Music and narrative since 1900
By: edited by Michael L. Klein and Nicholas Reyland
Series: Musical meaning and interpretation; Musical meaning and interpretation
Publisher: Indiana University Press
Published: 2013
Language: eng
Number of pages: 422
ISBN-13: 9780253006448
Copyright date: 2013
Subjects: Music theory; Musical analysis; Music; Philosophy and aesthetics; Semiotics; Narrative in music
Notes: Includes bibliographical references and index.
Table of contents: title: Musical story  -- Michael L. Klein; title: Negation and negotiation : plotting narrative through literature and music from modernism to postmodernism  -- Nicholas Reyland; title: Narrative engagement with twentieth-century music : possibilities and limits  -- Byron Almén and Robert S. Hatten; title: Optional extra? : contextualizing narrative in the critical interpretation of post-tonal composition  -- Arnold Whittall; title: Archetypes of initiation and static temporality in contemporary opera : works of François-Bernard Mâche, Pascal Dusapin, and Gualtiero Dazzi  -- Márta Grabócz; title: Agency, determinism, focal time frames, and processive minimalist music  -- Joshua Banks Mailman; title: Musical prose and musical narrativity in the fin de siècle  -- Elisheva Rigbi; title: Narrative nostalgia : modern art music off the rails  -- Lawrence Kramer; title: Agency effects in the instrumental drama of Musgrave and Birtwistle  -- Philip Rupprecht; title: Narrativities in the music of Thomas Adès : the piano quintet and Brahms  -- Emma Gallon; title: Britten's Serenade and the politico-moral crises of the wartime conjuncture : hermeneutic and narrative notes on the "Nocturne"  -- Sumanth Gopinath; title: Identity, time, and narrative in three songs about AIDS by the Pet Shop Boys  -- Fred Everett Maus; title: A story of violence : a guitar improvisation as a narrative about embodied listening  -- Vincent Meelberg; title: Ives and the now  -- Matthew McDonald; title: Narrativity, descriptivity, and secondary parameters : ecstasy enacted in Salvatore Sciarrino's Infinito nero  -- Rebecca Leydon; title: The tropes of desire and jouissance in Kaija Saariaho's L'amour de loin  -- Yayoi Uno Everett; title: Expressive doubling and the narrative of rebirth in Shostakovich's String quartet no. 3, op. 73  -- Sarah Reichardt Ellis; title: Afterlife of an archetype : Prokofiev and the art of subversion  -- Gregory Karl; title: Identity formation in Webern's Six pieces for large orchestra, op. 6 -- Alan Street.