German cinema
Subtitle: texts in context
By: Marc Silberman.
Series: Contemporary film and television series
Publisher: Wayne State University Press
Published: 1995
Place of publication: Detroit
Language: eng
Number of pages: 322
ISBN-13: 9780814325605
Subjects: Motion pictures -- Germany -- History
Notes: Includes bibliographical references (p. 299-311) and index.
Table of contents: title: Specular presence and historical revolution : Ernst Lubtsch's Passion; title: The modernist camera and cinema illusion : Friedrich Wilhelm Murnau's The last laugh; title: The rhetoric of the image : Slatan Dudov and Bertolt Brecht's Kuhle Wampe or Who owns the world?; title: Probing the limits : Detlef Sierck's To new shores; title: The fascist discourse : Eduard von Borsody's Request concert; title: The illusion of escapism : Helmut Kautner's Romance in a minor key; title: The discourse of powerlessness : Wolfgang Staudte's Rotation; title: The return of the familiar : Hans Deppe's Black forest girl; title: Privatizing the past : Georg Wilhelm Pabst's The last ten days; title: The authenticity of autobiography : Konrad Wolf's I was nineteen; title: Discipline and gender : Hermann Zschoche's On probation; title: Beyond spectacle : Alexander Kluge's Artists under the big top: Perplexed; title: The subject of identity : Margarethe von Trotta's Marianne and Juliane; title: The archaeology of the present : Wim Wenders's Paris, Texas.