The poetics of indeterminacy
Subtitle: Rimbaud to Cage
By: Marjorie Perloff.
Series: Avant-garde & modernism studies; Avant-garde and modernism studies
Publisher: Northwestern University Press
Published: 1999
Place of publication: Evanston, Ill
Language: eng
Number of pages: 346
Subjects: Rimbaud, Arthur, 1854-1891 -- Influence; American poetry -- 20th century -- History and criticism; Art and literature -- United States -- History -- 20th century; Poetry, Modern -- 20th century -- History and criticism; Modernism (Aesthetics) -- United States; American poetry -- French influences; Modernism (Aesthetics) -- France; Contradiction in literature; Poetics
Description: "In her seminal study, first published in 1981, Marjorie Perloff argues that the map of Modernist poetry needs to be redrawn to include a central tradition which cannot properly be situated within the Romantic-Symbolist tradition dominating the early twentieth century.

She traces this tradition from its early "French connection" in the poetry of Rimbaud and Apollinaire as well as in Cubist, Dada, and early Surrealist painting; through its various manifestations in the work of Gertrude Stein, William Carlos Williams, and Ezra Pound; to such postmodern "landscapes without depth" as the French/English language constructions of Samuel Beckett, the elusive dreamscapes of John Ashbery, and the performance works of David Antin and John Cage.".

"In the poetry of this "other tradition," ambiguity and complexity give way to inherent contradiction and undecidability, metaphor and symbol to metonymy and synecdoche, the well-wrought urn to what Ashbery calls "an open field of narrative possibilities," and the coherent structure of images to "mysteries of construction," nonsense, and free play."--BOOK JACKET.
Notes: Includes bibliographical references and index.