Music, performance, meaning
Subtitle: selected essays
By: Nicholas Cook
Series: Ashgate contemporary thinkers on critical musicology series; Ashgate contemporary thinkers on critical musicology
Publisher: Ashgate
Published: 2007
Place of publication: Aldershot, England; Burlington, VT
Language: eng
Number of pages: 349
ISBN-13: 9780754627180
Subjects: Music -- Philosophy and aesthetics
Notes: Includes bibliographical references and index
Table of contents: title: Musical form and the listener (1987); title: The perception of large-scale tonal closure (1987); title: Beethoven's unfinished piano concerto : a case of double vision? (1989); title: Schenker's theory of music as ethics (1989); title: The editor and the virtuoso, or Schenker vs. Bülow (1991); title: Heinrich Schenker, polemicist : a reading of the Ninth Symphony monograph (1995); title: Music minus one : rock, theory, and performance (1995-96); title: The domestic Gesamtkunstwerk, or record sleeves and reception (1998); title: At the borders of musical identity : Schenker, Corelli and the graces (1999); title: Theorizing musical meaning (2001); title: Form and syntax : a tale of two terms (2002); title: The other Beethoven : heroism, the canon, and the works of 1813-14 (2003); title: Performance writ large : desultory remarks on furnishing the abode of the retired scholar (2003); title: In praise of symbolic poverty (2004); title: Writing on music or axes to grind : road rage and musical community (2003); title: Making music together, or improvisation and its others (2004)