Counterpoints
Subtitle: Edward Said's legacy
By: edited by May Telmissany and Stephanie Tara Schwartz
Publisher: Cambridge Scholars
Published: 2010
Place of publication: Newcastle upon Tyne
Language: eng
Number of pages: 259
ISBN-13: 9781443820660
Subjects: Critics; Intellectuals; Palestinian Americans; Politics and literature; Biography
Notes: Includes bibliographical references.
Table of contents: title: Preface. Edward Said and the West-Eastern Divan Orchestra /; title: Mariam Said -- Introduction. Contrapuntal perspectives / -- May Telmissany and Stephanie Tara Schwartz -- Part I. Said in theory; title: Edward Said's humanism  -- Bill Ashcroft; title: Reading between the lines : resituating Said's contrapuntalism in music  -- Cameron Fae Bushnell; title: On the margins of Middle Eastern studies : situating Said's Orientalism  -- Ella Shohat; title: Edward Said's incomplete discursive constructivism  -- Stefan Hoffmann; title: Edward Said and the politics of subjectivity  -- Prasad Pannian -- Part II. Exile : themes and variations; title: Edward Said : writing in exile  -- Mark Muhannad Ayyash; title: The exilic imagination : literary and existential trajectories of the outside  -- Jason Mohaghegh; title: Inside-outside : Edward Said's Caribbean and dilemmas in contrapuntalism  -- David Austin -- Part III. Post-colonialism : melodic and dissonant lines; title: Said amongst the Carrribeans : The invisible "unity in diversity" and "diversity in unity" (Césaire, Fanon, Naipaul)  -- Kathleen Gyssels; title: The other's dishes : contrapuntal histories, invented cuisines, inauthentic ingredients  -- Irina D. Mihalache; title: Techno-Orientalism in East-Asian contexts : reiteration, diversification, adaptation  -- Artur Lozano-Méndez -- Part IV. The world, the text and the academy; title: Representations of the other : reading Orientalism through phenomenology  -- Bernhard Leistle; title: Essentialist stereotypes in textbooks on Hispanic studies  -- Ali Shehzad Zaidi; title: Teaching Said : culture discourse meets culture critique -- Carl Davila.