Post-jazz poetics
Subtitle: a social history
By: Jennifer D. Ryan
Edition: 1st ed.
Publisher: Palgrave Macmillan
Published: 2010
Place of publication: New York
Language: eng
Number of pages: 225
ISBN-13: 9780230623156
Description: "African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black women have created literature, music, and political statements signifying some of the most incisive and complex elements of modern American culture. Post-Jazz Poetics: A Social History examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. These writers' engagements with jazz-based compositional devices represent a new strand of radical black poetics, while their renditions of local-to-global social critique sketch the outlines of a transnational feminism"--Provided by publisher.
Notes: Includes bibliographical references (p. [199]-216) and index.
Table of contents: title: Introduction: How do I make that sound? a new feminist poetics; title: Finding her voice: the body politics of Sherley Anne Williams's blues; title: Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics; title: Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez; title: Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry; title: Jazz's word for it: Harryette Mullen and the politics of intellectualism; title: Conclusion: "Too many books for our eyes": future politics, future poetries.