Music, sound and filmmakers
Subtitle: sonic style in cinema
By: edited by James Wierzbicki
Publisher: Routledge
Published: 2012
Place of publication: New York, NY; Abingdon, Oxon
Language: eng
Number of pages: 232
ISBN-13: 9780415898935; 9780415898942; 9780203343098
Subjects: Motion picture music; Sound in motion pictures; History and criticism; Motion picture producers and directors
Notes: Includes bibliographical references and index.
Table of contents: title: Introduction : sonic style in cinema / James Wierzbicki; title: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman; title: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather; title: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters; title: Kieslowski's musique concrète / Joseph G. Kickasola; title: Gus Van Sant's soundwalks and audio-visual musique concrète / Danijela Kulezic-Wilson; title: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald; title: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee; title: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte; title: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston; title: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro; title: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard; title: Dream timbre : notes on Lynchian sound design / Isabella van Elferen.