Raphael and France
Subtitle: the artist as paradigm and symbol
By: Martin Rosenberg.
Publisher: Pennsylvania State University Press
Published: 1995
Place of publication: University Park, Pa
Language: eng
Number of pages: 226
Subjects: Raphael, 1483-1520 -- Influence.; Classicism in art -- France.; Art, French.
Description: Focusing on French art and theory from the classical to the Romantic era, Raphael and France is part of the ongoing revision of views of that period which has been taking place for the last twenty years. The book demonstrates that the shifts from classical to Rococo to neo-classical aesthetics were not as abrupt or as all-encompassing as has been assumed.

By tracing the continuity and transformation of the classical ideal, with Raphael's art and image as central paradigms, Rosenberg achieves a broader, more accurate, and comprehensive view of French artistic developments during this period.

Rosenberg draws on careful readings of primary sources, including the correspondence and lectures of the French Academy, some of which are unpublished; most of the major theoretical treatises by French and foreign authors; and contemporary criticism and works of art. In the process, he strikes a methodological balance between traditional art-historical approaches and insights provided by more contemporary approaches, such as semiotics and post-structuralism.

As the notion of isolated genius as the prime force in art has given way to a broader, more contextual view of art and history, interest in past traditions once regarded as outmoded or dead has grown tremendously. This book makes a timely contribution to this widening area of inquiry.
Notes: Includes bibliographical references (p. [209]-221) and index.