Essays from the University of Western Ontario
By: edited by James Grier.
Publisher: University of Western Ontario Press
Published: 2006
Place of publication: London, Ont
Language: eng
Number of pages: 405
Notes: 3
Table of contents: value: Catching the burthen: a new round of Shakespeare musical hunting; value: The aggregate, ordering and expectation in pre-serial works of Anton Webern; value: Music teaching and learning in the age of the internet; value: Sarah McLachlan's "Possession" (1993): representations of dominance and subordination in lyrics, music, and images; value: Gustav Mahler's Vienna campaign: unpublished letters from the Gustav Mahler-Alfred Rosé collection; value: Walter O'Connell's "Tone spaces": an early view of the older position; value: Voice and vocality in the late string quartets, or putting the body back to Beethoven; value: "Idon't know whether I like it, but it's what I meant": generic designation and issues of modernism in Vaughan Williams' symphony no. 4 in F minor; value: Wolfgang Amadeus Mozart's motivisce afbeit: aspects of sonata form in the minuets of KV 421 (=417b) and KV 458 and their relationship to the scherzi of Joseph Haydn's opus 33, Hob. III:37-42; value: Mutation as compositional process in George Perle's "Etude no. 4" from six etudes for piano; value: Revolutionary measures: François Giroust, Versailles and the Hymne des Versaillais; value: Symbolic motifs in the music of Brahms; value: The art of conversation: from Haydn to Beethoven's early string quartets.