Mad loves
Subtitle: women and music in Offenbach's Les contes d'Hoffmann
By: Heather Hadlock
Publisher: Princeton University Press
Published: 2000
Place of publication: Princeton, N.J
Language: eng
Number of pages: 165
Subjects: Offenbach, Jacques, -- 1819-1880.; Women in opera
Description: "In an exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious.

Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject."--BOOK JACKET.
Notes: Includes bibliographical references (p. [149]-159) and index