Silence, sublimity, and suppression in the Romantic period
By: edited by Fiona L. Price and Scott Masson.
Contributors: Price, Fiona L.; Masson, Scott.
Series: Mellen studies in literature.; v. 157
Publisher: E. Mellen Press
Published: 2002
Place of publication: Lewiston, N.Y
Language: eng
Number of pages: 229
Subjects: English literature -- 19th century -- History and criticism.; Censorship -- Great Britain -- History -- 19th century.; Romanticism -- Great Britain.; Sublime, The, in literature.; Silence in literature.
Notes: Includes bibliographical references.
Based on a conference by the British Association for Romantic Studies, June 1999.
Table of contents: title: Machine generated contents note: Mont Blanc's Revolutionary 'Voice': Shelley and the Discourse on the Sublime; title: Cian Duffy 15; title: '[W]hate'er these words cannot express': Transgressive Fictions in Sheley's; title: 'Hymn to Ihtellectual Beauty', 'To a Skylark', and 'Ode to the West Wid'; title: Mark Sandy 37; title: The Existential Crisis in the Silence ofKeats's 'Ode on a Grecian Urn'; title: Scott Masson 59; title: 'The Achievements of Genius': Silence and Female Literary Originality; title: Fiona Price 85; title: Speaking of Dread: Silence and the Sublime in Eliza Fenwick's Secresy, or The; title: Ruin on the Rock; title: Sue Chaplin 109; title: 'In Mute Extacy': Communing with history and nature in Mary Shelley's Valperga; title: Rachel WooUey129; title: Taking Possession - Romantic Naming in Wordsworth and Southey; title: Carol Bolton149; title: Singing the Sofa: Mansfield Park and William Cowper; title: Bharat Tandon169; title: Breaking 'the Silent Sabbath of the Grave': Charlotte Smith's Quiet Gaze at Grief; title: Amy Billone 193; title: Retold Tales and Structured Silences in The Excursion; title: Sally Bushell 211.