Ex reliquiis venerandæ antiquitatis. Lucii Cuspidii testamentum. Ad hæc. Contractus venditionis, antiquis Romanorum temporibus initus
Publisher: Apud Joannem Emmeum Johann Faber
Published: 1533
Place of publication: Freiburg im Bresgau
Language: lat
Number of pages: 30
Description: <p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-family:Helvetica, sans-serif;font-size:11.5pt;">8vo. pp. [16]. Morocco.</span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-family:Helvetica, sans-serif;font-size:11.5pt;"><br /></span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-family:Helvetica, sans-serif;font-size:11.5pt;">An independent edition, by the legal scholar Henricus Glareanus, but ‘certainly based on’ that of Lyon (September 1532 (see Bib# 4102773/Fr# 268 in this collection), edited by Rabelais (see M.A. Screech, <i>Rabelais, Erasmus, Gilbertus Cognatus and Boniface Amerbach</i>, and Richard Cooper, <i>Rabelais’ Edition of the Will of Cuspidius and the Roman Contract of Sale</i> (1532), both in <i>Études rabelaisiennes</i>, 14 (1977)). The two spurious texts are reprinted as genuine by Georg Fabricius, <i>Antiquitatis aliquot monumenta insignia</i> (1549) and <i>Antiquitatum libri II</i> (Basel, 1560), and elsewhere, and reproduced in <i>Corpus Inscriptionum Latinarum</i> among ‘inscriptiones falsae vel alienae’: see Cooper, pp. 61-62. These and the ‘Gallus Favonius Jucundus will' (see Marliani, Bib# 4102772/Fr# 267 in this collection) were first exploded in print by Antonio Agustín, <i>Dialoghi intorno alla medaglie inscrittioni et altre antichita</i> (Rome, [1592]: first published in Spanish at Saragossa, 1587), attributing them to Fra Giovanni Giocondo. But Cooper has identified a separate printing of the <i>Contractus venditionis</i> (Rome: Calvi, 1531?), which in fact derives from a well-known dialogue (‘Actius’) by Giovanni Pontano, printed in his <i>Opera</i> (3 volumes, Venice: Aldus, 1518-1519, and Florence, 1520), and finds evidence that the ‘Will of Cuspidius’ was separately printed in Italy before 1532: it was reprinted in France somewhat later, at Louvain and at Paris, as <i>Formula testamenti pagani Romanorum</i>. Hence (Cooper theorizes, pp. 68-70) Rabelais and his publisher Gryphius followed manuscript or printed copy in combining the ‘Will’ with the ‘Contract’, but were probably unaware of their forged origin, and possibly of their earlier publication. The authorship of the ‘Will’ alone is sometimes also attributed to the humanist Giulio Pomponio Leto (Julius Pomponius Laetus).</span><br /></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;"><a href="https://catalyst.library.jhu.edu/catalog/bib_4102768" rel="ugc nofollow">Click here to view the Johns Hopkins University catalog record.</a></span></span></p>