The  cultural cold war
Subtitle: the CIA and the world of arts and letters
By: Frances Stonor Saunders.
Publisher: New Press; Distributed by W.W. Norton & Co.
Published: 2000
Place of publication: New York
Language: eng
Number of pages: 509
Subjects: United States. Central Intelligence Agency -- Influence; Politics and culture -- United States; Arts -- Political aspects -- United States; Arts, American -- 20th century; Cold War -- Social aspects -- United States; Freedom and art -- Political aspects -- United States; United States -- Cultural policy
Description: "In The Cultural Cold War, Frances Stonor Saunders presents for the first time the shocking evidence that the CIA infiltrated every niche of the cultural sphere during the postwar years. In a book that draws together recently declassified documents and exclusive interviews, the author narrates the extraordinary story of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West became instruments of the American government. The CIA's front organizations and the philanthropic foundations that channeled its money also organized conferences, founded magazines, ran congresses, mounted exhibitions, arranged concerts, and flew symphony orchestras around the world." "Many of the period's foremost intellectuals and artists appear in the book: Isaiah Berlin, Clement Greenberg, Sidney Hook, Arthur Koestler, Irving Kristol, Robert Lowell, Henry Luce, Andre Malraux, Mary McCarthy, Reinhold Neibuhr, George Orwell, Jackson Pollock, Bertrand Russell, Jean-Paul Sartre, Arthur Schlesinger, Jr., and Stephen Spender, among others. While many were unwitting participants in the CIA's cultural operation, others were willing collaborators."--BOOK JACKET.
Notes: Includes bibliographical references (p. [476]-480) and index.
Originally published: Who paid the piper? London : Granta Books, 1999.