Recarving China's past
Subtitle: art, archaeology, and architecture of the 'Wu Family shrines'
By: Cary Y. Liu, Michael Nylan and Anthony Barbieri-Low ; edited by Naomi Noble Richard.
Contributors: Nylan, Michael.; Barbieri-Low, Anthony J. 1967-; Richard, Naomi Noble.; Princeton University. Art Museum.
Publisher: Princeton University Art Museum; Yale University Press
Published: 2005
Place of publication: Princeton N.J; New Haven, Conn; London
Language: eng
Number of pages: 617
Subjects: Wu family -- Tombs -- Exhibitions; Sepulchral monuments -- China -- Shandong Sheng -- Exhibitions; Stone carving -- China -- History -- Qin-Han dynasties, 221 B.C.-220 A.D. -- Exhibitions; Grave goods -- China -- Shandong Sheng -- Exhibitions; Funeral rites and ceremonies -- China -- Shandong Sheng -- Exhibitions; Art objects, Chinese -- China -- Shandong Sheng -- Exhibitions; Art, Chinese -- China -- Shandong Sheng -- Qin-Han dynasties, 221 B.C.-220 A.D. -- Exhibitions; Shandong Sheng (China) -- Antiquities -- Exhibitions; Shandong Sheng (China) -- History -- Han dynasty, 202 B.C.-220 A.D. -- Exhibitions
Genres: Exhibitions.
Description: "For more than a thousand years, the burial site known as the Wu Family Shrines in the Shandong Province of northeastern China has served as a benchmark for the study of the Han Dynasty (206 BCE- 220 CE) - a defining period in Chinese history that helped shape the artistic, cultural, intellectual, political, religious, and social foundations for Chinese civilization. The inscriptions and pictorial carvings on the stone slabs from this family cemetery complex are the basis for much of what is now known about critical dates concerning artistic, literary, cultural, and architectural developments from one of ancient China's richest cultural eras. Depicting emperors and kings, heroic women, filial sons, and the recently dead, these famous carved and engraved reliefs were intended to teach such basic "Confucian" themes as respect for the emperor, filial piety, and wifely devotion." "Recarving China's Past presents groundbreaking scholarship that prompts significant reexamination of the site's long-accepted implications, including its attribution to the Wu family. The catalogue reinterprets the cemetery structures based on the discovery, since the 1980s, of additional structures and archaeological materials, and evidence that some of the writing and pictorial carvings at the site may have been re-cut over the intervening centuries, essentially recarved to fit prevailing attitudes and assumptions about the Han era."--BOOK JACKET
Notes: Published on the occasion of the exhibition ... at the Princeton University Art Museum, March 5-June 26, 2005.