Igor Stravinsky
Subtitle: sounds and gestures of modernism
By: edited by Massimiliano Locanto
Series: Speculum Musicae -- Volume 25; Speculum musicae -- v. 25.
Publisher: Brepols
Published: 2014
Place of publication: Turnhout
Language: eng; mul; fre; ita
Number of pages: 494
ISBN-13: 9782503553252
Subjects: Criticism and interpretation
Notes: Includes bibliographical references and index (pages 481-494).
Table of contents: title: Root and routes.; title: In between Orthodoxy and Catholicism: the problem of Stravinsky's religious identity  -- Tatiana Baranova Monighetti ;; title: Stravinsky and the spiritual world of Orthodox theology  -- Susanna Pasticci ;; title: Igor Stravinsky and his Russian interlocutors  -- Svetlana Savenko ;; title: Stravinsky's Swiss years: a Russian composer's liberation  -- Rosamund Bartlett ;; title: Stravinsky's Abraham and Isaac: glimpse of the east?  -- Natalia Braginskaya; title: The musical text.; title: Working on The rite of spring: Stravinsky's sketches for the ballet at the Paul Sacher Stiftung  -- Tatiana Baranova Monighetti ;; title: Octatonic or diminished? Russian modal interpretations of Stravinsky from an American perspective  -- Philip Ewell ;; title: Stravinsky as analyst: The firebird and Petrushka  -- Mark McFarland ;; title: Dialogising Stravinsky: A topic theory and gestural interpretation  -- Nicholas P. McKay ;; title: From Saint Petersburg to Europe: The reconstruction of Stravinsky's Danse russe and Prest finale from Sleeping princess (1921) and Marriage d'Aurore (1922-1929)  -- Elia Andrea Corazza ;; title: La pratique de l'hommage musical chez Stravinsky  -- Danick Trottier; title: Music, gestures, bodies.; title: Some thoughts on Stravinsky's 'Apotheosis'  -- Jonathan Cross ;; title: Le gest musical: Hatten versus Stravinsky  -- Antony Desvaux ;; title: Stravinsky's 'Music on music': a survey of the main theories and interpretations  -- Bogumila Mika ;; title: Embodiment and reception in Les noces: choreographic relationships to music, libretto, and the folk wedding  -- Matilda Anna Butkas Ertz -- Restagings, rereadings.; title: Miloss et Stravinsky: un choréographe et le 'raffiné sorier' de la musique du XXe siècle  -- Patrizia Veroli ; Bergman's Rake's progress: How a director helped create an operatic masterpiece / -- Chandler Carter ;; title: Gestures of polyphony, rhythm, and gender in Pina Bausch's Le sacre du printemps  -- Melissa L. Khong ;; title: Tre registri e un autore: la versione teatrale dell'Histoire du soldat sull'inedito di Pasolini  -- Aurora Egidio; title: From stage to screen.; title: Igor Stravinsky et l'Opéra de Paris (1915-1945): entre réforme théâtrale et modernitê musicale  -- Claire Paolacci ;; title: Œdipus rex ou l'œuvre au neutre: un dispositif anti-fictionnel?  -- Julien Ségol ;; title: Igor Stravinsky's The flood in between theatre and television  -- Massimiliano Locanto; title: Critical reception.; title: A modernist composer for avant-garde times? Stravinsky's music in Spain during the early Franocoism (1945-1960)  -- Germán Gan Quesada ;; title: The rakes' progress: the critic's perception of the world première (Venice 1951)  -- Rosanna Giaquinta ;; title: Quarant'anni con Stravinsky -- Gianfranco Vinay.