The symbolist prints of Edvard Munch
Subtitle: the Vivian and David Campbell collection
By: Elizabeth Prelinger and Michael Parke-Taylor ; with an essay by Peter Schjeldahl.
Contributors: Munch, Edvard, 1863-1944.; Parke-Taylor, Michael.; Schjeldahl, Peter.; Art Gallery of Ontario.
Publisher: Yale University Press
Published: 1996
Place of publication: New Haven, Conn
Language: eng
Number of pages: 236
Subjects: Munch, Edvard, 1863-1944 -- Exhibitions.; Campbell, David M. -- Art collections -- Exhibitions.; Campbell, Vivian -- Art Collections -- Exhibitions.; Symbolism (Art movement) -- Norway -- Exhibitions.; Prints -- Private collections -- Ontario -- Toronto -- Exhibitions.
Description: Illustrated with black and white and colored prints from Edvard Munch. Original pictorial wrappers and color illustrated frontispiece. Published alongside the exhibition of the same name. "This exhibition considers Munch's relevance to a modern world through three interpretive paths." (From the forward) These paths are the technical methods Munch used as a Symbolist printmaker, his reception and exhibitions in North American, and Munch's influence in popular culture. With several essays and a chronology.
Notes: Includes bibliographical references (p. 232-236) and index.
"Exhibition at Art Gallery of Ontario, Toronto, 28 February-25 May 1997"--T.p. verso.