Aspects of the secular cantata in late baroque italy
By: Edited by Michael Talbot.
Contributors: Talbot, Michael.
Publisher: Ashgate
Published: 2009
Place of publication: Burlington
Language: eng
ISBN-13: 9780754657941
Subjects: Cantatas, Secular -- History and criticism; Music -- Italy -- 17th century -- History and criticism; Music -- Italy -- 18th century -- History and criticism
Notes: Includes bibliographical references and index.
Table of contents: title: The when and how of arioso in Stradella's cantatas / Carolyn Gianturco; title: A lost volume of cantatas and serenatas from the "Original Stradella collection" / Colin Timms; title: Narration, mimesis and the question of  genre: dramatic approaches in Giovanni Legrenzi's solo cantatas, Opp. 12 and 14 / Hendrik Schulze; title: A tale of two cities: cantata publication in Bologna and Venice, c.1650-1700 / Reinmar Emans; title: "Al tavolino medesimo del compositor della musica": notes on text and context in Alessandro Scarlatti's cantate da camera / Norbert Dubowy; title: Bononcini's "agreeable and easie style, and those fine inventions in his basses (to which he was led by an instrument upon which he excells) / Lowell Lindgren; title: The "humble" and "sublime" genres, the pastoral and heroic styles: rhetorical  metamorphoses in Benedetto Marcello's cantatas / Marco Bizzarini; title: Giulia Veneziano investigations into the cantata in Naples during the first half of the eighteenth century: the cantatas by Leonardo Vinci contained in a "Neapolitan' manuscript" / Giulia Veneziano; title: The "orchestral" French cantata (1706-1730): performance, edition and   classification of a neglected repertory / Graham Sadler; title: Patterns and strategies of modulation in cantata recitatives / Michael Talbot; title: "Imitando" arietta, ò altro allegro, cantato di fresco": keyboard realization in Italian continuo arias / Giulia Nuti -  The revival of the Italian chamber cantata on disc: models and trends / Roger-Claude Travers.