Writing after the gaze
Subtitle: the rupture of the historical
By: edited by Anna Chilewska & Sheena Wilson
Contributors: Chilewska, Anna; Wilson, Sheena
Publisher: M. V. Dimic Institute
Published: 2007
Place of publication: Edmonton, Alberta, Canada
Language: eng
Number of pages: 195
Subjects: Gaze in literature; Identity (Psychology) in literature; Difference (Psychology) in literature; Minorities in literature; Sex in literature; Women in literature; Literature and history; Literature and society
Notes: Includes bibliographical references
Table of contents: title: I. Penning the politics of gender identities. Tahar Ben Jaloun's female images / Anne Malena; title: Belching fire, dancing naked, spitting blood: Hayashi Fumiko and the Japanese poetic tradition / Janice Brown; title: The innovation of rape? the motif of bodily integrity functioning as a feminine discourse system / Valerie Henitiuk; title: Silent mythologies: oralism and innovation in Nicole Markotič's Yellow pages / Teresa Green; title: II. Constructed spaces and identities. Why modern literature is a monster: canon, inovation, and cultural economy / Clemens Ruthner; title: Radical reconstruction of the European world: narrating interactive cyber cities in the German author Alban Nicolai Herbst's Anderswelt [Other world] series / Ursula Reber; title: Towards a structure of an emigrant novel: Laura Goodman Salverson's The Viking heart and Illia Kiriak's Syny zemli / Mykola Soroka; title: III. Transition and preservation.  Poland in 1945-1999: the transition from the Soviet-dominated ethnic nation-state to democratic civic nation-state / Tomasz Kamusella; title: The state of the art: writing, technology and the world's languages / Lenore A. Grenoble