Convent theatre in early modern Italy
Subtitle: spiritual fun and learning for women
By: Elissa B. Weaver.
Series: Cambridge studies in Italian history and culture
Publisher: Cambridge University Press
Published: 2002
Place of publication: Cambridge, UK; New York
Language: eng
Number of pages: 304
Subjects: Convent theater -- Italy -- History.; Italian drama -- To 1700 -- History and criticism.; Italian drama -- Women authors -- History and criticism.; Women and literature -- Italy.
Description: "This book is a study of convent theatre in Italy, an all-female tradition. Widespread in the early modern period, but virtually forgotten today, this activity produced a number of talented women dramatists and works of unusual merit. Convent authors, actresses, and audiences, especially in Tuscan houses, the plays written and produced, and what these reveal about the lives of convent women are the focus of this book."

"Convent theatrical productions were a pedagogical tool for the education of the young women and an important moment of relaxation and enjoyment for all the women. Secular women, and sometimes even laymen and clerics, attended performances which they often watched through the parlor grille. This unauthorized fraternization and the use of secular costumes by the nuns were severely criticized by Church authorities, who sought to curtail them and often to suppress the activity altogether."

"Beginning with the earliest known performances of miracle and mystery plays (sacre rappresentazioni) in the late fifteenth century, the book follows the development in the convents at the turn of the sixteenth century of spiritual comedy and of a variety of dramatic forms in the seventeenth century. Convent theatre both reflected the high level of literacy among convent women and contributed to it, and it attested to the continuing close contact between the secular world and the convents even in the post-Tridentine period."--Jacket.
Notes: Includes bibliographical references (p. 262-290) and index.