Playing the changes
Subtitle: from Afro-modernism to the jazz impulse
By: Craig Hansen Werner.
Publisher: University of Illinois Press
Published: 1994
Place of publication: Urbana
Language: eng
Number of pages: 341
Subjects: American literature -- African American authors -- History and criticism.; American literature -- 20th century -- History and criticism.; African Americans -- Intellectual life -- 20th century.; African Americans -- Music -- History and criticism.; Music and literature -- History -- 20th century.; Modernism (Literature) -- United States.; African Americans in literature.; African American aesthetics.; Jazz in literature.
Description: In Playing the Changes, Craig Hansen Werner presents a polyrhythmic approach to the continuities and discontinuities of the American literary tradition. He focuses on the relationship between two superficially distinct traditions: European (post)modernism and African American culture in both literary and musical forms.

A primary contribution of Playing the Changes is its exploration of different "phrasings" of issues important to highly conscious African American artists from the late nineteenth century (Charles Chesnutt's The Conjure Woman) to the 1990s (Toni Morrison's Jazz).

A final sequence highlights the centrality of black music to African American writing, arguing that recognizing blues, gospel, and jazz as theoretically suggestive cultural practices rather than specific musical forms points to what is most distinctive in twentieth-century African American writing: its ability to subvert attempts to limit its engagement with psychological, historical, political, or aesthetic realities.
Notes: Includes bibliographical references (p. [305]-315) and index.