Giotto and the flood of Florence in 1333
Subtitle: a study in catastrophism, guild organisation, and art technology
By: Erling S. Skaug
Edition: First edition.
Publisher: Giunti
Published: 2013
Place of publication: Firenze
Language: eng
Number of pages: 111
ISBN-13: 9788809790759
Subjects: Criticism and interpretation; Giotto school of painting; Painting; Technique; Artists' tools; Floods; History
Description: Giotto di Bondone was the key figure in the transition from medieval to modern in European painting. It is well known that he, on 12 April 1334, was appointed architect of the Cathedral of Florence, and that he made a design for the campanile. But it has never been explained why he was offered that task, and at that particular point of time. Was it just an honorary position for the aging artist, shortly before his death? Or was his actual commission to organise the rebuilding of vital parts of the city after the disastrous flood of 4 November 1333-- the worst catastrophe of its kind until the one in 1966? By this angle of approach, based upon the textual evidence of the nomination, it becomes possible to put together several pieces of a puzzle that makes up an entirely new picture of a moment in the history of Florence. Elements as different as Giotto's stay at the French court in Naples, the introduction of punched decoration in Florentine painting, the dating of some of his problematic altarpieces, the Florentine painters' place in the city's guild structure as shown by their formal titles, and a perhaps surprising glimpse into Giotto's workshop in its late period can all be shown to be causally connected.
Notes: Includes bibliographical references (pages 109-111).

In English, with summary in Italian and additional text in Latin.
Table of contents: title: Giotto, "the greatest painter in the world"; title: Catastrophism and history-writing; title: The flood of Florence in 1333; title: Giotto's appointment as Master of Works of the Commune; title: "Master" vs. "Painter" in Florence c. 1225-1420; title: Giotto's signed altarpieces; title: Gold tooling and sphragiology; title: Punch work in Florence; title: The new Louvre Crucifixion; title: The Baroncelli-Bologna group; title: Conclusion; title: Appendix I: Giotto's nomination as Master of Works of the Commune of Florence on 12 April 1334 (Latin original and English translation); title: Appendix II: The formal title "master" and "painter" in Florence in the thirteenth, fourteenth, and fifteenth centuries.