Concerto in Two Paradigms
Subtitle: an autoethnography in words and music.
Published: 2005
Language: eng
Number of pages: 190
Subjects: Mio, Victor, -- 1961-; Musicians -- Biography.; Ethnicity.; Music -- Psychological aspects.; Music -- Social aspects.
Description: This thesis explores the process of artful self-study for the purposes of creating greater pedagogical thoughtfulness and wakefulness, as well as, improving the educational practices of the researcher. Secondly, it is designed to motivate other educators, particularly in the arts, to conduct similar research for themselves.In the final section the researcher answers the primary question: " How have I grown telling my story as a student-educator-artist using the methodologies I have chosen?" As a result of the self study a secondary question emerges: "How did I become myself?" Consequently, the discussion includes an exploration of possible answers to this question. Finally, and most importantly perhaps, is the deliberation on the belief that the researcher has been transformed by having conducted the thesis project and has been left in the paradoxical state of not being himself anymore , yet being more himself than he has ever been.The methodologies employed in this thesis are: (1) autoethnography using heuristic inquiry; (2) musical forms as a basis for the organization and presentation of the prose (This is the most original aspect of the thesis since the musical forms, specifically the keyboard concerto structures of the Classical era, directly affect thematic selection and interaction, both within each section or movement of the thesis, and between each section or movement); (3) art-based research in the form of a musical composition The thesis is comprised of three main sections: (a) autoethnography in prose describing the researcher's experiences as a student-educator-artist, followed by (b) a musical composition in the form of a stylized concerto for piano and S.A.T.B. chorus which represents an artistic interpretation of the auto ethnographical prose text (both the prose and musical versions of the autoethnography consist of three movements; the life as student-educator-artist respectively), (c) a discussion elaborating upon the effects that the process of creating the thesis has had on the researcher.
Notes: Thesis (Ed.D.)--University of Toronto, 2005.

Electronic version licensed for access by U. of T. users.

Source: Dissertation Abstracts International, Volume: 66-06, Section: A, page: 2148.