The Oxford guide to film studies
By: edited by John Hill and Pamela Church Gibson ; consultant editors, Richard Dyer, E. Ann Kaplan, Paul Willemen.
Contributors: Hill, John; Gibson, Pamela Church.
Publisher: Oxford University Press
Published: 1998
Place of publication: Oxford; New York
Language: eng
Number of pages: 624
Subjects: Film criticism; Motion pictures
Notes: Includes bibliographical references and index.
Table of contents: title: Introduction to film studies / Richard Dyer; title: The film text and film form / Robert P. Kolker; title: Film acting / Paul McDonald; title: Film costume / Pamela Church Gibson; title: Film music / Claudia Gorbman; title: Classic film theory and semiotics / Antony Easthope; title: Formalism and neo-formalism / Ian Christie; title: Impressionism, surrealism and film theory / Robert B. Ray; title: Film and psychoanalysis / Barbara Creed; title: Post-structuralism and deconstruction / Peter Brunette; title: Film and postmodernism / John Hill; title: Marxism and film / Chuck Kleinhans; title: Feminism and film / Patricia White; title: Gay and lesbian criticism / Anneke Smelik; title: Queer theory / Alexander Doty; title: Pornography / Laura Kipnis; title: Race, ethnicity, and film / Robyn Wiegman; title: Film and cultural identity / Rey Chow; title: Film and history / Dudley Andrew; title: Sociology and film / Andrew Tudor; title: Cultural studies and film / Graeme Turner; title: Film audiences / Jostein Gripsrud; title: Hermeneutics, reception aesthetics and film interpretation / Noel King; title: American cinema and film history / John Belton; title: History and cinema technology / Duncan Petrie; title: Hollywood as industry / Douglas Gomery; title: Early American film / Tom Gunning; title: Classical Hollywood film and melodrama / E. Ann Kaplan; title: Post-classical Hollywood / Peter Kramer; title: Authorship and Hollywood / Stephen Crofts; title: Genre and Hollywood / Tom Ryall; title: The star system and Hollywood / Jeremy G. Butler; title: Hollywood film and society / Douglas Kellner; title: Film policy : Hollywood and beyond / Albert Moran; title: Hollywood and the world / Toby Miller; title: Concepts of national cinema / Stephen Crofts; title: Modernism and the avant-gardes / Murray Smith; title: Realism, modernism, and post-colonial theory / Ashish Rajadhyaksha; title: The documentary / John Izod and Richard Kilborn; title: The animated film / Michael O'Pray; title: Issues in European cinema / Ginette Vincendeau; title: The avant-gardes and European cinema before 1930 / Ian Christie; title: Italian post-war cinema and Neo-Realism / Simona Monticelli; title: The French nouvelle vague / Jill Forbes; title: New German cinema / Ulrike Sieglohr; title: East Central European cinema / Daniel J. Goulding; title: European film policy and the response to Hollywood / Armand Mattelart; title: Directors and stars : Jean Renoir / Keith Reader ; Ingmar Bergman / Chris Darke ; Chantal Akerman / Cathy Fowler ; Pedro Almodóvar / José Arroyo ; Luc Besson / Susan Hayward; title: Brigitte Bardot / Ginette Vincendeau; title: British cinema / Andrew Higson; title: Ireland and cinema / Martin McLoone; title: Australian cinema / Elizabeth Jacka; title: Canadian cinema / Will Straw; title: Issues in world cinema / Wimal Dissanayake; title: Indian cinema / Ashish Rajadhyaksha; title: Chinese cinema / Bérénice Reynaud; title: Hong Kong cinema : Discovery and pre-discovery / Stephen Teo ; China and 1997 / N.K. Leung; title: Taiwanese new cinema / Kuan-Hsing Chen; title: Japanese cinema / Freda Freiberg; title: African cinema / N. Frank Ukadike; title: South American cinema / Julianne Burton-Carvajal; title: Film and changing technologies / Laura Kipnis; title: Film and television / John Hill.