God is not a story
Subtitle: realism revisited
By: Francesca Aran Murphy.
Publisher: Oxford University Press Oxford
Published: 2007
Place of publication: Oxford; New York
Language: eng
ISBN-13: 9780199219285
Subjects: Narrative theology
Notes: Includes bibliographical references and index.
Table of contents: title: Introduction: Spectacle; title: God is not a story; title: Two types of narrative theology : story barthianism and grammatical thomism; title: What is narrative theology?; title: Some hints at an historical context for narrative theology; title: Robert Jenson : story thomism; title: Why the movie parallel?; title: The church as anonymous celebrity; title: Introduction: Who makes the church?; title: Nonfoundationalism; title: The hermeneutics of story Barthianism; title: The idea of resurrection as foundational; title: The movie actor; title: The movie and its audience; title: Identity equated to story; title: The Gospels are not codes; title: I the church is everything, everything is the church; title: Love makes the church; title: Naming God; title: Method and content; title: The why proof of God's existence; title: Robert Jenson gets to the heart of grammatical Thomism; title: The why proof as a contingency cliffhanger; title: Naming God into existence in story Barthian theology : hermeneutics; title: God as one character amongst others; title: On not raising the game; title: From theodicy to melodrama; title: An unresolved problem of evil makes life melodramatic; title: First steps in characterizing melodrama; title: It is a rare melodrama that does not have a villain; title: God as villain in narrative readings of the Bible; title: Melodrama : the aftermath of tragedy and of comedy; title: The logical necessity of evil : story Thomism; title: The unknowability of God as a methodological principle; title: Jansenist illustration of analogy; title: A close run in with death; title: Liberty, equality, fraternity : Jacques Louis David; title: Marat transignified; title: The why question revisited : the ontological distinction; title: Resurrection as poetic justice; title: The natural desire for God : religation; title: An argument and the analogy of natality; title: Cinematizing the trinity; title: Introduction: Modalism, tritheism and psychologism; title: What you see is what you get : Herbert McCabe; title: Three strategies in trinitarian theology; title: Trinitarian monotheism versus descriptive trinitarianism; title: Why Jenson is a cinematic modalist; title: God in the eye of the camera; title: The cartoon Trinity : digitalized relationships; title: An odd definition of modalism in story Barthianism and narrative Thomism; title: Monotheistic trinitarian theology; title: Conclusion: A God who is love; title: Futurity; title: Story thomism as apocalypticism; title: A God who is love; title: Truth and personality; title: Dare we hope that God exists?; title: From analogy to theodrama; title: The eucharistic church; title: Melodrama or theodrama; title: Predestination and eschatology : time must be lived.