The semiotics of clowns and clowing
Subtitle: rituals of transgression and the theory of laughter
By: Paul Bouissac
Series: Bloomsbury advances in semiotics
Publisher: Bloomsbury Academic
Published: 2015
Place of publication: London; New York
Language: eng
Number of pages: 222
ISBN-13: 9781472532787; 9781472521736; 9781472531117
Subjects: Semiotics; Performing arts; Clowns; Wit and humor; Visual communication; Modality (Linguistics); Multimedia communications; LANGUAGE ARTS & DISCIPLINES / Linguistics / Semantics; SOCIAL SCIENCE / Anthropology / Cultural
Description: "During the last 300 years circus clowns have emerged as powerful cultural icons. This is the first semiotic analysis of the range of make-up and costumes through which the clowns' performing identities have been established and go on developing. It also examines what Bouissac terms 'micronarratives' - narrative meanings that clowns generate through their acts, dialogues and gestures. Putting a repertory of clown performances under the semiotic microscope leads to the conclusion that the performances are all interconnected and come from what might be termed a 'mythical matrix'. These micronarratives replicate in context-sensitive forms a master narrative whose general theme refers to the emergence of cultures and constraints that they place upon instinctual behaviour. From this vantage point, each performance can be considered as a ritual which re-enacts the primitive violence inherent in all cultures and the temporary resolutions which must be negotiated as the outcome. Why do these acts of transgression and re-integration then trigger laughter and wonder? What kind of mirror does this put up to society? In a masterful semiotic analysis, Bouissac delves into decades of research to answer these questions."--Bloomsbury Publishing.
Notes: Includes bibliographical references and index.
Table of contents: title: Machine generated contents note:; title: Introduction1. The Faces of the ClownAppearance and identityThe making of a faceKinds and scales of facial transformations in clownsThe crafting of a clown's make-upThe face of dominanceInterpreting the face of a clownThe modern face of the clownWhen clowns go post-modern2. The Costumes of the ClownsThe clowns' trunksSplendor and sophistication of the whitefaceThe auguste's misfits and tattersSociosemiotics and biosemiotics of clown costumesClowns in drag: cross-dressing and transvestism3. The Clown's WorkshopThe semiotics of artifactsA visit to Charlie Cairoli's workshopWhen clowns play magicClowns as craftsmen and engineersThe clown's barnyard4. The Semiotics of GagsWhat is a gag?Gags in contextRob Torres: a solo clown act in New YorkThe semiotic anatomy of gagsThe physics of gags5. The Game of the RulesThe language of clowningThe straight, the tight, and the looseIdentity: one in two, two in one6. Clown and Trickster Master of tricksToo good to be trueTransgression and consequencesMaster of fireThe trickster and his avatarsUnderstanding tricksters and clownsPeering in the cultural past: a reasoned speculation7. Clowns and Gender Play: Politics and Economy of SexBeyond sex and genderImages of desireAn odd coupleA "normal" coupleA bird taleGender play8. Clowns, Death, and LaughterDeath at the circusDeath of the augusteRealm of the macabre: ghosts, corpses, and skeletonsClowns and death in the arts: laughter at the edge9. Profaning the Sacred The avatars of ClownA grand narrative and its fractal performancesThe sacred and the profanePutting things inside out and upside down10. Clowns without BordersMapping clowns on the worldClowns without borders?Clowning beyond the cultural fencesClowning in JavaThe gentrification of clownsClowns with a missionConclusion: Contribution to the Theory of LaughterWhat is laughter?The meaning of laughterSenseless laughingLaughter as addiction: a hypothesis and an agendaReferences.