Studies in the performance of late mediaeval music
By: edited by Stanley Boorman.
Contributors: Boorman, Stanley, 1939-
Publisher: Cambridge University Press
Published: 1984
Place of publication: Cambridge, [England]; New York
Language: eng
Number of pages: 282
Subjects: Performance practice (Music) -- 500-1400 -- Congresses; Performance practice (Music) -- 15th century -- Congresses
Notes: Includes bibliographical references and indexes.
"The papers ... represent the proceedings of a conference on early music performance that was held in New York in the autumn of 1981 as part of the activities of a new Center for Early Music at New York University"--Pref.
Table of contents: title: Fifteenth-century northern book painting and the a̲ c̲a̲p̲e̲l̲l̲a̲ question / James W. McKinnon; title: The visualisation of music through pictorial imagery and notation in late mediaeval France / Tilman Seebass; title: The trecento harp / Howard Mayer Brown; title: The "reconstruction" of instrumental music / Wulf Arlt; title: Minesis and woodwind articulation in the fourteenth century / Margaret Paine Hasselman and David McGown; title: Specific information on the ensembles for composed polyphony, 1400-1474 / David Fallows; title: The performing ensemble for English church polyphony, c. 1320-c. 1390 / Roger Bowers; title: Some evidence for French influence in northern Italy, c. 1400 / Anne Hallmark; title: Parts with words and without words / Alejandro Enrique Planchart; title: Fourteenth-century music with texts revealing performance practice / Ursula Günther.