The Barbizon school & the origins of impressionism
By: Steven Adams
Publisher: Phaidon Press
Published: 1994
Place of publication: London
Language: eng
Number of pages: 240
ISBN-13: 9780714829197
Subjects: Landschaftsmalerei; French Painting; Barbizon school; Bildband; Influence; École de Barbizon; Impressionisme; French Landscape painting; Künstlerschule; Peinture de paysages; School van Barbizon
Other titles: Barbizon school and the origins of impressionism
Description: In 1863 Claude Monet and Frederic Bazille left Paris for Barbizon, a small village on the edge of the Forest of Fontainebleau, forty miles south-west of Paris. They came to this district to paint from nature in the open air and to make studies for landscape paintings, far from the pressures of city life. Together with Renoir and Sisley, they were following a well-trodden path taken by painters and tourists some thirty years earlier. Jean-Baptiste-Camille Corot had been studying the fleeting effects of nature in the forest as early as 1822, and in the 1840s Charles-Emile Jacque, Gustave Courbet, Charles-Francois Daubigny and Jean-Francois Millet made frequent visits to the area, some later taking up permanent residence. Like many innovators, the Barbizon painters have attracted less attention than their followers.

The names of Theodore Rousseau, Narcisse Diaz de la Pena and Georges Michel have virtually been forgotten, and the originality of their painting techniques and impulsive brush work attributed to those who later exploited them. In this first survey of the Barbizon School for twenty years. Steven Adams re-evaluates the generation of landscape painters that preceded the Impressionists and illustrates the direct relationship between the paintings of Corot and Monet, Millet and Van Gogh. He examines the development of landscape painting in nineteenth century France from the restoration of the Bourbon monarchy in 1816 to the outbreak of the Franco Prussian War in 1870, and discusses the cultural and political changes that influenced a more naturalistic painting style fifty years before the term 'Impressioniste' was first heard in Paris.
Notes: Includes bibliographical references (p. 236) and index.
Table of contents: title: Ch. 1. Landscape painting in Restoration France, 1815-30; title: Ch. 2. Panoramas, parks and porcelain: nature and popular culture; title: Ch. 3. Landscape painting during the July Monarchy; title: Ch. 4. Rural images and the 1848 Revolution; title: Ch. 5. Barbizon painting and Impressionism.