Impure cinema
Subtitle: intermedial and intercultural approaches to film
By: edited by Lúcia Nagib and Anne Jerslev
Series: Tauris world cinema series; Tauris world cinema series
Publisher: I.B. Tauris
Published: 2013
Place of publication: London; New York
Language: eng
Number of pages: 304
ISBN-13: 9781780765105; 9781780765112
Subjects: Intercultural communication in motion pictures; Intermediality; Film criticism; Multiculturalism in motion pictures
Notes: Includes bibliographical references and index.
Table of contents: title: pt. I. The history and politics of impurity; title: From impurity to historicity; title: The politics of impurity; title: pt. II. Intertextual and intercultural dialogues; title: Contestations of intercultural collaboration : the case of Whale rider; title: Adapting Frida Kahlo : the film-paintings; title: Transatlantic drift : hobos, slackers, Flâneurs, idiots and edukators; title: Captain Swing the fearless : a Turkish film adaptation of an Italian Western comic strip; title: pt. III. Literary impurities; title: Adaptation by degree : a study of Vittorio De Sica's Bicycle thieves; title: The supernatural from page to screen : Ambrose Bierce's and Robert Enrico's An occurrence at Owl Creek Bridge; title: pt. IV. Border-crossing films; title: An art in the rough : the cinema of João César Monteiro; title: Relational subjectivity, impure voice : the video essays of Agnès Varda, Bingöl Elmas and Kathy High; title: Jia Zhangke's cinema and Chinese garden architecture; title: Amidst landscapes of mobility : the embodied turn in contemporary Chinese cinema; title: pt. V. Post-medium films; title: Chantal Akerman : moving between cinema and installation; title: Projection as performance : intermediality in Japan's expanded cinema; title: Shooting for a cause : cyberactivism and genre hybridization in The Cove; title: David Lynch between analogue and digital : Lost highway, The straight story and the Interview project.