Counterpoint and Compositional Process in the Time of Dufay
Subtitle: perspectives from German musicology
By: edited and translated by Kevin N. Moll
Series: Criticism and analysis of early music ; v. 2
Publisher: Routledge, Taylor & Francis Group
Published: 2016
Place of publication: London; New York
Language: eng
Format: Paperback
ISBN-13: 9781138966864
Copyright date: 1997
Table of contents: title: Series editor's foreword / Jessie Ann Owens; title: Foreword / Theodor Göllner; title: General preface; title: Editor's introduction : Toward a comprehensive view of compositional priorities in the music of Dufay and his contemporaries / Kevin N. Moll; title: Essays. Dufay : creator of Fauxbourdon / Heinrich Besseler (1948); title: Toward a history of the genesis of Fauxbourdon / Rudolf von Ficker (1951); title: Tonal harmony and full sonority : a reply to Rudolf von Ficker / Heinrich Besseler (1952); title: Harmony in the Cantus-Firmus compositions of the fifteenth century / Bernhard Meier (1952); title: The "tonal discant" and "free discant" techniques of composition in the fifteenth century / Ernst Apfel (1955); title: The Cantus-Firmus question in the fourteenth and early fifteenth centuries / Günther Schmidt (1958); title: The origin of true four-voice counterpoint in England / Ernst Apfel (1960); title: Four-voice counterpoint in the fourteenth and fifteenth centuries / Ernst Apfel (1961); title: The harmonic structure of late medieval music as a foundation of major-minor tonality / Ernst Apfel (1962); title: Late medieval harmonic structure and major-minor tonality / Ernst Apfel (1963); title: Tonality and harmony in the French chanson between Machaut and Dufay / Wolfgang Marggraf (1966); title: The effect of medieval English polyphony upon the development of continental Cantus-Firmus techniques and tonal structure / Ernest H. Sanders (1967); title: Appendix : Glossary and concordance of specialized terms; title: Bibliography : List of works cited and supplementary modern editions