Voice studies
Subtitle: critical approaches to process, performance and experience
By: edited by Konstantinos Thomaidis and Ben Macpherson
Publisher: Routledge
Published: 2015
Language: eng
Number of pages: 225
ISBN-13: 9781138809345; 9781138809352
Subjects: Voice; Instruction and study; History and criticism; Singing; Voice (Musical medium of performance); History
Description: Brings together leading international scholars and practitioners, to re-examine what voice is, what voice does, and what we mean by "voice studies" in the process and experience of performance.
Notes: Includes bibliographical references and index.
Table of contents: title: Foreword.; title: With one voice : disambiguating sung and spoken voices through a composer's experience  -- Paul Barker -- Introduction.; title: Voices(s) as a method and an in-between  -- Konstantinos Thomaidis and Ben Macpherson; title: The re-vocalization of logos? Thinking, doing and disseminating voice  -- Konstantinos Thomaidis; title: The singularity of experience in the voice studio : a dialogue with Michel Henry  -- Päivi Järviö; title: Learning to let go : control and freedom in the passaggio ; title: Tim Kjeldsen --; title: Training actors' voices : towards an intercultural/interdisciplinary approach  -- Tara McAllister-Viel; title: A sea of honey : the speaking voice in the Javanese shadow puppet theatre  -- Jan Mrázek; title: Nonsense : towards a vocal conceptual compass for art  -- Mikhail Karikis; title: Performing the entre-deux : the capture of speech in (dis)embodied voices  -- Piersandra Di Matteo; title: Sensing voice : materiality and the lived body in singing and listening philosophy  -- Nina Sun Eidsheim -- Lamenting (with the) 'Others,' 'Lamenting our failure to lament'? An auto-ethnographic account of the vocal expression of loss / -- Marios Chatziprokopiou; title: Enchanted voices : voice in Australian sound art  -- Norie Neumark; title: 'Body musicality' : the visual, virtual, visceral voice  -- Ben Macpherson; title: Transcribing vocality : voice at the border of music after modernism  -- Pamela Karantonis; title: Strange objects/strange properties : female audibility and the acoustic stage prop  -- Ella Finer; title: The eavesdropper : listening-in and overhearing the voice in performance  -- Johanna Linsley; title: What is voice studies? -- Ben Macpherson et al.