From the chanson française to the canzone d'autore in the 1960s and 1970s
Subtitle: authenticity, authority, influence
By: Rachel Haworth, University of Hull, UK
Series: Ashgate popular and folk music series
Publisher: Ashgate
Published: 2015
Place of publication: Fanrham, Surrey; Burlington, VT
Language: eng
Number of pages: 201
ISBN-13: 9781409441731; 9781409441748; 9781472405920
Subjects: Popular music; History and criticism; Criticism and interpretation
Notes: Includes bibliographical references (pages 187-195) and index.
Table of contents: title: Machine generated contents note: 1.Thinking the chanson francaise and the canzone d'autore; title: 2.Writing about chanson in the 1950s and 1960s; title: 3.Brassens, Brel and Ferre as Paradigms of chanson; title: 4.Brassens, Brel and Ferre in Their Own Words; title: 5.Italian Popular Music Prior to 1960: The Sanremo Festival and the Cantacronache; title: 6.Italian Popular Music Discourse in the 1960s and 1970s; title: 7.Relationships and Influences between the cantautore and the auteur-compositeur-interprete: Fabrizio De Andre and Georges Brassens; title: 8.Relationships and Influences between the cantautore and the auteur-compositeur-interprete: Giorgio Gaber and Jacques Brel; title: 9.Contemporary Perceptions of the chanson francaise and the canzone d'autore.