Modern paintings as seen and described by great writers
Publisher: Dodd, Mead, & Co.
Published: 1911
Language: eng
Table of contents: title: Contents; title: Approach to Venice — (J. W. M. Turner) xi; title: Robert de la Sizeranne; title: Siege of Constantinople by the Crusaders — (Eugene Delacroix) 12; title: Claude Phillips; title: The Children of Edward the Fourth — (Paul Delaroche) 19; title: Lionce Benedite; title: Founder of the Archaic School — (Henri Leys) 23; title: Charles Blanc; title: Le Matin — (J. B. C. Corot) 34; title: Rene Menard; title: Forest Clearing — (Narcisse-Virgilio Bias de la Pena) 41; title: William Ernest Henley; title: The Banks of the Loire in Spring — (Theodore Rousseau) 45; title: T. A. Castagnary; title: The Big Oak — (Jules Dupri) 55; title: Ernest Chesneau; title: Le Printemps — (Charles Francois Daubigny) 61; title: David Croal Thomson; title: Les Glaneuses — (J. F. Millet) 68; title: Julia Cartwright; title: The Gleaner — (Jules Breton) 77; title: Maurice Vachon; title: Retour a la Ferme — (Constant Troyon) 84; title: Charles Blanc; title: The Delaware Valley — (George Innness) 92; title: John C. Van Dyke; title: Beata Beatrix — (D. G. Rossetti) 100; title: F. G. Stephens; title: The Huguenot — (Sir John Everett Millais) 107; title: John Guille Millais; title: The Shadow of Death — (William Holman Hunt) 115; title: F. W. Farrar; title: The Mirror of Venus — (Sir Edward Burne-Jones)  120; title: Malcolm Bell; title: Love and Death — (George Frederick Watts) 128; title: Julia Cartwright; title: Duel After the Masquerade— (Jean Leon Gerome) 136; title: Theophile Gautier.; title: 1814— (J. L. E. Meissonier) 141; title: Lionel Robinson; title: La Chasse au Faucon — (Eugine Fromentin) 149; title: Louis Gonse; title: Where the Deer Meet — (Gustave Courbet)  155; title: Philip Gilbert Hamerton; title: The Spanish Marriage — (Mariano Fortuny)  160; title: Baron Davillier; title: The Horse Fair — (Rosa Bonheur) 169; title: Rene Peyrol; title: Sainte Genevieve Marked with the Divine Seal - (Puvis de Chavannes) 186; title: Claude Phillips; title: L'Embouchure de L'Escaut — (Alfred Verwie) 186; title: Camille Lemonnier; title: Au Cafe — (Edouard Manet) 192; title: Camille Mauclair; title: The Lady with the Glove — (Carolus-Duran) 199; title: Arskne Alexandre; title: After The Ball — (Alfred Stevens) 204; title: Camille Lemonnier; title: The Net-Menders — (Max Liebermann) 211; title: A. E. Luticke; title: Le Regiment Qui Passe — (Edouard Detaille) 217; title: Jules Clartie; title: Champs-Elysees — (Arnold Boecklin) 224; title: Antia Macmahon; title: Sappho — (Alma-Tadema) 232; title: Helen Zimmern; title: Jeanne D'Arc - (Bastien-Lepage) 238; title: Prince Bojidar Karageorgevitch; title: In the Dunes — (Anton Mauve) 244; title: A. C. Loffelt; title: The Bashful Lover — (Josef Israels) 251; title: David Croal Thomson; title: Carmenctta — (J. S. Sargent) 256; title: Marion Hepworth Dixon; title: The Holy Grail — (Edwin A. Abbey) 265; title: M. H. Spielmann; title: Portrait of his Mother — (J. McNeill Whistler) 272; title: George Moore; title: Ploughing in the Engadine — (Giovanni Segantini) 279; title: Helen Zimmern; title: Portrait of Whistler — (J. Boldini) 286; title: Camille Mauclair; title: A Dutch Sea Painter — (H. W. Mesdag) 292; title: M. H. Spielmann; title: Hagar and Ishmael — (Jean-Charles Casin) 298; title: William A. Coffin; title: A Tennis Party — (John Livery) 304; title: David Martin; title: Rouen Cathedral — (Claude Monet) 308; title: Wynford Dewhurst; title: Danseuse Etoile — (Edgar Degas) 318; title: George Moore; title: Christ Before Pilate — (Mihaly Munkacsy) 325; title: J. Beavington Atkinson; title: Return from Fishing — (Joaquin Sorolla y Bastida) 331; title: Cadwallader Washburn; title: Illustrations; title: Portrait of Whistler — Boldini  Frontispiece; title: Boldini Collection facing pace; title: Approach to Venice — Turner 2; title: Siege of Constantinople by the Crusaders — Delacroix 12; title: The Children of Edward the Fourth — Delaroche 20; title: Le Matin — Corot 34; title: Forest-Clearing — Diaz 42; title: Banks of the Loire in Spring — Rousseau 46; title: The Big Oak — Dupre 56; title: Le Printemps — Daubigny 62; title: Les Glaneuses — Millet 68; title: The Gleaner — Breton  78; title: Retour A la Ferme — Troyon  84; title: The Delaware Valley — Inness 92; title: Beata Beatrix — Rossetti 100; title: The Huguenot — Millais 108; title: The Shadow of Death — Holman 116; title: The Mirror of Venus — Burne-Jones 120; title: Love and Death — Watts 128; title: Duel After The Masquerade — Girome 136; title: 1814 — Meissonier 142; title: La Chasse au Faucon — Fromentin 150; title: Where the Deer Meet — Courbet 156; title: The Spanish Marriage — Fortuny 160; title: The Horse Fair — Bonheur 170; title: Sainte Genevieve Marked with the Divine Seal — Puvis de Chavannes 176; title: L'Embouchure de L'Escaut — Verese 186; title: Au Cafe — Manet 192; title: The Lady with the Glove — Carolus-Duran 200; title: After the Ball — Stevens 204; title: The Net-Menders — Liebermann 212; title: Le Regiment Qui Passe — Ditaille  218; title: Champs-Elysees — Boecklin 224; title: Sappho — Alma-Tadema 232; title: Jeanne D'Arc - Bastien-Lepage 238; title: In the Dunes — Mauve 244; title: The Bashful Lover — Israels 252; title: Carmencita — Sargent Paris 256; title: Portrait of His Mother — Whistler 272; title: Ploughing in the Engadine — Segantini 280; title: Hagar and Ishmael — Casin 298; title: A Tennis Party — Lavery 304; title: Rouen Cathedral — Monet 308; title: Danseuse Etoile — Degas 318; title: Christ Before Pilate — Munkacsy 326; title: Return from Fishing — Sorolla 332