Medardo Rosso
Subtitle: second impressions
By: Harry Cooper, Sharon Hecker ; with contributions by Henry Lie and Derek Pullen.
Contributors: Hecker, Sharon.; Lie, Henry.; Pullen, Derek.; Fogg Art Museum.; Harvard University. Art Museums.; Arthur M. Sackler Museum.; Saint Louis Art Museum.; Nasher Sculpture Center.
Publisher: Yale University Press
Published: 2003
Place of publication: New Haven, Conn; London
Language: eng
Number of pages: 164
Subjects: Rosso, Medardo, -- 1858-1928 -- Exhibitions.
Genres: Exhibitions.
Description: "The Italian artist Medardo Rosso (1858-1928) is a key figure in the development of modern sculpture. His portraits and figure studies have long been considered sculptural equivalents to impressionism's concern with light at the expense of form. This book - the first comprehensive study of Rosso's art - presents an artist more deeply concerned with materials, process, and the reproduction of his works than previously imagined." "Rosso's fascination with technique is explored in detail from art historical, technical, and phenomenological perspectives. Drawing on a wealth of new archival material and close-up study of the sculptures, the authors show that Rosso's waxes - his best-known works - were not modeled by hand but cast with the help of gelatin molds. The authors compare wax, plaster, and bronze casts of the same subjects to show that the manipulation of materials for visual effect was at the heart of his work. The book also reproduces and analyzes Rosso's fascinating photographs of his own sculpture, which offer important clues to the charged relationship he sought to create between viewers and the mysterious busts and figures he made."--Jacket.
Notes: "This catalogue is published in conjunction with the exhibition Medardo Rosso: second impressions, organized by the Fogg Art Museum of the Harvard University Art Museums (HUAM), Cambridge, Massachusetts; Arthur M. Sackler Museum (HUAM): July 19-October 26, 2003, Saint Louis Art Museum: November 21, 2003-February 29, 2004, Nasher Sculpture Center, Dallas, April 3-June 20, 2004."

Includes bibliographical references and index.