Sobranie Gosudarstvennogo muzeĭno-vystavochnogo t︠s︡entra "ROSIZO"
Subtitle: Rossiĭskoe iskusstvo 1930-1990-kh godov : Alʹbom
By: Pod obshcheĭ redakt︠s︡ieĭ A.A. Lʹvova, generalʹnogo direktora ; Avtor kont︠s︡ept︠s︡ii i sostavitelʹ alʹboma V.G. Zubravskai︠a︡
Contributors: Zubravskaya, Viktoria, compiler; Gosudarstvennyĭ muzeĭno-vystavochnyĭ t︠s︡entr ROSIZO
Publisher: Slavii︠a︡
Published: 2009
Place of publication: Sankt-Peterburg
Language: rus
Number of pages: 196
ISBN-13: 9785950101564
Subjects: Russian Art; Catalogs; Soviet Art; Sots art; Decorative arts; History
Other titles: Rossiĭskoe iskusstvo 1930-1990-kh godov
Description: Chapter 1 has examples of socialist realist art: painting, graphic art, and decorative art from the 1930 to the 1950s (70). Chapter 2 publishes works of paitning and sculpture of the 1970s and 80s most of which were purchased by the Minister of Culture from exhibitions of contemporary art (59). Chapter 3 presents works of Russian folk art made from the 1960s to the 1980s: e.g. lacquer painting (Palekh, Mstera), painted trays (Zhostovo), ceramics (Gzhel'), toys (Bogorodskoe Selo) (50). Since no specific collecting criteria or single-minded collector purchased the works, they amount to a varied anthology of art of the Soviet period. Directions and schools can be identified, but in general the collection is valuable because it forms the context in which many different groups were working. -- Summary written by John W. Emerich, Bronze Horseman Literary Agency.
Table of contents: title: Chapter 1 has examples of socialist realist art: painting, graphic art, and decorative art from the 1930 to the 1950s (70). Chapter 2 publishes works of paitning and sculpture of the 1970s and 80s most of which were purchased by the Minister of Culture from exhibitions of contemporary art (59). Chapter 3 presents works of Russian folk art made from the 1960s to the 1980s: e.g. lacquer painting (Palekh, Mstera), painted trays (Zhostovo), ceramics (Gzhel'), toys (Bogorodskoe Selo) (50). Since no specific collecting criteria or single-minded collector purchased the works, they amount to a varied anthology of art of the Soviet period. Directions and schools can be identified, but in general the collection is valuable because it forms the context in which many different groups were working.; title: Summary written by John W. Emerich, Bronze Horseman Literary Agency.