Visualities
Subtitle: perspectives on contemporary American Indian film and art
By: edited by Denise K. Cummings
Series: American Indian studies series
Publisher: Michigan State University Press
Published: 2011
Place of publication: East Lansing
Language: eng
Number of pages: 243
ISBN-13: 9780870139994
Subjects: Ethnic identity; Indians in motion pictures; Indians of North America; Intellectual life; Indian arts; Indian artists; Indian art; Arts and society; Indigenous films; Visual communication; Biography; Indian motion picture producers and directors
Notes: Includes bibliographical references and index.
Table of contents: title: Introduction: Indigenous visualities; title: pt. 1. Indigenous film practices; title: Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja; title: Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne; title: Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst; title: Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli; title: Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey; title: Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper; title: pt. 2. Contemporary American Indian art; title: Indigenous semiotics and shared modernity / Dean Rader; title: Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin; title: Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler; title: Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen.