Between page and screen
Subtitle: remaking literature through cinema and cyberspace
By: edited by Kiene Brillenburg Wurth
Edition: 1st ed.
Series: Verbal arts: studies in poetics
Publisher: Fordham University Press
Published: 2012
Place of publication: New York
Language: eng
Number of pages: 330
ISBN-13: 9780823239054; 9780823239061
Subjects: History and criticism; Literature and technology; Hypertext fiction; Motion pictures and literature
Notes: Includes bibliographical references and index.
Table of contents: title: Introduction / Kiene Brillenburg Wurth; title: Mediality, Digitality, Subjectivity. Medium, Reflexivity, and the Economy of the Self / Samuel Weber; title: Analog in the Age of Digital Reproduction: Audiophilia, Semi-Aura, and the Cultural Memory of the Phonograph / Anthony Curtis Adler; title: What If Foucault Had Had a Blog? / Joanna Zylinksa; title: Posthuman Selves, Assembled Textualities: Remediated Print in the Digital Age / Kiene Brillenburg Wurth; title: Digital Reflexivities: Prose, Poetry, Code. Intermediation: The Pursuit of a Vision  / N. Katherine Hayles; title: Net.art: Dysfunctionality and Self-Reflexivity / Marie-Laure Ryan; title: Moving (the) Text: From Print to the Visual / Katalin Sándor; title: Technology Made Legible: Software as a Form of Writing in Software Engineering / Federica Frabetti; title: Intermedial Reflexivities: Film, Writing, Script. Cinema as a Digest of Literature: a Cure for Adaptation Fever / Peter Verstraten; title: Cinematography as a Literary Concept in the (Post)Modern Age: Pirandello to Pynchon  / Lovorka Gruic and Kiene Brillenburg Wurth; title: Novelizing Tati / Jan Baetens; title: Copycat-and-Mouse: The Printed Screenplay and the Literary Field in France / Matthijs Engelberts; title: New Literacies, Education, and Accessibility. The New Literacies: Technology and Cultural Form / William Uricchio; title: Visibility, Blogging, and the Construction of Subjectivity in Educational Spaces / Asunción López-Varela Azcárate; title: The Singularity of New Media / Gary Hall.