The American roman noir
Subtitle: Hammett, Cain, and Chandler
By: William Marling.
Publisher: University of Georgia Press
Published: 1995
Place of publication: Athens, Ga
Language: eng
Number of pages: 306
Subjects: Hammett, Dashiell, 1894-1961 -- Criticism and interpretation.; Cain, James M. 1892-1977 -- Criticism and interpretation.; Chandler, Raymond, 1888-1959 -- Criticism and interpretation.; Detective and mystery stories, American -- History and criticism.; American fiction -- 20th century -- History and criticism.; Detective and mystery films -- United States -- History and criticism.; Literature and society -- United States -- History -- 20th century.; Popular culture -- United States -- History -- 20th century.; Noir fiction, American -- History and criticism.; Capitalism and literature -- United States.
Description: In The American Roman Noir, William Marling reads classic hard-boiled fiction and film in the contexts of narrative theories and American social and cultural history. His search for the origins of the dark narratives that emerged during the 1920s and 1930s leads to a sweeping critique of Jazz-Age and Depression-era culture.

Integrating economic history, biography, consumer product design, narrative analysis, and film scholarship, Marling makes new connections between events of the 1920s and 1930s and the modes, styles, and genres of their representation.

At the center of Marling's approach is the concept of "prodigality": how narrative represents having, and having had, too much. Never before in this country, he argues, did wealth impinge on the national conscience as in the 1920s, and never was such conscience so sharply rebuked as in the 1930s. What, asks Marling, were the paradigms that explained accumulation and windfall, waste and failure? Marling first establishes a theoretical and historical context for the notion of prodigality.

Among the topics he discusses are such watershed events as the trial of Sacco and Vanzetti and the premiere of the first sound movie, The Jazz Singer; technology's alteration of Americans' perceptive and figurative habits; and the shift from synecdochical to metonymical values entailed by a consumer society.
Notes: Includes bibliographical references (p. 289-298) and index.