Papers presented at the twenty-seventh annual conference of the Association of North American Graduate Programs in the Conservation of Cultural Property
Subtitle: April 19-21, 2002 [i.e. 2001]
By: [hosted by the] Winterthur/University of Delaware Program in Art Conservation
Contributors: Winterthur/University of Delaware Program in Art Conservation; University of Delaware. Art Conservation Department
Publisher: Art Conservation Dept., University of Delaware
Published: 2002
Place of publication: Newark, DE, U.S.A
Language: eng
Number of pages: 205
Subjects: Art objects; Conservation and restoration; Congresses; Museum conservation methods; Cultural property; Protection; Historic sites
Other titles: Twenty-seventh annual student conference, Association of North American Graduate Programs in the Conservation of Cultural Property :; Twenty-seventh annual ANAGPIC conference :
Notes: Includes bibliographical references.
Table of contents: title: Conservation in Angkor, a history and a future / Sanchita Balachandran; title: Technical study of a Venetian altarpiece: Madonna with saints and donors / Pamela Betts; title: The practice of hand-coloring in the early years of printmaking revealed by the technical examination of a hand-colored 16th century engraving by Master HSE / Deborah Carton; title: A survey and analysis of the materials and bindings of early Venetian painted books at Queen's University / Debra Cuoco; title: Vernis cuir: the history and use of a nineteenth-century photographic coating / Julie Lattin DesChamps; title: Seeing red: investigating Japanese woodblock prints and organic colorants using spectrophotometry / Michelle Facini; title: An evolution of varnishes marketed for use on Acrylic paintings / Patricia Favero; title: The sensitivity of phytate-treated iron gall ink materials to fungal attack / Scott Homolka; title: Mount Monadnock: ideas, techniques, and materials of Abbot Thayer and his Dublin Art Colony, with emphasis on Richard Meryman and his painting Mount Monadnock / Katie Swerda; title: An investigation into an unusual black patina on Egyptian bronze artifacts in the Royal Ontario Museum / Alison Whyte.