantly reframe the mental picture of the July Monarchy, calling into account traditional ideas of social order during this formative period of demographic change.

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While the expanded availability of images and words, together with an elevated literacy rate, enhanced political awareness among lower classes, the rule of Louis Philippe inaugurated hegemonic social agendas. This was the period that saw the rise of class consciousness, the concept of "dangerous" classes, police surveillance, and the identification of "criminal" types.

The pandemic medium of caricature was at once a vehicle for critiquing government and social mores and an effective tool for determining and controlling class distinctions.
Notes: Includes bibliographical references (p. 263-275) and index.