Changing tunes
Subtitle: the use of pre-existing music in film
By: edited by Phil Powrie and Robynn Stilwell.
Contributors: Powrie, Phil.; Stilwell, Robynn Jeananne.
Series: Ashgate popular and folk music series
Publisher: Ashgate
Published: 2006
Place of publication: Aldershot, Hants, England; Burlington, VT
Language: eng
Number of pages: 205
Subjects: Motion picture music -- History and criticism; Motion picture music -- Analysis, appreciation
Notes: Includes bibliographical references (p.   ), filmography (p.   ), and index.
Table of contents: title: Pt. 1. Pre-existing classical film scores: Ears wide open : Kubrick's music / Claudia Gorbman ; Classical music, ambiguity, and film / Mike Cormack ; The godfather, pt. iii : film, opera, and the generation of meaning / Lars Franke ; High and low culture : Bizet's Carmen and the cinema / Ann Davies ; Reconsidering Amadeus : Mozart as film music / Jeongwon Joe; The troll amongst us / Kristi A. Brown; title: Pt. 2. Popular music and film: Queer pleasures : the bolero, camp, and almodóvar / Vanessa Knights ; Music, electricity, and the 'sweet mystery of life' in Young Frankenstein / Raymond Knapp ; Popular song as leitmotiv in Pulp fiction and Trainspotting / Ronald Rodman ; The fabulous destiny of the accordion in French cinema / Phil Powrie ; Vinyl Communion : the record as ritual object in girls' rites-of-passage films / Robynn Stilwell ; Narrating sound : the pop video in the age of the sampler / Timothy Warner.