Narrative bonds
Subtitle: multiple narrators in the Victorian novel
By: Alexandra Valint
Series: Theory and interpretation of narrative; Theory and interpretation of narrative series
Publisher: The Ohio State University Press
Published: 2021
Place of publication: Columbus
Language: eng
Number of pages: 193
ISBN-13: 9780814280911
Copyright date: 2021
Subjects: English fiction; History and criticism; Multiple person narrative; Narration (Rhetoric)
Description: "Integrating narrative theory, gothic theory, and disability studies with analyses of works by Charles Dickens, Robert Louis Stevenson, Wilkie Collins, Emily Brontë, and Bram Stoker, this study illustrates the significance and impact of the multi-narrator structure in Victorian novels"--
Notes: Description based upon print version of record.
Table of contents: title: Intro; title: Half Title; title: Series Title Page; title: Title Page; title: Copyright Page; title: Contents; title: Acknowledgments; title: INTRODUCTION Unity and Reliability in the Victorian Multinarrator Novel; title: CHAPTER 1 Epistles to Narratives to Monologues; title: CHAPTER 2 Depth and Surface: Back-and-Forth Narration and Embodiment in Bleak House; title: CHAPTER 3 The Quick Switch: The Child's Resistance to Adulthood in Treasure Island; title: CHAPTER 4 Disability Aesthetics and Multinarration in Wilkie Collins's The Woman in White, The Moonstone, and The Legacy of Cain; title: CHAPTER 5 The Permeable Frame: Gothic Collaboration in Wuthering Heights; title: EPILOGUE Returning and Nonreturning Multinarration in Dracula and The Beetle; title: Works Cited; title: Index; title: Series Page