Recycling and innovation in contemporary music
By: edited by Lisa Colton and Martin Iddon
Series: Contemporary music review -- v. 29, pt. 3; Contemporary music review -- v. 29, pt. 3.
Publisher: Routledge
Published: 2010
Place of publication: Abingdon, Oxfordshire
Language: eng
Number of pages: 348
Subjects: Allusions in music; Quotation in music; Music; History and criticism
Notes: Includes bibliographical references.

Also available in an electronic version via the Internet. Address as at 7/4/11: http://ejournals.ebsco.com/Issue.asp?IssueID=1294149 ; National Library access available onsite only.
Table of contents: title: Introduction: Recycling and Innovation in Contemporary Music / Lisa Colton, Martin Iddon; title: The 'Day of Wrath' as Musico-Political Statement in Dallapiccola's Canti di Prigionia / Peter Roderick; title: A Return to the Future or Forward to the Past' / Geoffrey Cox; title: Serial Canon(s): Nono's Variations and Boulez's Structures / Martin Iddon; title: The Female Exotic: Tradition, Innovation and Authenticity in the Reception of Music by Judith Weir / Lisa Colton; title: Musical Borrowing as Incarnation: A Theological Reading of Hildegard's O quam preciosa in John Adams's El Niño / Alistair Hardie; title: Quotation and Framing: Re-contextualization and Intertextuality as Newness in George Crumb's Black Angels / Nils Holger Petersen; title: 'Intervections' / Jesse Stewart; title: Scratch and Mix: Sampling the Human Voice in the Metaphorical Phonograph / Miriama Young.