Three poems of Fiona MacLeod [op. 11]
Subtitle: The pleasure-dome of Kubla Khan [op. 8] Song of the dagger. Four German songs. Four impressions. Three tone-pictures [op. 5]
Contributors: Recorded Anthology of American Music, Inc
Published: 1976
Language: eng
Subjects: Arranged Instrumental ensembles; Songs (High voice) with orchestra; Symphonic poems; Songs (Medium voice) with piano
Work titles: Selections
Notes: Op. 11 originally for voice and piano, op. 5 for piano; arr. by the composer.

The German songs: An den Wind (Lenau)--Am Kreuzweg wird begraben (Heine)--Meeres Stille (Goethe)--Auf geheimem Waldespfade (Lenau)

Durations, program notes by D. K. Anderson, texts of the vocal works, list of works, bibliographies, and discography (6 p.) bound in container.

Title from container.

Op. 8 is a symphonic poem.

Phyllis Bryn-Julson, soprano (in op. 11); Boston Symphony Orchestra, Seiji Ozawa, conductor (in op. 11 and op. 8); Sherrill Milnes, baritone, Jon Spong, piano (in Song of the dagger and the German songs); Olivia Stapp, mezzo-soprano, Diane Richardson, piano (in the Impressions); New World Chamber Ensemble (in op. 5)

Recorded at Columbia Recording Studios, 30th Street, New York.
Table of contents: title: The German songs: An den Wind (Lenau) ; Am Kreuzweg wird begraben (Heine) ; Meeres Stille (Goethe) ; Auf geheimem Waldespfade (Lenau); title: Four impressions: Le jardin ; Impression du matin ; La mer ; Le reveillon; title: Song of the dagger; title: The pleasure-dome of Kubla Khan, op. 8; title: Three poems of Fiona MacLeod, op. 11: The lament of Ian the Proud ; Thy dark eyes to mine ; The rose of the night; title: Three tone-pictures, op. 5.