Contesting identities
Subtitle: sports in American film
By: Aaron Baker.
Publisher: University of Illinois Press
Published: 2003
Place of publication: Urbana
Language: eng
Number of pages: 162
Subjects: Sports in motion pictures; Motion pictures -- United States
Description: Publisher's description: Since the earliest days of the silent era, American filmmakers have been drawn to the visual spectacles of sports and their compelling narratives of conflict, triumph, and individual achievement. In Contesting Identities Aaron Baker examines how these cinematic representations of sports and athletes have evolved over time--from The Pinch Hitter and Buster Keaton's College to White Men Can't Jump, Jerry Maguire, and Girlfight. He focuses on how identities have been constructed and transcended in American society since the early twentieth century. Whether depicting team or individual sports, these films return to that most American of themes, the master narrative of self-reliance. Baker shows that even as sports films tackle socially constructed identities such as class, race, ethnicity, sexuality, and gender, they ultimately underscore transcendence of these identities through self-reliance. In addition to discussing the genre's recurring dramatic tropes, from the populist prizefighter to the hot-headed rebel to the "manly" female athlete, Baker also looks at the social and cinematic impacts of real-life sports figures from Jackie Robinson and Babe Didrikson Zaharias to Muhammad Ali and Michael Jordan.
Notes: Includes bibliographical references (p. 149-156) and index.
Table of contents: title: Sports films, history, and identity; title: From second string to solo star : Hollywood and the black athlete; title: From he got game to we got next : gender in American sports films; title: A left/right combination : class and American boxing films.