Reading at the social limit
Subtitle: affect, mass culture, and Edgar Allan Poe
By: Jonathan Elmer.
Publisher: Stanford University Press
Published: 1995
Place of publication: Stanford, Calif
Language: eng
Number of pages: 259
Subjects: Poe, Edgar Allan, 1809-1849 -- Appreciation -- United States; Literature and society -- United States -- History; Authors and readers -- United States -- History; Books and reading -- United States -- History; Popular culture -- United States -- History; Canon (Literature)
Description: Edgar Allan Poe's mobility with respect to apparently exclusive sets of values - those of high and mass culture - has long troubled curators of the cultural order.

Many critics have been puzzled, sometimes to the point of vituperation, about how Poe can stand simultaneously as the germinal figure of a central modernist trajectory (leading via Baudelaire to French Symbolism and thence to the high modernism of Eliot and others) and as the acknowledged pioneer of several durable mass-cultural genres, including detective and science fiction and certain modes of sensational or Gothic horror.

Arguing that Poe is not exceptional but exemplary in this ambivalent relationship to mass culture, the author offers a new theorization of mass culture and ideology through extended analysis of four motifs in Poe's works: the notion of the uncanny and its link to anxieties about originality; Gothic horror and identification; the confessional psychopath; and the figure of the dupe and the "logic of the hoax."
Notes: Includes bibliographical references (p. 245-254) and index.