The Image and its Public in the Middle Ages
Subtitle: Form and Function of Early Paintings of the Passion
By: Translated by Mark Bartusis and Raymond Meyer; This translation was prepared with the assistance of the J. Paul Getty Trust
Publisher: Aristide d Caratzas Pub
Published: 1990
Place of publication: New Rochelle, USA
Language: eng
Translated from: ger
Translation of: Das Bild und sein Publikum im Mittelalter: Form und Funktion früher Bildtafeln der Passion
Number of pages: 298
ISBN-13: 9780892414031
Copyright date: 1990
Table of contents: title: Acknowledgements
pagenum: ix; title: Photo Credits
pagenum: xi; title: Introduction
pagenum: 1; label: I.
title: New Forms of Images in the Middle Ages
pagenum: 9; label: II.
title: The Portrait of the Dead God (Imago Pietatis
pagenum: 29; label: III.
title: Functions of Medieval Images
pagenum: 41; label: IV.
title: Realism and Pictoral Rhetoric
pagenum: 65; label: V.
title: The Icon of the Passion in Byzantium
pagenum: 91; label: VI.
title: The Icon in the West: Its Reception During the Thirteenth Century in Italy
pagenum: 131; label: VII.
title: Summary
pagenum: 187; title: Appendices; label: A.
title: Pietatis and Imago Pietatis: The Image in Historical Accounts and Inscriptions
pagenum: 191; label: B.
title: Lament and Accusation: The Verse from Jeremiah in the Rhetoric of the Middle Ages
pagenum: 197; label: C.
title: Western Art after 1204: The Importation of Relics and Icon
pagenum: 203; title: Literature Cited in Abbreviated Form
pagenum: 223; title: Notes
pagenum: 227; title: Bibliography
pagenum: 267; title: List of Art Works Especially Mentioned in the Text
pagenum: 275; title: Index
pagenum: 285