Between two cultures
Subtitle: late-nineteenth- and twentieth-century Chinese paintings from the Robert H. Ellsworth collection in the Metropolitan Museum of Art
By: Wen C. Fong.
Contributors: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art; Yale University Press [distributor]
Published: 2001
Place of publication: New York; New Haven
Number of pages: 286
Subjects: Ellsworth, Robert Hatfield, -- 1929-  -- Art collections -- Catalogs; Metropolitan Museum of Art (New York, N.Y.) -- Catalogs; Painting, Chinese -- 20th century -- Catalogs; Painting, Chinese -- Ming-Qing dynasties, 1368-1912 -- Catalogs; Painting -- New York (State) -- New York -- Catalogs
Genres: Catalogs.
Other titles: Late-nineteenth- and twentieth-century Chinese paintings from the Robert H. Ellsworth collection in the Metropolitan Museum of Art.; Late 19th- and 20th-century Chinese paintings from the Robert H. Ellsworth collection in the Metropolitan Museum of Art.
Description: "Between Two Cultures, by Wen C. Fong, based on a selection of modern Chinese paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art, explores the crucial period from the 1860s to about 1980, when Chinese painting was transformed into a modern expression of its classical heritage. Unlike classical Chinese painting dating from before 1860, which has commanded in-depth study from a learned and sophisticated audience in the West, modern Chinese painting has been little explored.

The first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.
Notes: Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Jan. 30-Aug. 19, 2001.

Includes bibliographical references (p. 269-279) and index.