Prison movies
Subtitle: cinema behind bars
By: Kevin Kehrwald
Series: Short cuts : introductions to film studies -- 62; Short cuts (London, England) -- 62.
Published: 2017
Language: eng
Number of pages: 121
ISBN-13: 9780231181143; 9780231181150
Subjects: Prison films; History and criticism
Description: "Prison Movies : Cinema Behind Bars traces the public fascination with incarceration from the silent era to the present. Often considered an offshoot of the gangster film, the prison film precedes the gangster film and is in many ways its opposite. Rather than focusing on tragic figures heading for a fall, the prison film focuses on fallen characters seeking redemption; yet at their core, prison films are about self-preservation at the hands of oppressive authority. The enclosed world of the prison is a highly effective microcosm, one that forces characters and audiences alike to confront vexing issues of race, class, gender, and sexuality. These portrayals of men and women behind bars have thrived because they deal with such fundamental human themes as freedom, individuality, power, justice and mercy. Films examined in this introductory study include The Big House (1930), I Want to Live! (1958), The Defiant Ones (1958), Cool Hand Luke (1967), Midnight Express (1978), Escape from Alcatraz (1979), The Shawshank Redemption (1994) and Starred Up (2013)."--Page [4] of cover.
Notes: Includes bibliographical references (pages 112-117) and index.
Table of contents: title: Introduction : After the Crime is Over; title: Prison Films of Pre-Code Hollywood : Big Houses, Death Houses and Chain Gangs; title: Women's Prison Films of the 1950s and Early 1960s; title: Identity and Violence in Popular Prison Films from the 1960s to the 1990s; title: Afterword : Post-9/11 Prison Movies and the Era of Mass Incarceration.