Art technology
Subtitle: sources and methods : proceedings of the second symposium of the Art Technological Source Research working group
By: edited by Stefanos Kroustallis ... [et al.].
Contributors: Kroustallis, Stefanos.; State University College at Buffalo. Dept. of Art Conservation.
Publisher: Archetype
Published: 2008
Place of publication: London
Language: eng; spa
Number of pages: 183
ISBN-13: 9781904982296
Subjects: Art -- Technique -- Congresses.; Art and technology -- Congresses.
Genres: Congresses.
Other titles: Art Conservation Department Library
Description: Explores art technology, examining different types of art technological sources and the theory of source research.
Notes: Art Conservation Department Library.

Includes bibliographical references.

Text in English and Spanish.
Table of contents: title: Materials for art technological source research: theoretical issues; title: Towards a new discipline?; title: Asymptotically approaching the past: historiography and critical use of sources in art technological source research; title: Reading the past: methodological considerations for future research in art technology; title: Las dificultades especificas de la terminologia: a propósito de la traduccion comentada al alemán de lost capítulos sobre las técnicas pictóricas de tres tratados barrocos españoles; title: Los recetarios medievales de tecnología artistíca; title: Llaves y secretos para el estudio de los materiales del color; title: La revista como fuente de información para la tecnología artística: Carlos de Haes y su artículo 'Dibujo al carbón (aplicado al paisaje)'; title: La obtención de pigmentos azules para las obras de Felipe II: comercio europeo y americano; title: Patents as a source of documentation for studying art technology; title: Nineteenth-century English artists' colourmen's archives as a source of technical information; title: Las técnicas de policromía barroca del noroeste de Portugal en los contratos y los tratados pictóricos; title: El retoque a seco: evolución a traves de la historia de la pintura mural al fesco; title: Seventeenth-century machines for drawing celestial spheres; title: La mesa de trabajo de Fortuny; title: The painter's studio as a documentary source: a study of the final decades of Joan Miró; title: Marks engraved on gilded surfaces of paintings on wood: types and methodology; title: New technologies: new protocols; title: Islamic gilding technology: written sources and scientific analyses; title: Analyses of dyes on the map collection of the Real Chancillería of Granda; title: Analysis of pigments for miniatures; title: A micro-Raman spectroscopy study of the formation of lead dioxide from lead white; title: Cinnabar or vermilion?; title: Identification of pigments in a 17th-century coloured map using mico-Raman spectroscopy and PIXE; title: Sizing layers for oil painting in western European sources (1500-1900): historical recipes and reconstructions; title: Reconstruction of tempera painting techniques: some examples, including gesso sottile; title: Chararacterisation of purified verdigris obtained according to Recipe 101 of the Manoscritto Bolognese; title: Reconstruction of documented preparation methods of gesso grosso and gesso sottile in Spanish School panel paintings; title: Cochineal use in pre-Columbian paintings.