Drama and the market in the age of Shakespeare
By: Douglas Bruster.
Series: Cambridge studies in Renaissance literature and culture ;; 1
Publisher: Cambridge University Press
Published: 1992
Place of publication: Cambridge [England]; New York
Language: eng
Number of pages: 164
Subjects: Shakespeare, William, 1564-1616 -- Knowledge -- Economics; English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism; Dramatists, English -- Early modern, 1500-1700 -- Economic conditions; English drama -- 17th century -- History and criticism; Theater -- Economic aspects -- England; Drama -- Economic aspects -- England; Literature and society -- England; Economics in literature
Description: Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the professional status of playwrights such as Shakespeare, and the establishment of commercial theaters. Stressing that playhouses were, first and foremost, places of business, he argues that a significant proportion of the drama's practical energy went toward understanding the material conditions that maintained its existence. He sees this impetus as part of a 'materialist vision' which has its origins in the climate of uncertainty engendered by a rapidly expanding London and its burgeoning market. Exploring, for example, the economic importance of the cuckold theme, the role taken by stage objects as commodities, and the commercial significance of the Troy story as staged in Shakespeare's Troilus and Cressida, Bruster returns the theater and the plays performed there to their basis in the material world. In doing so, he offers new ways of reading the drama of Renaissance England.
Notes: Includes bibliographical references (p. 145-159) and index.