The Sacred image East and West
By: edited by Robert Ousterhout and Leslie Brubaker.
Contributors: Ousterhout, Robert G.; Brubaker, Leslie.
Series: Illinois Byzantine studies ;; 4
Publisher: University of Illinois Press
Published: 1995
Place of publication: Urbana
Language: eng
Number of pages: 312
Subjects: Icons -- History.; Icons, Byzantine.; Icons -- Cult -- History of doctrines -- Middle Ages, 600-1500.; Christian art and symbolism -- Medieval, 500-1500.; Christianity and art -- Orthodox Eastern Church -- History.; Christianity and art -- Catholic Church -- History.
Description: A new generation of American medieval art historians explores how sacred images were perceived during the Middle Ages in Byzantium and Europe.

Focusing on the relationship between a particular type of medieval art - the sacred image - and its audience, the contributors consider the part played in this relationship by the image's context, whether on the page of a book or on the wall of a building. The book allows the reader to see the fluidity of the sacred image, showing how factors including audience, purpose, and setting affected the form it took.

The essays cover a full range of images, including panel paintings, altarpieces, manuscripts, and wall paintings, and a rich variety of socioreligious settings, private, monastic, and imperial.

Also examined are the differences between images produced for a single viewer and those produced for communities; images produced for private contemplation or devotion and those that functioned within a liturgical setting; and the varying ways in which sacred images affected women and men, religious and secular communities, rulers and the ruled.
Notes: Includes bibliographical references and index.
Includes papers presented at a session of the International Congress on Medieval Studies entitled The sacred image : East and West, sponsored by the Byzantine Studies Conference, held in Kalamazoo, Mich. in 1991.