Cinema audiences and modernity: an introduction
By: Daniel Biltereyst [editor]
Publisher: Routledge
Published: 2012
Place of publication: Oxon; New York, NY
Language: eng
Number of pages: 213
ISBN-13: 9780415672771; 9780415672788; 9780203804636
Subjects: Europe; Motion picture audiences; History; Motion picture industry
Notes: Includes bibliographical references and index.
Table of contents: title: Introduction / Daniel Biltereyst, Richard Maltby and Philippe Meers; title: Cinema, Tradition and Community. Spaces of Early Film Exhibition in Sweden, 1897-1911 / Åsa Jernudd; title: Moviegoing under Military Occupation, Düsseldorf, 1919-1925 / Frank Kessler and Sabine Lenk; title: "Christ is coming to the Elite cinema": Film exhibition in the Catholic South of the Netherlands, 1910s and 1920s / Thunnis Van Oort; title: Imagining modern Hungary through film: Debates on national identity, modernity and cinema in early twentieth century Hungary / Ana Manchin; title: The Cinematic Shapes of the Socialist Modernity Programme: Ideological and Economic Parameters of Cinema Distribution in the Czech Lands, 1948-1970 / Pavel Skopal; title: "The Management Committee intend to act as Ushers" : Cinema Operation and the South Wales Miners' Institutes in the 1950s and 1960s / Stefan Moitra; title: Audiences, Modernity and Cultural Exchange. Urban legend: Early cinema, modernization, and urbanization in Germany, 1895-1914 / Annemone Ligensa; title: Diagnosis: "Flimmeritis": Female Cinema-going in Imperial Germany, 1911-1918 / Andrea Haller; title: "Afgrunden" in Germany: Monopolfilm, Cinema-Going and the Emergence of the Film Star Asta Nielsen, 1910-11 / Martin Loiperdinger; title: "Little Italy on the Brink": The Italian Diaspora and the Distribution of War Films in London, 1914-1918 / Pierluigi Ercole; title: Hollywood in disguise: Practices of exhibition and reception of foreign films in Czechoslovakia in the 1930s / Petr Szczepanik; title: Negotiating cinema's modernity: Strategies of control and audience experiences of cinema in Belgium, 1930s-1960s / Daniel Biltereyst, Philippe Meers, Kathleen Lotze and Lies Van de Vijver.