Critical Theory and Performance
Edition: Revised and enlarged edition
Publisher: University of Michigan Press
Published: May 8, 2007
Place of publication: Ann Arbor, MI
Language: eng
Format: Paperback
Number of pages: 596
ISBN-13: 9780472068869
Table of contents: title: Preface to the Second Edition
pagenum: xi; title: Introduction to the First Edition
pagenum: 1; title: Performance Analysis
pagenum: 7; title: Marvin Carlson: Semiotics and Its Heritage
pagenum: 13; title: Bert O. States: The Phenomenological Attitude
pagenum: 26; title: Jim Carmody: Alceste in Hollywood: A Semiotic Reading of The Misanthrope
pagenum: 37; title: Josette Féral: Every Transaction Conjures a New Boundary
pagenum: 49; title: Postcolonial Studies
pagenum: 67; title: Joanne Tompkins: Performing History's Unsettlement
pagenum: 71; title: Sandra L. Richards: What Is to Be Remembered?: Tourism to Ghana's Slave Castle-Dungeons
pagenum: 85; title: Phillip B. Zarrilli: For Whom Is the King a King? Issues of Intercultural Production, Perception, and Reception in a Kathakali King Lear
pagenum: 108; title: Critical Race Theory
pagenum: 135; title: Jill Lane: Black/face Publics: The Social Bodies of Fraternidad
pagenum: 141; title: Daphne Lei: Virtual Chinatown and New Racial Formation: Performance of Cantonese Opera in the Bay Area
pagenum: 156; title: Harry J. Elam, Jr.: Reality
pagenum: 173; title: Theater History and Historiography
pagenum: 191; title: Thomas Postlewait: Theater Events and Their Political Contexts: A Problem in the Writing of Theater History
pagenum: 198; title: Rosemarie K. Bank: Representing History: Performing the Columbian Exposition
pagenum: 223; title: Susan Leigh Foster: Kinesthetic Empathies and the Politics of Compassion
pagenum: 245; title: After Marx
pagenum: 259; title: David Savran: Shadows of Brecht
pagenum: 268; title: Bruce McConachie: Historicizing the Relations of Theatrical Production
pagenum: 284; title: John Rouse: Brecht and the Contradictory Actor
pagenum: 295; title: Gender and Sexualities
pagenum: 311; title: Ellen Donkin: Mrs. Siddons Looks Back in Anger: Feminist Historiography for Eighteenth-Century British Theater
pagenum: 317; title: Jill Dolan: Practicing Cultural Disruptions: Gay and Lesbian Representation and Sexuality
pagenum: 334; title: Kate Davy: Fe/male Impersonation: The Discourse of Camp
pagenum: 355; title: David Román: Not-About-AIDS
pagenum: 372; title: Psychoanalysis
pagenum: 395; title: Elin Diamond: The Violence of "We": Politicizing Identification
pagenum: 403; title: Ann Pellegrini: Staging Sexual Injury: How I Learned to Drive
pagenum: 413; title: Peggy Phelan: Immobile Legs, Stalled Words: Psychoanalysis and Moving Deaths
pagenum: 432; title: Performance Studies
pagenum: 457; title: Richard Schechner: Invasions Friendly and Unfriendly: The Dramaturgy of Direct Theater
pagenum: 462; title: Dwight Conquergood: Performance Theory, Hmong Shamans, and Cultural Politics
pagenum: 482; title: Una Chaudhuri: Animal Rites: Performing beyond the Human
pagenum: 506; title: Mediatized Cultures
pagenum: 521; title: Philip Auslander: Live from Cyberspace, or, I Was Sitting at My Computer This Guy Appeared He Thought I Was a Bot
pagenum: 526; title: Herbert Blau: Virtually Yours: Presence, Liveness, Lessness
pagenum: 532; title: Sue-Ellen Case: Dracula's Daughters: In-Corporating Avatars in Cyberspace
pagenum: 547; title: Contributors
pagenum: 563; title: Index
pagenum: 569