Decadence in modern Chinese literature and culture
Subtitle: a comparative and literary-historical reevaluation
By: Hongjian Wang
Series: Cambria Sinophone World Ser; Cambria Sinophone World Ser
Publisher: Cambria Press
Published: 2020
Place of publication: Amherst
Language: eng
Format: [electronic resource] :
ISBN-13: 9781621965619; 9781621965435
Subjects: Chinese literature; History and criticism; Decadence (Literary movement); Influence; Decadence in literature; Regression (Civilization) in literature; Littérature chinoise; Histoire et critique; Décadentisme; Décadence dans la littérature
Description: "European Decadence, a controversial artistic movement that flourished mainly in late-nineteenth-century France and Britain, has inspired several generations of Chinese writers and literary scholars since it was introduced to China in the early 1920s. Translated into Chinese as tuifei, which has strong hedonistic and pessimistic connotations, the concept of Decadence has proven instrumental in multiple waves of cultural rebellion, but has also become susceptible to moralistic criticism. This is the first comprehensive study of decadence in Chinese literature since the early twentieth century. Standing at the intersection of comparative literature and cultural history, it transcends the framework of tuifei by locating European Decadence in its sociocultural context and uses it as a critical lens to examine Chinese Decadent literature and Chinese society. Its in-depth analysis reveals that some Chinese writers and literary scholars creatively appropriated the concept of Decadence for enlightenment purposes or to bid farewell to revolution. This study is also the first to offer a holistic understanding of European Decadence, uncovering both its internal logic and external circumstances, hence excavating its distinct explanatory power. It also sheds fresh light on modern Chinese literature and culture. By examining the careers of seven prominent writers-Yu Dafu, Shao Xunmei, Yu Hua, Su Tong, Wang Shuo, Wang Xiaobo, and Yin Lichuan-this study disentangles apparent contradictions in their writing and reveals the nuances in the changing status of China's modern cultural elite. Last but not least, the book significantly expands the scope of comparative literary studies beyond influence studies and cultural translation by effectively adopting a literary-historical approach-a literary phenomenon is seen at once as a product and an indicator of certain sociocultural conditions, so similar literary phenomena can illuminate comparable contexts"--
Table of contents: title: Cover; title: Title; title: Copyright; title: Table of Contents; title: Acknowledgments; title: Introduction; title: Part I: Seeing Romanticism through Decadence; title: Chapter 1: Yu Dafu; title: Chapter 2: Shao Xunmei; title: Part II: Farewell to Revolution; title: Chapter 3: Yu Hua; title: Chapter 4: Su Tong; title: Part III: Performing Perversion; title: Chapter 5: Wang Shuo; title: Chapter 6: Wang Xiaobo; title: Chapter 7: Yin Lichuan; title: Conclusion; title: Bibliography; title: Index; title: Cambria Sinophone World Series