The global auteur
Subtitle: the politics of authorship in 21st century cinema
By: edited by Seung-hoon Jeong, Jeremi Szaniawski
Publisher: Bloomsbury Academic
Published: 2016
Place of publication: New York
Language: eng
Number of pages: 390
ISBN-13: 9781501312625
Subjects: Motion pictures; Production and direction; History and criticism; PERFORMING ARTS / Film & Video / Direction & Production; Auteur theory (Motion pictures); PERFORMING ARTS / Film & Video / History & Criticism
Description: "A thorough and robust reassessment of the auteur figure in the age of global cinema"--
Notes: Includes bibliographical references and index.
Table of contents: title: Machine generated contents note: Introduction  (Jeremi Szaniawski,  and Seung-hoon Jeong); title: The Global Author: Control, Creative Constraints and Performative Self Contradiction  (Thomas Elsaesser); title: Abderrahmane Sissako: On the Politics of African Auteurs  (Rachel Gabara); title: Godard's Stereoscopic Essay: Thinking in and with Adieu au langage  (Rick Warner); title: Michael Winterbottom: A Self-Effacing Auteur? (William Brown); title: Provocation and Perversity: Lars von Trier's Cinematic Anti-Philosophy  (Robert Sinnerbrink); title: From Political Engagement to Politics of Abjection in Polish Auteur Cinema: The Case of Wojtek Smarzowski  (Izabela Kalinowska); title: Of Intruders (and Guests): The Films of Michael Haneke and Aleksey Balabanov  (Jeremi Szaniawski); title: Contemporary Romanian Auteurs: Politics, Irony and Reflevixity (Dominique Nasta); title: Fatih Akin's Moral Geometry  (Dudley Andrew); title: Richard Linklater's Post-Nostalgia and the Temporal Logic of Neoliberalism  (Dan Hassler-Forest); title: 'Black in White': Language, World-making and the American Contract in the Cinema of Quentin Tarantino  (John Pitseys); title: Battle with History: Carlos Reygadas and the Cinema of Being  (Michael Cramer); title: The Art of Encounter and (Self)Fabulation: Eduardo Coutinho's Cinema of Bodies and Words (Consuelo Lins); title: Shareable Cinema: The Politics of Abbas Kiarostami; title: (Nico Baumbach); title: Migration and Contemporary Indian Cinema: A Consideration of Anurag Kashyap and la politique des auteurs in the Times of Globalization (Kaushik Bhaumik); title: Space and Time in the Land of the End of History  (Marco Grosoli); title: Revisiting Jia Zhangke: Individuality, Subjectivity, and Autonomy in Contemporary Chinese Independent Cinema (Victor Fan); title: Kurosawa Kiyoshi, Dis/continuity, and the Ghostly Ethics of Meaning and Auteurship (Aaron Gerow); title: A Generational Spectrum of Global Korean Auteurs: Political Matrix and Ethical Potential  (Seung-hoon Jeong).