The laptop and electronic music
Subtitle: shapeshifting tool or musical instrument?
By: issue editor, Kim Cascone
Series: Contemporary music review -- v. 22, pt. 4
Publisher: Routledge
Published: 2003
Place of publication: Philadelphia, Pa
Language: eng
Number of pages: 110
Subjects: Computer music; History and criticism; Laptop computers
Notes: "December 2003."

Caption title.

"[Accompanying CD] represents a cross-section of electro-acoustic music made predominantly on laptop or enabled by computer technology"--P. 2.

Includes bibliographical references.
Table of contents: title: The extra-digital axis mundi : myth, magic and metaphor in laptop music / Glenn Bach; title: Laptopia : the spatial poetics of networked laptop performance / Trace Reddell; title: The pariahs of sound : on the post-Duchampian aesthetics of electro-acoustic improv / William L. Ashline; title: Ice on the circuits/coldness as crisis : the re-subordination of laptop sound / Alexei Monroe; title: Virtual sound : examining glitch and production / Janne Vanhanen; title: The (anti-)laptop aesthetic / Timothy Jaeger; title: The object of performance : aural performativity in contemporary laptop music / Caleb Stuart; title: Generative music and laptop performance / Nick Collins; title: The resonance of the cubicle : laptop performance in post-digital musics / Tad Turner; title: Sound particles and microsonic materialism / Mitchell Whitelaw; title: Grain, sequence, system : three levels of reception in the performance of laptop music / Kim Cascone.