Extravaganza king
Subtitle: Robert Barnet and Boston musical theatre
By: Anne Alison Barnet
Publisher: Northeastern University Press
Published: 2004
Place of publication: Boston
Language: eng
Number of pages: 223
Subjects: Barnet, R. A. -- 1850?-1933; Librettists -- Massachusetts -- Boston -- Biography; Musical theater -- Massachusetts -- Boston -- History
Genres: Biography
Description: "This is the tale of Robert Barnet (1852-1933), a prosperous Boston sugar merchant, and the enormously popular musical theatricals he wrote and produced for the First Corps of Cadets, a volunteer militia of young upper class Boston businessmen who sought money to build an armory as protection against feared immigrant uprisings." "Barnet had already made a name for himself in local amateur theater circles when the Corps hired the middle-aged father of five to stage fund-raisers to erect the armory, known today as the Park Plaza Castle. Dubbed the "Extravaganza King" for his ever-more elaborate productions, held annually in Boston from 1891 to 1906, Barnet almost single-handedly managed the lavish musical farces and Mother Goose burlesques, acting as librettist, director, stage manager, and costume designer. The male cadets, including several Harvard graduates trained in the Hasty Pudding tradition, played all the roles in these overblown affairs, and Barnet himself starred as Queen Isabella of Spain in 1492, his most famous work. Donning dresses and wigs for the females parts, the hefty muscular leading ladies raised laughter rather than eyebrows from the audiences of prominent Bostonians who attended the shows." "In this account, Barnet's great-granddaughter, Anne Alison Barnet, reclaims the little-known story of Cadet Theatricals and the creative force behind the huge productions, many of which later toured the country and had Broadway runs. Drawing on photographs, scrapbooks, and family memorabilia, she traces Barnet's life and the colorful history of the Cadet shows. While Barnet gained national fame for his long run of successes in Boston, his fortunes reversed after moving in 1908 to New York City, where he failed to adapt his talents to evolving musical theater tastes and fell into professional obscurity."--BOOK JACKET.
Notes: Includes bibliographical references (p. [213]-217) and index
Table of contents: title: Monstrat Viam; title: Very gentlemanly ladies; title: Cheered to the echo; title: The Cadets' laureate; title: They came to praise : the process and the press; title: Mother Goose burlesque; title: Bright particular star; title: The last Cadet show; title: Afternoons at the Rialto