The world around the Chinese artist
Subtitle: aspects of realism in Chinese painting
By: Richard Edwards.
Series: Michigan classics in Chinese studies -- no. 2.; The Distinguished senior faculty lecture series
Publisher: Center for Chinese Studies
Published: 2000
Place of publication: Ann Arbor, MI
Language: eng
Number of pages: 155
Subjects: Landscape painting, Chinese; Ink painting, Chinese; Realism in art -- China
Description: "In this series of lectures on the painters Hsia Kuei (12th to 13th c.), Shen Chou (15th to 16th c.), and Shih-t'ao (17th to 18th c.), Richard Edwards explores the special relationship between the self and landscape in Chinese art. These three painters, each important in his own time and deemed a master by later critics, were all concerned with the subjective in the objective world. In Chinese painting there is no clear desire to separate these two realms; rather, there is a constant, conscious play between the physical reality of the world and the subjective vision of the artist.

The artist is continually imitating the world - sometimes more, sometimes less - but he never denies its appearance to the point of total abstraction; nor in the other extreme, does he claim for the physical world an existence independent of his own involvement."--Jacket.
Notes: "This book presents the 1984-85 Distinguished Senior Faculty Lecture Series of the College of Literature, Science, and the Arts"--T.p. verso.

Originally published: Ann Arbor : University of Michigan : University of Michigan Press, 1989.

Includes bibliographical references (p. 153-154)