Moralizing cinema
Subtitle: film, Catholicism and power
By: Edited by Daniel Biltereyst and Daniela Treveri Gennari
Series: Routledge advances in film studies -- 37
Publisher: Routledge, Taylor & Francis Group
Published: 2015
Place of publication: New York; London
Language: eng
Number of pages: 296
ISBN-13: 9780415712644; 9781315883823
Subjects: In motion pictures; Catholics in motion pictures; Catholic Church
Notes: Includes bibliographical references and index.
Table of contents: title: Catholics, cinema and power: an introduction; title: Policies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928) / Guido Convents; title: The Roman Catholic Church, cinema and the "culture of dialogue": Italian Catholics and the movies after the Second World War / Dario Edoardo Vigan; title: The rise and fall of Catholic Hollywood, or from the production code to the Da Vinci code / Thomas Doherty; title: Catholicism and Mexican cinema: a secular state, a deeply conservative society and a powerful Catholic hierarchy / Francisco Peredo Castro; title: Leaders. Jean Bernard's fight for 'good' cinema in Luxembourg / Paul Lesch; title: An alternative way of moralizing cinema: Father Flipo's remedy for the Catholic Church's propaganda failure in France (1945-1962) / Milisande Leventopoulos; title: A triple alliance for a Catholic neorealism. Roberto Rossellini according to Felix Morlion, Giulio Andreotti and Gian Luigi Rondi / Elena Dagrada; title: Technology and production. A Catholic voice in talking pictures: the international Eidophon Company (1930-1934) / Karel Dibbetts; title: Pius XII as actor and subject: on the representation of the pope in cinema during the 1940s and 1950s / Federico Ruozzi; title: The failed project of a Catholic neorealism: on Giulio Andreotti, Felix Morlion and Roberto Rossellini / Tomaso Subini; title: Censorship and control. Protectionism and Catholic film policy in twentieth-century Ireland / Kevin Rockett; title: A case of entente cordiale between state and church: Catholics and film control in Argentina (1954-1984) / Maria Elena de las Carrera; title: The "ideal film". on the transformation of the Italian Catholic film and media policy in the 1950s and the 1960s / Mariagrazia Fanchi; title: Exhibition and cinema-going experiences. Separating the sheep from the goats: gendering space in the cinema auditorium in Rucphen (1929) / Thunnis Van Oort; title: "I think Catholics didn't go to the cinema": Catholic film exhibition strategies and cinema-going experiences in Belgium, 1930s-1960s / Daniel Biltereyst; title: Moralizing cinema while attracting audiences: Catholic film exhibition in post-war Rome / Daniela Treveri Gennari.