Maria Bonomi com a gravura
Subtitle: do neio como fim ao meio como princípio
By: Patrícia Pedrosa
Contributors: Bonomi, Maria, 1935-
Edition: Primeira edição.
Publisher: Rio Books
Published: 2021
Place of publication: Rio de Janeiro
Language: por
Number of pages: 140
ISBN-13: 9786587913223
Subjects: Catalogs; Lithography; Wood-engraving, Brazilian; Brazilian Art
Description: It is above all an incendiary guide "of" how is the Art that I practice ... Construction and welcoming work. It definitely promulgates the pollination of the "language" of printmaking for contemporary times. Unlimited, hybrid and transformative. Maria Bonomi (b. 1935, Italy of Brazilian mother, lived in Brazil since 1945). Maria Bonomi is perhaps the only case of an artist who lived in the same milieu and saw at firsthand many developments of the artistic avant-gardes from the end of the 1950s onward, and yet not did join any of them  not the abstractions, not the artificial pop trends, nor the new realisms. She remained faithful to both xilogravura [wood engraving] and xilografia [wood printing], terms she coined herself to denote unfoldings of her attitude at the moment of engraving the wood, later employed in other materials: synthetics, metals, clay, etc.ʺ.
Notes: Includes bibliographical references (pages97-103).

In Portuguese.