Writing through music
Subtitle: essays on music, culture, and politics
By: Jann Pasler ; with a foreword by George Lewis
Publisher: Oxford University Press
Published: 2008
Place of publication: Oxford; New York
Language: eng
Number of pages: 513
ISBN-13: 9780195324891
Subjects: Music -- Social aspects; Music -- History and criticism
Notes: Includes bibliographical references and index
Table of contents: title: Time, narrative, and memory. Narrative and narrativity in music ; Postmodernism, narrativity, and the art of memory ; Resituating the spectral revolution : French antecedents; title: Self-fashioning. Deconstructing d'Indy, or the problem of a composer's reputation ; New music as confrontation : the musical sources of Cocteau's identity ; Inventing a tradition : John Cage's "Composition in retrospect"; title: Identity and nation. Pelléas and power : forces behind the reception of Debussy's opera ; The ironies of gender, or virility and politics in the music of Augusta Holmès ; Race, orientalism, and distinction in the wake of the "Yellow peril"; title: Patrons and patronage. Countess Greffulhe as entrepreneur : negotiating class, gender, and nation ; The political economy of composition in the American university, 1965-1985; title: The everyday life of the past. Concert programs and their narratives as emblems of ideology ; Material culture and postmodern positivism : rethinking the "popular" in late nineteenth-century French music