To be an author
Subtitle: letters of Charles W. Chesnutt, 1889-1905
By: edited by Joseph R. McElrath, Jr. and Robert C. Leitz III.
Contributors: McElrath, Joseph R.; Leitz, Robert C., 1944-
Publisher: Princeton University Press
Published: 1997
Place of publication: Princeton, N.J
Language: eng
Number of pages: 248
Subjects: Chesnutt, Charles Waddell, 1858-1932 -- Correspondence.; Novelists, American -- 19th century -- Correspondence.; Novelists, American -- 20th century -- Correspondence.; African American novelists -- Correspondence.; African Americans -- Social conditions.
Genres: Correspondence.
Description: Long eclipsed by the writers who later rose to prominence during the Harlem Renaissance, Charles W. Chesnutt (1858-1932) has received a steadily increasing amount of attention since the 1960s.

In what he termed the "Post-Bellum-Pre-Harlem" phase of African-American cultural history, this pioneer in the world of black letters vied with Paul Laurence Dunbar for the honor of being the first to "evince innate distinction in literature." The major establishment critic of his day, William Dean Howells, recognized Dunbar's poetry thus in 1896. But it was Chesnutt who won Howells's praise for prose fiction a few years later when The Conjure Woman (1899) and The Wife of His Youth (1899) appeared.

His other books, Frederick Douglass (1899), The House Behind the Cedars (1900), The Marrow of Tradition (1901), and The Colonel's Dream (1905), have since secured his permanent place in the history of American belles lettres.

Selected for inclusion in this first edition of Chesnutt's letters are those that best document the vibrant personality of a very successful Cleveland businessman who gave his free hours to the literary avocation that he had hoped would someday become his full-time career.

Motivated as well by a desire to continue the noble work that the Abolitionists and Reconstruction Era reformers had begun, Chesnutt pursued the goal that he had announced in his journal years earlier in Fayetteville, N.C., before he emigrated to the North in 1883: he would not only demonstrate what African Americans were capable of intellectually but would, through his art, "elevate the whites" above ignoble prejudice against those of his racial background. By 1905 he had both succeeded and failed. To his mind he had reached the goal of transcending the earlier achievements of reform-novelists Harriet Beecher Stowe and Albion W. Tourgee. But such fame as Booker T. Washington's at the turn of the century eluded him. By late 1905, it was clear that his 1880s' dream of professional authorship was not to be realized in full. Chronicled here is the rise and fall of Charles W.

Chesnutt as a man of letters.
Notes: Includes bibliographical references and index.