The Computer and music.
By: Edited by Harry B. Lincoln.
Contributors: Lincoln, Harry B., ed.
Publisher: Cornell University Press
Published: 1970
Place of publication: Ithaca
Language: eng
Number of pages: 354
Subjects: Music -- Data processing -- Addresses, essays, lectures; Computer music -- Addresses, essays, lectures
Table of contents: title: Musicke's handmaiden, by E. A. Bowles.; title: From musical ideas to computers and back, by H. Brün.; title: Ethics and esthetics of computer composition, by G. Strang.; title: Music composed with computers, by L. Hiller.; title: MUSPEC, by J. P. Citron.; title: Webern's use of motive, by M. E. Fiore.; title: Toward a theory of Webernian harmony, by R. Fuller.; title: Harmony before and after 1910, by R. Jackson.; title: Permutations of a twelve-tone row, by G. Lefkoff.; title: Programs involving numerically related tones, by I. Morton and J. Lofstedt.; title: Possibilities for equally tempered systems, by W. Stoney.; title: Root progression and composer identification, by J. Youngblood.; title: Analysis of Javanese music, by F. Lieberman.; title: Computer-oriented comparative musicology, by B. Suchoff.; title: Numerical methods of comparing musical styles, by F. Crane and J. Fiehler.; title: Style analysis by computer, by A. J. Gabura.; title: Toward a French chanson catalog, by B. Hudson.; title: Transcription of tablature to standard notation, by W. Earle Hultberg.; title: Melodic borrowings among organa dupla, by T. Karp.; title: MIR, a simple programming language, by M. Kassler.; title: Automated catalog for scores and phonorecords, by J. W. Tanno, A. G. Lynn, and R. E. Roberson.