New horizons in Schenkerian research
By: edited by Allen Cadwallader, Karen M. Bottge, Oliver Schwab-Felisch
Series: Studien und Materialien zur Musikwissenschaft -- Band 115; Studien und Materialien zur Musikwissenschaft -- Bd. 115.
Publisher: Georg Olms Verlag
Published: 2022
Place of publication: Hildesheim
Language: eng
Number of pages: 312
ISBN-13: 9783487161143; 9783487161204; 9783487161211
Subjects: Musical criticism
Notes: Volume 1 is hardbound, volume 2 is a paperback volume.

Volume 2 is a collection of examples to accompany the articles in volume 1.

Includes bibliographical references and indexes.
Table of contents: title: Volume 1.; title: Texts.; title: Schenker and the fundamental bass  -- William Rothstein; title: Schenker and Sechter: a discontinuous history  -- Martin Eybl; title: Schenker's "free forms of interruption" and the strict: toward a general theory of interruption  -- Frank Samarotto; title: The "heilige Trapezoid" and the galant recapitulation  -- L. Poundie Burstein; title: Chopin's Mazurka, op. 59, no. 2: a tribute to Mendelssohn?  -- Carl Schachter; title: J.S. Bach's Fugue in B minor, BWV 869: Rameau oder Schenker?  -- Eric Wen; title: Schenker, sonata form, and the Schubert symphonies  -- David Beach; title: Displacement, superimposition, and dissonance in Ravel's late style  -- Sigrun Heinzelmann; title: Motivic elaboration and chromaticism in the Andante cantabile of Mozart's Piano sonata in B♭major, K. 333  -- Roger Kamien; title: The reception of Heinrich Schenker's music theory in German speaking countries after 1945  -- Oliver Schwab-Felisch; title: Heinrich Schenker and August Halm  -- Patrick Boenke; title: Musical justice and tonal inequality in the theory of Heinrich Schenker  -- Wayne Alpern; title: Musicians in the age of scientific racism: the case of Heinrich Schenker -- Barry Wiener/