American music
Subtitle: a panorama
By: Lorenzo Candelaria, Daniel Kingman
Contributors: Kingman, Daniel
Edition: 3rd concise ed.
Publisher: Thomson/Schirmer
Published: 2007
Place of publication: Belmont, CA
Language: eng
Number of pages: 364
ISBN-13: 9780495128397
Subjects: Music; History and criticism; Musik; Muziek
Notes: Includes bibliographical references (p. 331-337) and index.
Table of contents: title: Author's guide to the Panorama of American music; title: pt. I. Folk and ethnic musics; title: 1. The Anglo-Celtic-American tradition; title: Imported ballads; title: "Barbara Allen" (H.J. Beeker); title: Features common to most ballads; title: Naturalized ballads; title: "Gypsy Davy" (Woody Guthrie); title: Native ballads; title: "John Hardy" (The Carter Family); title: Print and the ballad; title: Fiddle tunes; title: "Soldier's joy" (Marion Sumner); title: Print and the fiddle tune; title: Play-party songs; title: "Old man at the mill" (Clint Howard, Fred Price, Doc Watson); title: Projects; title: Additional listening; title: 2. The African American tradition; title: African music and its relation to black music in America; title: "Music in praise of a Yoruba Chief" (Nigeria); title: Religious folk music : the spiritual; title: "Sheep, sheep, don't you know the road" (Bessie Jones, Sea Island Singers); title: "Jacob's ladder" (Paul Robeson); title: Secular folk music; title: "Quittin' time song" (Samuel Brooks); title: "John Henry" (Arthur Bell); title: Projects; title: Additional listening; title: 3. The American Indian tradition; title: Music in Indian life; title: The existential quality of songs; title: Types of songs according to purpose; title: "Pigeon's dream song" (Louis Pigeon, vocal ; Menominee, Northern Plains); title: "Cherokee/creek stomp dance" (Eastern Woodlands); title: "Butterfly dance" (an Juan Pueblo, New Mexico); title: "Sioux love song" ( John Coloff, flute & vocal ; Lakota Plains); title: Characteristics of Indian music; title: Indian Music and acculturation; title: "Ghost dance song" (Pawnee Plains); title: "Rabbit dance" (Los Angeles Northern Singers); title: Projects; title: Additional listening; title: 4. Latino traditions; title: The legacy of the Spanish conquest; title: Sacred music from Mexico; title: "Al Pie de Este Santo Altar" (Luis Montoya, vocal ; Vincente Padilla, pito); title: "Los Pastores" from Las Posadas (Franquilino Miranda and group); title: Secular music from Mexico; title: "Las Abajeñas" (Mariachi Cobre); title: "El Corrido de Gregorio Cortéz" (Los Hermanos Banda); title: "Mal Hombre" (Lydia Mendoza); title: The Caribbean and South America; title: "Para los Rumberos" (Tito Puente); title: Projects; title: Additional listening; title: 5. Diverse traditions : French, Scandinavian, Arab, and Asian; title: The French influence in Louisiana; title: "Midland two-step" (Michael Doucet, Beausoleil); title: "Zydeco sont pas salé" (Clifton Chenier); title: The Scandinavian influence in the upper Midwest; title: "Banjo, old time" (LeRoy Larson, Minnesota Scandinavian Ensemble); title: Arab American traditions; title: "Zaffat al-Hilu" (Majid Kakka, Bells Band); title: The Asian influence; title: "Tampopo" (Nobuko Miyamoto); title: Projects; title: Additional listening; title: 6. Folk music as an instrument of advocacy; title: "The farmer is the man that feeds them all" (Fiddlin' John Carson); title: The urban folk song movement of the 1930s and 1940s; title: "I am a union woman" (Aunt Molly Jackson); title: Protest and folk song in the 1960s; title: "Masters of war" (Bob Dylan); title: Freedom songs and the civil rights movement in the South; title: "We shall overcome" (SNCC); title: Projects; title: Additional listening; title: pt. II. Three offspring of the rural South; title: 7. Country music; title: Enduring themes; title: The "country sound"; title: Commercial beginnings : early recordings, radio, and the first stars; title: Jimmy Rodgers : the father of country music; title: "Muleskinner blues" (Jimmy Rodgers); title: The West : cowboys, honky-tonks, and Western swing; title: "Cotton-eyed Joe" (Bob Willis and His Texas Playboys); title: Postwar dissemination and full-scale commercialization; title: "I'm so lonesome I could cry" (Hank Williams); title: "I'm blue again" (Patsy Cline); title: "Blue eyes crying in the rain" (Willie Nelson); title: The persistence and revival of traditional styles; title: "Muleskinner blues" (Bill Monroe and His Blue Grass Boys); title: "John Henry" (The Lilly Brothers); title: Projects; title: Additional listening; title: 8. The blues; title: Characteristics of the blues; title: "Countin' the blues" (Ma Rainey and Her Georgia Jazz Band); title: "Prison cell blues" (Blind Lemon Jefferson); title: "Preachin' blues (Up jumped the devil)" (Robert Johnson); title: Early published blues; title: Classic blues; title: Blues and jazz; title: Boogie-woogie; title: "Mr. Freddie Blues" (Meade "Lux" Lewis); title: Selling the country blues; title: Urban blues; title: Blues at the turn of the century; title: "Texas flood" (Stevie Ray Vaughn); title: Projects; title: Additional listening; title: 9. Rock music; title: Rock's ties to rhythm and blues; title: "Good rockin' tonight" (Wynonie Harris); title: "Rock around the clock" (Bill Haley and His Comets); title: Reaching white audiences; title: The influence of country music; title: "That's all right" (Elvis Presley); title: Trends from the 1960s to the present; title: "Good vibrations" (The Beach Boys); title: "The star-spangled banner (Live at Woodstock)" (Jimi Hendrix); title: "Eruption" (Van Halen); title: "Sheena is a punk rocker" (The Ramones); title: Projects; title: Additional listening; title: pt. III. Popular sacred music; title: 10. From psalm tune to rural revivalism; title: Psalmody in America; title: "Amazing grace" (Congregation of the Old Regular Baptist Church); title: The singing-school tradition; title: "Chester" (The Old Sturbridge Singers); title: "Amity" (the Old Sturbridge Singers); title: The frontier and rural America in the nineteenth century; title: "Wondrous love" (anonymous); title: Music among smaller independent American sects; title: "'Tis the gift to be simple" (The United States of Shakers); title: Projects; title: Additional listening; title: 11. Urban revivalism and gospel music; title: Urban revivalism after the Civil War : the Moody-Sankey era of gospel hymns; title: "In the sweet by-and-by" (The Harmoneion Singers); title: The Billy Sunday-Homer Rodeheaver era : further popularization; title: "Brighten the corner where you are" (Homer Rodeheaver); title: Gospel music after the advent of radio and recordings; title: "Give the world a smile" (The Stamps Quartet); title: "He got better things for you" (Memphis Sanctified Singers); title: "Swing down, chariot" (Golden Gate Quartet); title: Projects; title: Additional listening; title: pt. IV. Popular secular music; title: 12. Secular music in the cities from colonial times to the age of Andrew Jackson; title: Concerts and dances; title: "The college hornpipe" (Rodney Miller); title: Bands and military music; title: "Lady Hope's reel" (American Fife Ensemble); title: "Washington's march" (The Liberty Tree Wind Players); title: Musical theater; title: "Chorus of adventurers" from the Indian princess (Federal Music Society Opera); title: Popular song; title: "Junto song" (Seth McCoy); title: Projects; title: Additional listening; title: 13. Popular musical theater and opera from the Jacksonian era to the present; title: Minstrelsy and musical entertainment before the Civil War; title: "De boatman's dance" (Ensemble); title: From the Civil War through the turn of the century; title: "The Yankee doodle boy" (Richard Perry); title: The first half of the twentieth century; title: The musical in its maturity : Show boat to West side story; title: "Cool" West side story (original Broadway cast); title: The musical since West side story; title: Opera in America; title: "It ain't necessarily so" (Lawrence Tibbett); title: Projects; title: Additional listening; title: 14. Popular song, dance, and march music from the Jacksonian era to the advent of rock; title: Popular song from the 1830s through the Civil War; title: "Get off the track" (The Hutchinson Family Singers); title: "Hard times come again no more" (The Hutchinson Family Singers); title: "The battle cry of freedom" (George Shirley); title: Popular song from the Civil War through the ragtime era; title: The band in America after the Jacksonian era; title: "The Washington Post march" (Advocate Brass Band); title: Popular song from ragtime to rock; title: "Brother, can you spare a dime?" (Bing Crosby); title: Tin Pan Alley and its relation to jazz and black vernacular music; title: The decline of Tin Pan Alley and the dispersion of the popular music industry; title: Projects; title: Additional listening; title: pt. V. Jazz and its forerunners; title: 15. Ragtime and precursors of jazz; title: The context of ragtime from its origins to its zenith; title: "Hello! My baby" (Don Meehan, Dave Corey); title: The musical characteristics of ragtime; title: "Maple leaf rag" (Scott Joplin); title: The decline and dispersion of ragtime; title: "If dreams come true" (James P. Johnson); title: The ragtime revival; title: Precursors of jazz; title: "Eternity" (Eureka Brass Band); title: "Just a little while to stay here" (Eureka Brass Band); title: Projects; title: Additional listening; title: 16. Jazz; title: The New Orleans style : the traditional jazz of the early recordings; title: "Dippermouth blues" (King Oliver's Creole Jazz Band); title: "Hotter than that" (Louis Armstrong and His Hot Five); title: Dissemination and change : before the swing era; title: The swing era and the big bands; title: "Ko-ko" (Duke Ellington and His Orchestra); title: The emergence of modern jazz : bop as a turning point; title: "Koko" (Charlie Parker); title: "Out of this world" (John Coltrane); title: The pluralism of the last quarter-century; title: "Bitches brew" (Miles Davis); title: Projects; title: Additional listening; title: pt. VI. Classical music; title: 17. The search for an American identity; title: Music education before the Civil War; title: Music education and culture after the mid-nineteenth century; title: "Pawnee horses," Arthur Farwell (Dario Müller); title: American music and American life; title: Rhapsody in blue, George Gershwin (Oscar Levant); title: Afro-American symphony, William Grant Still (Fort Smith Symphony); title: Appalachian spring, Aaron Copland (New York Philharmonic); title: America's virtuoso cult; title: "The banjo," Louis Gottschalk (Eugene List); title: "The battle of Manassas," Thomas Wiggins (John Davis); title: Projects; title: Additional listening; title: 18. Twentieth-century innovation and the contemporary world; title: Charles Ives : American innovator in music; title: Four New England holidays, Charles Ives (Chicago Symphony Orchestra); title: New York and Europe-related "modernism"; title: Hyperprism, Edgard Varese (Columbia Symphony Orchestra); title: Midcentury modernism; title: The West coast : Cowell, Harrison, and Partch; title: "The Banshee" (Henry Cowell); title: New technology and the new music; title: Minimalism; title: Piano phase (Steve Reich); title: Multimedia art and concept music; title: Classical music and the contemporary world; title: The bushy wushy rag, Philip Bimstein (Equinox Chamber Players); title: Projects; title: Additional listening; title: 19. Film music; title: A realistic film of the American west; title: Two films about the small town and the big city; title: Three career film composers; title: "The murder" Psycho, Bernard Herrmann (Los Angeles Philharmonic); title: "The imperial march" Star Wars, John Williams (London Symphony Orchestra); title: Epilogue; title: Projects; title: Additional listening; title: pt. VII. Music in your own backyard; title: 20. Tales of two cities : Austin, Texas, and Sacramento, California; title: Classical music in Austin, Texas : aspects from the 1930s to World War I; title: The Sacramento Valley : a rich mix of cultures; title: Projects; title: References; title: Glossary; title: Photo credits; title: Index.