The Orient in music - music of the Orient
By: edited by Małgorzata Grajter
Contributors: OM: Oriental in Music - Music of the Orient (Conference) (2016 : Łódź, Poland)
Publisher: Cambridge Scholars Publishing
Published: 2017
Place of publication: Newcastle upon Tyne, UK
Language: eng
Number of pages: 229
ISBN-13: 9781527502956
Subjects: Orientalism in music; Congresses; Music
Notes: Essays resulting from an International Conference titled "OM: Oriental in Music - Music of the Orient" held at the Grażyna and Kiejstut Academy of Music in Łódź, Poland, March 2016.

Includes bibliographical references.
Table of contents: title: Representations of the Orient in western music : methods of music analysis in theory and practice  -- Renata Skupin; title: Oriental music as a part of the European collective consciousness  -- David Kozel; title: Somata and Pneumata : on the relationship between Daseia and Byzantine musical notation  -- Ewa Bielińska-Galas; title: Zaryab : the cultural meeting of East and West  -- Bijan Zelli; title: French music and the East : colonising the sound of an empire  -- Edward Campbell; title: The Orient in international art music : musical orientalism and Beethoven's orientation  -- Feza Tansuğ; title: The source and imagination of the Orient in Karol Szymanowski's opera "King Roger" op. 46  -- Maki Shigekawa; title: The Poles and the Turks in Franz Doppler's opera Wanda (1850)  -- Ryszard Daniel Golianek; title: "Three Romanian dances" by Theodor Rogalski : an issue of identity  -- Bianca Ţiplea Temeș; title: The symbolism of tantra in Andrzej Panufnik's Triangles for flutes and cellos (1972)  -- Beata Bolesławska-Lewandowska; title: The dialogue between the Orient and the West : its manifestations in Latvian choral music of the 21st Century  -- Baiba Jaunslaviete; title: Variations on a theme : the appropriation of the Orient in popular music  -- Maciej Rodkiewicz; title: The concepts of Rasa and Dosha and the stage archetypes of women in the classical Indian dance of Odissi  -- Beata Stróżyńska; title: Interpreting some transformational aspects of pentatonicism and post-tonal Chinese music -- Man-Ching Donald Yu.