Surpassing the spectacle
Subtitle: global transformations and the changing politics of art
By: Carol Becker.
Series: Culture and politics series
Publisher: Rowman & Littlefield
Published: 2002
Place of publication: Lanham, Md
Language: eng
Number of pages: 161
Subjects: Art and society -- United States -- History -- 20th century; United States -- Social life and customs -- 20th century
Description: In her newest book, leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, Surpassing the Spectacle is now especially relevant in its analysis of the spectacle society that was omnipresent before that fatal day. This book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. This collection of essays explores such topics as public memorials, America's attempt to hold onto a sense of security while faced with the reality of international terrorists living within our own cities, the South African Truth and Reconciliation Commission, restorative justice, and issues of freedom of expression as they relate to incidents such as New York Mayor Guiliani's quest to ban Chris Ofili's painting of 'The Holy Virgin Mary' at the Brooklyn Museum. The essays cohere around Becker's central concerns: the education and role of artists in a post post-modern climate, controversies over public space, iconography, memorializing, and the myth of the global citizen. Throughout, Becker works to reconstruct a vision of humanity that incorporates, and hopefully moves us beyond, a dystopian moment when we no longer were able to use words such as humane, accountable, or the public good without seeming nostalgic and romantic. Becker raises the question of the place of art and the function of public intellectuals in a society desperately in need of creativity and leadership.
Notes: Includes bibliographical references and index.
Table of contents: title: The artist as public intellectual; title: The nature of the investigation : art-making in a post-postmodern era; title: The art of testimony; title: Brooklyn Museum : messing with the sacred; title: Betrayal; title: Trial by fire : a saga of gender and leadership; title: Reconciling truth in South Africa; title: Memory and monstrosity; title: The second Johannesburg Biennale; title: The romance of nomadism; title: Art and ecology; title: GFP Bunny and the plight of the posthuman; title: Surpassing the spectacle.