C.P.E. Bach
Subtitle: a study of his revisions and arrangements
By: by Keiichi Kubota
Publisher: Academia Music
Published: 2004
Place of publication: Tokyo
Language: eng
Number of pages: 574
Subjects: Criticism and interpretation; Chamber music; Analysis, appreciation
Notes: Based on the author's thesis (doctoral--Tokyo National University of Fine Arts and Music, 1999) with title: C.P.E. Bach no kigaku sōsaku ni okeru 'kaitei' oyobi 'henkyoku' ni kansuru kenkyū.

Includes bibliographical references (p. 173-178).
Table of contents: title: C. 1. Introduction. Aims of the present study ; Evaluation of existing research ; Scope and method of research ; Method of description ; Bach's autographs and Bach copyists ; The Hamburg, Kraków, and Gotha manuscripts; title: C. 2. Revisions. Keyboard sonata ; Solo sonata ; Duo sonata and accompanied sonata ; Trio sonata ; Sonatina ; Symphony ; Concerto ; Conclusions; title: C. 3. Arrangements. Sonatina arrangements ; Arrangements from trio sonata to duo sonata ; Concerto arrangements ; Keyboard arrangements of symphonies ; Conclusions; title: C. 4. Issues of authenticity. Trio sonata for flute, violin and bass, BWV1036/H.569/Wq.145 ; Duo sonata for violin and keyboard, BWV1020/H.542.5 and duo sonata for flute and keyboard, BWV1031/H.545 ; Sonata for flute and bass, BWV1033/H.564.5 ; Trio sonata for flute, violin and bass, BWV1038/H.590.5 and duo sonata for violin and keyboard, BWV1022 ; Keyboard concerto, BWV1052a/H.484 ; Conclusions; title: Appendixes. Bach's autographs ; Bach copyists ; Sources for revised works ; Sources for arranged works ; Sources for works with authorship disputed between J. S. Bach and C. P. E. Bach ; Revision procedures and intentions ; Facsimiles ; Music examples.