Satie the bohemian
Subtitle: from cabaret to concert hall
By: Steven Moore Whiting.
Series: Oxford monographs on music
Publisher: Oxford University Press
Published: 1999
Place of publication: Oxford; New York
Language: eng
Number of pages: 596
Subjects: Satie, Erik, 1866-1925; Popular music -- France -- Paris -- To 1901 -- History and criticism; Music-halls (Variety-theaters, cabarets, etc.) -- France -- Paris -- History -- 19th century; Montmartre (Paris, France)
Description: Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafe-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall.

He traces the many connections between Satie and artists in other domains - not just major figures like Cocteau, Picasso, and the Dadaists, but also cabaret humorists, musical performers, esoteric writers, and less familiar painters like Desboutin, Rusinol, and Casas.
Notes: Includes bibliographical references (p. [563]-578) and indexes.