Savage sight, constructed noise
Subtitle: poetic adaptations of painterly techniques in the French and American avant-gardes
By: by David LeHardy Sweet
Series: North Carolina studies in the Romance languages and literatures -- no. 276
Publisher: U.N.C. Dept. of Romance Languages; Distributed by University of North Carolina Press
Published: 2003
Place of publication: Chapel Hill
Language: eng
Number of pages: 318
Subjects: Apollinaire, Guillaume, -- 1880-1918 -- Knowledge -- Art; Reverdy, Pierre, -- 1889-1960 -- Knowledge -- Art; Breton, André, -- 1896-1966 -- Knowledge -- Art; O'Hara, Frank, -- 1926-1966 -- Knowledge -- Art; Ashbery, John -- Knowledge -- Art; French poetry -- 20th century -- History and criticism; Art and literature -- France -- History -- 20th century; Art and literature -- United States -- History -- 20th century; Avant-garde (Aesthetics) -- France; Avant-garde (Aesthetics) -- United States
Description: "This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract Expressionism and New Realism in the United States."

"Selected poems are examined in light of the critical essays and are taken either as illustrations of a new plastic poetic or as novel hybrids of plastic and literary strategies. Although the parallels between modern poetry and painting go beyond avant-garde techniques, this book emphasizes such innovations as collage, chance operations, and automatism to demonstrate the shift in aesthetic attention from finished products to creative processes."--Jacket.
Notes: Includes bibliographical references (p. 283-291)