The Beatles trilogy
Subtitle: the last concerts
By: Richard Warren Lipack.
Edition: 1st ed.
Publisher: Barrister Publishers
Published: 1996
Place of publication: Atlanta
Language: eng
Subjects: Lennon, John, 1940-1980.; Beatles.; Rock musicians -- England -- Biography.
Other titles: Last concerts
Description: Notes: Includes bibliographical references (p. [348]-356).

This book shows how the Beatles are tied into conspiracies, May 16, 2001 By SULPHUR FURY (Chicagoland, USA) - (See all my reviews on Amazon.com)

The Beatles were more than just a rock band. In historical context, they were part of a huge government engineered social event which has been overseen through the years by secret societies and unknown branches of U.S. and British governments. The engineering continues to evolve today.

As John Lennon has stated, one moment they were playing all kinds of seedy bars, strip joints, and dance clubs across the UK and Europe. A gritty covers band with an attitude and ability to play. The next thing he knew, they were meeting the Queen of England and heads of state across the globe as they toured. Transforming them from a heavy rock band into a cute, loveable teen sensation almost overnight was what their manager Brian Epstein did, as he promised if they did this they'd be rich beyond their dreams and be bigger than Elvis. But it went way beyond even that as their importance ballooned into political issue and their effect on the 'youth culture'. Heads of state took notice of their citizen's enchantment with the band. The 'clean' image Epstein marketed got them into family rooms around the globe; where for the band was where the money they were promised was; and for Tavistock, a worldwide opportunity to capture the minds of the entire world's youth.

What the Beatles got themselves into through Epstein's contracts and guidance, unbeknownst to them, was a role in the New World Order's plans to test out mass mind control. You'll learn about England's top secret Tavistock facilities (which as predicted in the book, now monitors all communications passing in and out of England), and how it secretly helped engineer the Beatles 'invasion' of the U.S. and then the world and why. A discussion of the Beatles' early music, and it's hypnotic "12-atonal" quality attempts to explain the reason their music seems to elicit senses within the brain common in many humans, especially those in a certain age group.

The subject of the group's decision to use and publicize their use of LSD and cannabis marijuana as they began to move in their own direction beyond their manager's initial Beatlemania-era "cute" image, and into the psychedelic-rock/hard rock era, is discussed in detail. Previously unpublished photos of the band using LSD and them performing at their last concerts appear in the book for the first time.

Secret documents are exposed from FBI, CIA files. Social engineering, the mark of the beast, Waco, black choppers, militia, mind control, the drug trade, Nazi connections, UFO and alien appearances, backwards messages. The modern multimedia presentation of music and marketing began here.

The book is not extremely organized in a comprehensible manner. It's best to take this book a chapter at a time. It seems the author may have crammed too much in one book that might have been meant for three since it says this is a trilogy. However you will learn so much more than you may want to know about how the Beatles fit into the cosmic conspiracy that you'll scare yourself. I think every major conspiracy theory is touched upon.

The book seems to weave in and out in this manner, to some great stories about the Beatles on tour and behind the scenes, with previously unpublished photos.

If any of this sounds slightly interesting, believe me, it is quite fascinating, and you should read this book immediately. What you think and saw was happening on the outside, was happening because of some very bizarre coincidences.

Interesting addendum: In 1996 An episode of the TV series "Dark Skies" was based on this book's chapter about the Beatles' first U.S. appearance on a live broadcast of the Ed Sullivan Show in February of 1964. Seen by 73 million viewers across the nation, (that's almost everyone who had a television set then), it was the perfect time to implant the message and test mass mind control. Was it Tavistock who masterminded it all? This book has the answers, and raises even more questions that still don't but one day we may know the answer as more government documents become declassified regarding these operations. (I'm hoping to see parts 2 and 3 of this trilogy get published with all of the events in Beatles and world history that have taken place since the book first came out in 1996.)

PRODUCT DESCRIPTION

RICHARD WARREN LIPACK'S EPOCH MOMENTS AND SECRETS: JOHN LENNON AND THE BEATLES AT THE MIRROR OF MAN'S DESTINY - is nearly twenty years in the making.

While all the other BEATLES books TALK about the parties, TALK about the drugs and TALK about life backstage and on the road, Richard Warren Lipack's THE LAST CONCERTS, the first installment in THE BEATLES' TRILOGY - SHOWS IT - with no holds barred!

EPOCH MOMENTS AND SECRETS is drawn from the single most important extant photograph collection on the Beatles in the world. Many of the incredible photographs in this book are reproduced for the first time ever. There are well over 150 photos alone -- all BEHIND-THE-SCENES -- of THE BEATLES during the last days of their live performing career -- up to the moment that they retired from the concert stage, in August of 1966.

The Trilogy work makes the reader witness to the odyssey of a major pivotal event in history as it actually unfolds. This is done through the painstaking state-of-the-art digitally enhanced reproduction of action photographs arranged in sequential order according to the sequence of the negative film frames -- all as they had been clicked-off by the roving camera -- over the tour period. The methods employed to reproduce these images include the rare and lost art of maintaining the halftone dot in the shadow area comprised within the black and white photographs found in EPOCH MOMENTS AND SECRETS. As well, a special Quadtone Process is used to make black and white images into those of striking colors and hues.

The text to THE LAST CONCERTS segment has been researched and executed over a span of nineteen years. And with this, no stone has been left unturned. Here for the first time, the reader and devotee of THE BEATLES can begin to understand their effect on modern society.

EPOCH MOMENTS AND SECRETS - JOHN LENNON AND THE BEATLES AT THE MIRROR OF MAN'S DESTINY, with the help of the author, will take you on a journey THEN [The Sixties], NOW, and into the TWENTY-FIRST CENTURY.

THE BEATLES have affected mankind. The total Trilogy work will expose the real story - the life and times [THEN & NOW] of THE BEATLES' legacy, and of their history - and how it is woven into the fabric of what is being reported by media, newsgroups, government, universities, internet and discussed by world citizens.

It is significant to note that comprised within the monumental 367 page coffee-table book: THE BEATLES ANTHOLOGY, released by THE BEATLES and APPLE in the year 2000, only a scant TWO (2) photographs are reproduced treating the period of the band's 1966 last concert. These consisted of previously published images by San Francisco lensman Jim Marshall.

Lipack's 1996 book however packs in ONE HUNDRED FIFTY (150) photos for the magnus opus BEATLES event of all the Ages. EPOCH MOMENTS "Holy Grail" of Beatledom reveals the intense BEATLES history as if a movie is actually unfolding all before one's very eyes! The work finally brings the reader back stage with his eyes peering straight at the BEATLES on the very day they performed at Candlestick Park - enroute; backstage; and even onstage at THE BEATLE'S last concert ever - in San Francisco on August 29, 1966.

Within the present realm and scope of THE BEATLES own vast and mighty resources, it is absolutely amazing that so little treating the time of the band's last concert came to be gathered and reproduced in THE BEATLES ANTHOLOGY - in an effort to tell this part of the story of what is obviously the epitome of their live performing career!

The Trilogy work however makes the reader witness to the odyssey of a major pivotal event in history as it ACTUALLY unfolds! This is done through the painstaking state-of-the-art digitally enhanced reproduction of action photographs arranged in sequential order according to the sequence of the negative film frames - all as they had been clicked-off by the roving camera - over the tour period. The methods employed to reproduce these images include the rare and lost art of maintaining the halftone dot in the shadow area comprised within the black and white photographs found in EPOCH MOMENTS AND SECRETS.

As well, a special "Quadtone Process" is used to make black and white images into those of striking colors and hues. This is all in an effort to re-create for the reader's eye the vividness of like what THE BEATLES themselves saw during this historic vector-point in time - as they found themselves heading towards destiny and their last live stage show ever - while under the influence of the illicit drug L.S.D. 25.

There are some 35 out of 45 FULL COLOR images reproduced in EPOCH MOMENTS AND SECRETS that show THE BEATLES during the period of their last concerts, while THE BEATLES ANTHOLOGY only shows but one!

About the Author

Richard Warren Lipack has been producing and gathering definitive documentation on the band THE BEATLES since 1969. Born in 1954, author Lipack ultimately by happenstance 23 years later, stumbled upon the genesis to what has become EPOCH MOMENTS AND SECRETS, and the beginning of THE BEATLES TRILOGY.

It is this 'genesis' that actually began in autumn of 1977, when Richard Warren Lipack came to discover the original 'last concert' 35mm half-frame negatives during one of his visits to New York City. A small No. 10 envelope containing the precious strips of film came out of a basement file cabinet at Ken Galente's SILVER SCREEN movie memorabilia shop, at the time when the store was located in uptown Manhattan on the corner of Lexington Avenue and 72nd Street.

The negatives originally came from the files of the long defunct DATEBOOK MAGAZINE (ironically the very same publication that fueled the furor behind the widespread 'BEATLES BAN' just prior to the band's 1966 tour - when it published for the first time in the US - JOHN LENNON'S statement that 'The Beatles were more popular than Jesus').

In April of 1978, the author began working with the estate of the late Beatles' manager - Brian Epstein. An initial meeting in New York City between Clive Epstein and Richard Warren Lipack took place in October of 1978. In September of 1979, the Epsteins arranged for the author to be flown to England, where he stayed with the family in Liverpool. The topic of an extensive book publishing project was discussed, with prime intentions of drawing upon the author's exhaustive document and photograph collection.

The author was guest in the home of Queenie Epstein, mother of the manager. During many a breakfast at "Beech Cottage" on Calderstones Road, Richard Warren Lipack heard Queenie Epstein talk of some of the most fascinating Beatles stories from the early days that one could ever imagine!

Richard Warren Lipack is a graduate of the School of Visual Arts, New York City. The author is a photographer, writer and international historical document, art and antiques dealer - with his latter interest embodying a specialty in the realm of technological artifacts and photographic art.
Notes: Includes bibliographical references.
Table of contents: value: pt. 1. Epoch moments and secrets.