Musics of the Free State
Subtitle: reflections on a musical past, present, and future
By: editor = urednica, Martina Viljoen
Series: Biblioteka Muzikologija bez granica -- Br. 2; Muzikologija bez granica -- br. 2.
Publisher: Hrvatsko muzikološko društvo = Croatian Musicological Society
Published: 2015
Place of publication: Croatia
Language: eng
Number of pages: 362
ISBN-13: 9789536090570
Copyright date: 2015
Subjects: Music; History and criticism; Social aspects
Notes: Includes bibliographic references (pages 341-358), discography (page 358), and index.

Staff notation.
Table of contents: title: Elephants, communities, and 1994 : an introduction  -- by Dale Cockrell -- Chapter I.; title: On the history of Bloemfontein and significant cultural institutions and manifestations  -- by Johan Moll -- Chapter II.; title: The Free State Orchestral Training Programme : a model infrastructure for music education in the Free State and South Africa  -- by Nicol Viljeon -- Chapter III.; title: Entanglement in an "off the map" city : an ethnographic journey through the city of Bloemfontein, South Africa  -- by Elene Cloete -- Chapter IV.; title: Reinscribing coloured cultural identity through music : South African jazz musicians as cultural historians in the Heidedal township of Bloemfontein, Free State  -- by Gregory Barz -- Chapter V.; title: Photography as music reportage : musical life at the Odeion School of Music  -- by Frelét de Villiers -- Chapter VI.; title: The documentation and arrangement of indigenous song in the Free State regions of South Africa : constructing places of the heart, the home, the land, of wisdom, and the sacred  -- by Martina Viljoen and Bonisile Gcisa -- Chapter VII.; title: The place of Africa in Stefans Grové's The Soul Bird Trio (1998)  -- by Matildie Thom Wium -- Chapter VIII.; title: Music in the Vulture Club : how "free" is the Free State?  -- by Martina Viljoen -- Chapter IX.; title: Towards the future : a strategic re-positioning of the Odeion School of Music, University of the Free State -- by Marius Coetzee.