Expression in pop-rock music
Subtitle: critical and analytical essays
By: edited by Walter Everett
Contributors: Everett, Walter, 1954-
Edition: 2nd ed
Publisher: Routledge
Published: 2008
Place of publication: New York
Language: eng
Number of pages: 392
ISBN-13: 9780415979580; 9780415979597
Subjects: Rock music -- History and criticism; Rock music -- Analysis, appreciation; Musical criticism; Musical analysis
Notes: Includes bibliographical references and index
Table of contents: title: The musical world(s?) of Frank Zappa : some observations of his "crossover" pieces / Jonathan W. Bernard; title: Frank Zappa's "The black page" : a case of musical "conceptual continuity" / James Borders; title: Analytic methodologies for rock music : harmonic and voice-leading strategies in Tori Amos's "Crucify" / Lori Burns; title: Jazz-rock? rock-jazz? stylistic crossover in late-1970s American progressive rock / John Covach; title: Pitch down the middle / Walter Everett; title: Music, contexts, and meaning in U2 / Susan Fast; title: From L'étranger to "Killing an Arab" : representing the other in a Cure song / Ellie M. Hisama; title: The imagination of pop-rock criticism / Nadine Hubbs; title: Trapped within the wheels : flow and repetition, modernism and tradition in Stevie Wonder's "Living for the city" / Tim Hughes; title: Fumbling towards ecstasy : voice leading, tonal structure, and the theme of self-realization in the music of Sarah McLachlan / Timothy Koozin; title: Country-pop formulae and craft : Shania Twain's crossover appeal / Jocelyn R. Neal; title: Large-scale strategy and compositional design in the early music of Genesis / Mark Spicer; title: Rock and roll rhapsody : pop epics of the 1970s / Albin Zak