Machaut's music
Subtitle: new interpretations
By: edited by Elizabeth Eva Leach
Contributors: Leach, Elizabeth Eva
Series: Studies in medieval and Renaissance music -- 1
Publisher: Boydell Press
Published: 2003
Place of publication: Woodbridge, Suffolk, UK; Rochester, NY
Language: eng
Number of pages: 296
Subjects: Guillaume, -- de Machaut, -- ca. 1300-1377
Notes: Includes bibliographical references (p. [277]-288) and index
Table of contents: title: Symmetry and dissymmetry in the music of the Lay de bonne esperance / V. Newes; title: Speculum mortis: form and signification in Machaut's motet He! Mors/Fine amour/Quare non sum mortuus / J. Boogaart; title: Observations on Machaut's motet He! Mors, com tu es haie/Fine amour, qui me vint navrer/Quare non sum mortuus / A.V. Clark; title: Flos/Celsa and Machaut's motets: emulation and error? / T. Brown; title: Texture and counterpoint in the four-voice mass settings of Machaut and his   contemporaries / K.N. Moll; title: The 'harmony' of the Machaut Mass / M. Bent; title: Machaut's Mass and sounding number / O. Rees; title: Singing more about singing less: Machaut's Pour ce que tous / E.E. Leach; title: Music writing and poetic voice in Machaut: some remarks on B12 and R14 /  A. Stone; title: A portrayal of the lady who guards her honour / J. Hirshberg; title: Machaut's B-flat Balade honte, paour / P.M. Lefferts; title: The intabulation of De toutes flours (B31) in the Codex Faenza as analytical model / J. Flynn; title: Machaut's balade Ploures dames in the light of real modality / C. Berger; title: Balades 32 and 33 and the 'res dalemangne' / J. Bain; title: Male and female voice in two virelais of Guillaume de Machaut / W.P. Mahrt; title: The marriage of words and music: Musique naturele and Musique artificiele in Machaut's Sans cuer, dolens  / Y. Plumley; title: Rose, lis revisited / D. Leech-Wilkinson; title: Some  observations regarding musico-textual interrelationships in late   rondeaux by Machaut / K. Kügle