Barry Flanagan
Subtitle: early works 1965-1982
By: edited by Clarrie Wallis and Andrew Wilson ; with contributions by Jo Melvin ... [et al.].
Contributors: Wallis, Clarrie; Wilson, Andrew, 1962-; Melvin, Jo; Tate Britain (Gallery); Gilbert & George; St. Martin's School of Art (London, England)
Publisher: Tate Pub.; Distributed in the United States and Canada by Abrams
Published: 2011
Place of publication: London; New York
Language: eng
Number of pages: 159
ISBN-13: 9781854379979
Subjects: British Sculpture; Criticism and interpretation; Exhibitions; Modern Sculpture
Description: "Barry Flanagan was one of Britain's most original and inventive artists and a key figure in the development of British and international sculpture. He is best known for the large-scale bronze hare sculptures that he began producing in the early 1980s and that can be seen in many galleries and public spaces around the world. The success of these pieces has tended to obscure the equally important and very different work that characterised his early period. Made from materials as varied as cloth, plaster, sand, hessian and rope, these works highlight a concern with material properties and processes - a concern that is at the heart of his practice.  A contemporary of Gilbert & George, Flanagan studied sculpture at St Martin's School of Art from 1964 to 1966. The exhibition takes this period as a starting point and reveals the impact of this early work on his later development towards casting in bronze, which he began in 1979. This is the first major retrospective of Flanagan's work in London since 1983, and by focusing on his early works, shows how this radical and imaginative artist challenged the very nature of sculpture in his time."--Publisher's website.
Notes: Published on the occasion of the exhibition Barry Flanagan : early works, 1965-1982 held at Tate Britain, 27 September 2011 - 2 January 2012.

Includes bibliographical references and index.
Table of contents: title: The business is in the making  -- Clarrie Wallis; title: Working towards poem  -- Andrew Wilson; title: No thing to say -- Jo Melvin.