Yi Hye-gu Paksa songsu kinyŏm ŭmakhak nonchʻong =
Subtitle: Essays in ethnomusicology ; a birthday offering for Lee Hye-gu
By: [Yi Hye-gu Paksa Songsu Kinŏm Ŭmakhak Nonchʻong pʻyŏnjip].
Publisher: Hanʾguk Kugak Hakhoe  Korean Musicology Society
Published: 1969
Place of publication: [Sŏul]
Language: kor
Number of pages: 433
Subjects: Yi, Hye-gu, -- 1909-; Ethnomusicology
Other titles: Ŭmakhak nonchʻong
Notes: Korean, English, German, or Japanese.

Includes bibliographical references.
Table of contents: value: Yi Hye-gu Paksa nyŏnbo.; value: Chŏjak nyŏnpʻo.; value: Kanhangsa. Chang Sa-hun.; value: Kayagŭm sanjo ŭi ujo wa kyemyŏnjo chinyangjo e kihayŏ. Kim Chŏng-ja chŏ. On U-mode and Kyemyon-mode used in Sanjo (solo music) for Kayako, by Kim Chŏng-ja.; value: Hyŏndae aak ŭi chŏntʻong. Sŏng Kyŏng-nin chŏ. The Korean court music tradition, by Song Kyŏng-yin.; value: Yŏnŭmpʻyo ŭi munjejŏm e taehan kochʻal. Song Pang-song chŏ. On problems of Yŏnum-pyo, by Song Pang-song.; value: Muga wa Pʻansori wa sanjo esŏ ŏtmori karak bigyo. Yi Po-hyŏng chŏ. Melodic patterns of Ŏtmori music used in Shamanistic song, Pan-sori (dramatic song ) and Sanjo (instrumental music), by Yi Po-hyong.; value: Kugakkok ŭi pyŏnjo, chŏakkok ŭl churo hayŏ. Yi Sŏng-chʻŏn chŏ. Notes on the alteration of modes in Korean music, by Yi Sŏng-chʻŏn.; value: Kayagŭm sanjo ŭi tʻŭl e kwanhan sogo. Chinyangjo e kihayŏ. Yi Chae-suk chŏ. Diverse styles of archaïque de la Sicilienne, par Paul Collaer. Zu den west-östlichen Paralelen in den frühen Reflexion über die Musik, von Walter Graf.; value: Some notes on the muy Lou harrison.; value: Kiakkyoku shinkai. Hayashi Kenzō cho.; value: Thought on East-West music, by Alan Hovhaness.; value: the mathematical determination of the Twelve Lü as performed by Prince Lin An in his Huai-Nan Tzu (Second century B. C.) by Walter Kaufmann.; value: Sanjū-nen no omoide. Kishibe Shigeo cho.; value: The Maʾyong drama of Malaysia: a preliminary report, by William P. Malm.; value: Tunes apt for Tʻang lyrics from the Shō part-books of Tōgaku by L. E. R. Picken.; value: Korean classical music , by Barbara B. Smith.; value: Notes on a "Yongsan Hoesang" source, by Donald Sur. es of Kayako Sanjo (solo music for Kayako), by Yi Chae-suk.; value: Hanʾguk kodae akki tosang kwaanok. Yi Hong-jik chŏ. A brief glimpse into the musical instruments represented on relics in Korea, by Yi Hong-jik.; value: Ŏnnong kwa ŏnpʻŏn. Chang Sa-hun chŏ. The relationship between Ŏl-long and Ŏl-pyon in Korean classical song, by Chang Sa-hun.; value: Hyŏnʾgŭm sanjo ŭi wŏnhyŏng kwa hyŏnhaenghyŏng, chinyangjo e kihayŏ. Cho Wi-min chŏ. Kŏmunʾgo Sanjo (solo music for Kŏmungo); its past and present form. by Cho Wi-min.; value: Pŏmpʻae jissori wa hossori ŭi pigyo yŏnʾgu, tʻksa kaji e kihayŏ. Han Man-yŏng chŏ. Chit-sori (solemn tones) and hot-sori (simple tones) in Buddhist chants of Korea, by Han Man-yŏng.; value: Les styl