The End of cinema as we know it
Subtitle: American film in the nineties
By: edited by Jon Lewis.
Contributors: Lewis, Jon, 1955-
Publisher: New York University Press
Published: 2001
Place of publication: New York
Language: eng
Number of pages: 385
Subjects: Motion pictures -- United States -- History; Motion picture industry -- United States -- History
Notes: Includes bibliographical references and index.
Table of contents: title: Machine generated contents note: I Movies, Money, and History; title: I The Blockbuster: Everything Connects, but Not; title: Everything Goes 11; title: Thomas Elsaesser; title: 2 Those Who Disagree Can Kiss Jack Valenti's Ass 23; title: Jon Lewis; title: 3 The Hollywood History Business 33; title: Jan-Christopher Horak; title: 4 The Man Who Wanted to Go Back 43; title: Murray Pomerance; title: II Things American (Sort Of); title: 5 "American" Cinema in the 1990s and Beyond: Whose; title: Country's Filmmaking Is It Anyway? 53; title: Charlie Keil; title: 6 Marketing Marginalized Cultures: The Wedding Banquet,; title: Cultural Identities, and Independent Cinema of the 1990s 61; title: Justin Wyatt; title: 7 Hollywood Redux: All about My Mother and Gladiator 72; title: Hilary Radner; title: III Four Key Films; title: 8 The Zen of Masculinity-Rituals of Heroism in The Matrix 83; title: Pat Mellencamp; title: 9 Ikea Boy Fights Back: Fight Club, Consumerism, and the; title: Political Limits of Nineties Cinema 95; title: Henry A. Giroux and Imre Szeman; title: I 0 The Blair Witch Project, Macbeth, and the Indeterminate End 105; title: Eric S. Mallin; title: I I Empire of the Gun: Steven Spielberg's Saving Private Ryan; title: and American Chauvinism 115; title: Frank P.Tomasulo; title: 12 Saving Private Ryan Too Late 131; title: Krin Gabbard; title: IV Pictures and Politics; title: 13 The Confusions of Warren Beatty 141; title: Dana Polan; title: 14 Movie Star Presidents 150; title: Thomas Doherty; title: 15 The Fantasy Image: Fixed and Moving 158; title: Maureen Turim; title: 16 Men with Guns: The Story John Sayles Can't Tell 168; title: Ralph E. Rodriguez; title: 17 The End of Chicano Cinema 175; title: Chon A. Noriega; title: V The End of Masculinity As We Know It; title: 18 Being Keanu 185; title: R. L. Rutsky; title: 19 Woody Allen, "the Artist," and "the Little Girl" 195; title: David R. Shumway; title: 20 Affliction: When Paranoid Male Narratives Fail 203; title: Marita Sturken; title: 21 The Phallus UnFetished: The End of Masculinity As We; title: Know It in Late-1990s "Feminist" Cinema 210; title: Alexandra Juhasz; title: VI Bodies at Rest and in Motion; title: 22 Bods and Monsters: The Return of the Bride of Frankenstein 225; title: ElizabethYoung; title: 23 Having Their Cake and Eating It Too: Fat Acceptance; title: Films and the Production of Meaning 237; title: Jerry Mosher; title: VII Independents; title: 24 A Rant 253; title: James Schamus; title: 25 The Case of Harmony Korine 261; title: Robert Sklar; title: 26 Where Hollywood Fears to Tread: Autobiography and; title: the Limits of Commercial Cinema 269; title: Kathleen McHugh; title: 27 Smoke 'til You're Blue in the Face 277; title: Murray Smith; title: VIII Not Films Exactly; title: 28 Pamela Anderson on the Slippery Slope 287; title: Chuck Kleinhans; title: 29 King Rodney: The Rodney King Video and Textual Analysis 300; title: Hamid Naficy; title: 30 Live Video 305; title: Laura U. Marks; title: IX Endgames; title: 31 End of Story: The Collapse of Myth in Postmoder; title: Narrative Film 319; title: Christopher Sharrett; title: 32 Waiting for the End of the World: Christian Apocalyptic; title: Media at the Turn of the Millennium 332; title: Heather Hendershot; title: 33 The Four Last Things: History, Technology, Hollywood,; title: Apocalypse 342; title: Paul Arthur; title: 34 Twenty-five Reasons Why It's All Over 356; title: Wheeler Winston Dixon.