Histórias da arte em exposições
Subtitle: modos de ver e exibir no Brasil
By: organizadores, Ana Cavalcanti, Emerson Dionisio de Oliveira, Maria de Fátima Morethy Couto, Marize Malta
Edition: 1a edição.
Series: Histórias da arte; Histórias da arte
Publisher: Rio Books; FAPESP
Published: 2016
Place of publication: Rio de Janeiro, RJ; [São Paulo, SP]
Language: por
Number of pages: 274
ISBN-13: 9788594970084
Subjects: Brazilian Art; Exhibitions; Museum exhibits; History; Museums; Curatorship
Other titles: Modos de ver e exibir no Brasil
Description: The research group Grupo de Pesquisa História da Arte: modos de ver, exibir e compreender, with the support of the Museu de Artes Visuais of Unicamp aims to relect on art, history of art and the artistic object in its various dimensions and materialization, from a multidisciplinary approaches. Accepting different points of view, it is of interest to the MODOS group to discuss the artistic object inserted in the practices of the lived, in the actions and reactions of its production, circulation, reception and disappearance. Due to research and scientific meetings, the group launches the series"História da Arte em...". Each publication, in the form of a collection, proposes a thematic appeal to reflect on the conditions and transformations of aesthetic perception about the object, about its significations and on the rewrites of his stories. The group is also responsible for the electronic magazine MODOS, back to the discussion of places of exhibition, circulation, collections and narratives that institute how we perceive, interpret and disseminate artistic production and the object of art. The book in question is the result of a series of researches conducted by professors from Brazilian and international universities. Its purpose is to discuss the role of art exhibitions for the constitution of a history of Brazilian art. The varied approaches seek to broaden the methodological possibilities of researching the exhibition of the work of art in front of the traditions of staging and authorized historiographies. Each author analyzed a canonical exhibition in the history of Brazilian art, from a critical perspective. Due to its expanded scope, the book can become a reference for studies in art history, visual culture, museology.
Notes: Includes bibliographical references (pages 257-274).
Table of contents: title: Exposições de arte e suas histórias / Ana Cavalcanti, Emerson Dionísio de Oliveira, Maria de Fatima Morethy Coto e Marize Malta; title: A exposição como maquina interpretativa / Jean Marc Poinsot; title: 1829-1830: Jean Baptiste Debret e os conflitos das primeiras exposições do Brasil / Elaine Dias; title: 1879: Realizações e dilemas de arte brasileira do século XIX/ Sonia Gomes Pereira; title: 1884: Dos velhos mestres a nova geração / Ana Cavalcanti; title: 1901: Exposição (de Visconti) en ENBA: Artes e decorativas / Marize Malta; title: 1922: Semana de arte moderna: uma revisão crítica / Annateresa Fabris; title: 1944: Do pincel a gilete a arte moderna em Belo Horizonte / Rodrigo Vivas; title: 1949: A fotografia moderna chega ao museu: Os estudos fotográficos de Thomas Farkas / Helouise Costa; title: 1951: Arte e internacionalização: A I Bienal Internacional de São Paulo / Maria de Fatima Morethy Coto; title: 1965: Propostas para uma crise / Paulo Reis; title: 1967: IV Salão de Arte Moderna de Brasília / Emerson Dionísio de Oliveira; title: 1970: Do corpo a terra: exposição-limite / Artur Freitas; title: 1974: A rede em exibição Walter Zanini e o MAC USP / Cristina Freire; title: 1984: Como Vai Você, Geração 80 de Orwell ao Parque Lage / Ivair Reinaldim; title: 1997: Bienal do Mercosul: reescrever e história da Arte na América Latina / Bianca Knaak; title: 2009: Sobre a mostra Olhar e Fingir: transtemporalidades na trilha da ficção fotográfica / Fernando de Tacca.