Charles-Etienne Briseux's musical analogy and the limits of instrumentality in architecture
By: Alberto Pérez-Gómez
Series: The Geske lectures; Geske lectures
Publisher: Hixson-Lied College of Fine and Performing Arts, The University of Nebraska-Lincoln
Published: 1999
Place of publication: Lincoln
Language: eng
Number of pages: 70
Copyright date: 1999
Subjects: Aesthetics; Architecture; Harmony (Aesthetics); Music and architecture
Notes: Lecture presented in Lincoln, Neb., on Nov. 9, 1999.

Includes bibliographical references (p. 65-70)