Recorded music
Subtitle: performance, culture and technology
By: edited by Amanda Bayley
Publisher: Cambridge University Press
Published: 2010
Place of publication: Cambridge, UK; New York
Language: eng
Number of pages: 374
ISBN-13: 9780521863094
Notes: Discography: p. [353]-357.

Includes bibliographical references (p. [333]-352), discography (p. [353]-357), webliography (p. [358]-359) and index.
Table of contents: title: The rise and rise of phonomusicology / Stephen Cottrell; title: Illusion and aura in the classical audio recording / Peter Johnson; title: Ethical and cultural issues in the digital era / Andrew Blake; title: The changing functions of music recordings and listening practices / Adam Krims; title: Producing performance / James Barrett; title: Modi operandi in the production of 'world music' recordings / John Baily; title: Recording and the Rattle phenomenon / David Patmore; title: Jazz recordings and the capturing of performance / Peter Elsdon; title: Jazz recordings as social texts / Catherine Tackley; title: Recordings as research tools in ethnomusicology / Jonathan P.J. Stock; title: Multiple takes : using recordings to document creative process / Amanda Bayley; title: The phonographic voice : paralinguistic features and phonographic staging in popular music singing / Serge Lacasse; title: The track / Allan Moore; title: From sound to music, from recording to theory / John Dack; title: Modes of appropriation : covers, remixes and mash-ups in contemporary popular music / Virgil Moorefield; title: Painting the sonic canvas : electronic mediation as musical style / Albin Zak; title: Epilogue : recording technology in the twenty-first century / Tony Gibbs.