Rosebud
Subtitle: The Story of Orson Welles
Edition: 1st ed edition
Publisher: Knopf; Alfred A. Knopf; Distributed by Random House, Inc.
Published: May 28, 1996
Language: eng
Format: Hardcover
Number of pages: 463
ISBN-13: 9780679418344
Subjects: Motion picture producers and directors; Individual Movie Actors And Actresses; Biography / Autobiography; Welles, Orson,; Biography/Autobiography; United States; Motion picture producers and d; Entertainment & Performing Arts - Movie Directors; Biography & Autobiography / Entertainment & Performing Arts; Welles, Orson; Biography; 1915-; Actors
First sentence: HE WAS ALONE the night of October 9-10, 1985, which is not the same as lonely.
Description: David Thomson has brought a lifetime's fascination with Orson Welles and his work to this dazzling biography.

Rosebud is written as a story, one that summons up the man and the artist and does justice to the genius and the fraud; the man of the world and the solitary; the spoiled kid and the sage; the infant prodigy; the chronic fabricator of his own legend; the boy who flirted with homosexuals; the ladies' man; the youth who took Broadway and radio by storm, and rocked the nation in 1938 with an airwaves fantasy of invasion; the begetter of the incomparable Citizen Kane.

And here, also, is the man who famously "failed," the man who made The Magnificent Ambersons, Touch of Evil, The Trial and Chimes at Midnight. But to Thomson, those allegedly lesser films are the furnishings of another kind of masterpiece, as large and melancholy as Kane's Xanadu. Here Welles reveals himself as at once a monster of self-destruction and a triumph of self-invention.

Thomson's view of Welles's "fall" is vital to his grasp of a profoundly complex character. We see Welles as a genius haunted by boredom and by the inability to believe in anything, as a victim of indiscipline and the helpless pleasures of talk. He is a man who attracts people, spurns them and then finds them guilty of betrayal. And so people like John Houseman, Herman Mankiewicz and Rita Hayworth, along with so many others, come and go, astonished.

Rosebud traces a career of endless striving and continuous drama. At the same time, it is a book of astute film commentary that helps us appreciate Kane anew as the masterpiece of what is too often a shallow medium. It is written with an insight, a daring and a flair worthy of its remarkable protagonist.