Rembrandt, Rubens, and the art of their time
Subtitle: recent perspectives
By: edited by Roland E. Fleischer, Susan Clare Scott.
Contributors: Fleischer, Roland E.; Scott, Susan C.
Series: Papers in art history from the Pennsylvania State University ;; v. 11
Publisher: The Pennsylvania State University
Published: 1997
Place of publication: University Park, Penn
Language: eng
Number of pages: 266
Subjects: Rembrandt Harmenszoon van Rijn, 1606-1669 -- Criticism and interpretation.; Rubens, Peter Paul, Sir, 1577-1640 -- Criticism and interpretation.; Painting, Flemish -- 17th century.; Painting, Dutch -- 17th century.
Notes: Includes bibliographical references.
Table of contents: title: Rembrandt self-portraits: the creation of a myth / Arthur K. Wheelock, Jr.; title: Reconstructing Rembrandt and his circle: more on the workshop hypothesis / Walter Liedtke; title: Rembrandt at the threshhold / Susan Donohue Kuretsky; title: Comments on Rubens' Coup de Lance: its iconography, style, and importance for Eugène Delacroix / J. Richard Judson; title: Rubens, his patrons, and style / Walter Liedtke; title: Gender issues in seventeenth-century Dutch portraiture: a new look / Alison McNeil Kettering; title: Remarks on love, women, and the garden of Nederlandish art: a study on the iconology of the garden / Sara M. Wages; title: The strange case of Jan Torrentius: art, sex and heresy in seventeenth-century Haarlem / Christopher Brown; title: The Soothslayer by Jan Lievens in Berlin: an attempt at an interpretation / Maarten Wurfbain; title: Ludolf de Jongh's The Refused Glass and its effect on the art of Vermeer and De Hooch / Roland E. Fleischer.