The return of the visible in British Romanticism
By: William H. Galperin.
Publisher: Johns Hopkins University Press
Published: 1993
Place of publication: Baltimore
Language: eng
Number of pages: 327
Subjects: English literature -- 19th century -- History and criticism.; Art and literature -- Great Britain -- History -- 19th century.; Description (Rhetoric) -- History -- 19th century.; Visual perception in literature.; Ut pictura poesis (Aesthetics); Romanticism -- Great Britain.
Description: In this path-breaking study William Galperin offers a major revisionist reading of Romanticism that emphasizes the visible - as opposed to visionary - impulse in British Romantic poetry and prose. Employing a wide variety of theoretical insights, Galperin shows not only that the visual impulse is central to an understanding of Romanticism but also that the Romantic preoccupation with the "world seen" forms an integral part of the prehistory of cinema.

Galperin challenges the assumption that a single philosophy characterized the art and culture of high Romanticism. Instead, he argues, the culture of the period - both high and low - was a site of competing ideas. From the poetry of Wordsworth and Byron to the painting of John Constable and Caspar David Friedrich to the precinematic institutions of the panorama and the diorama, The Return of the Visible in British Romanticism lends new vigor to ongoing debates about the nature of Romanticism lends new vigor to ongoing debates about the nature of Romanticism, nineteenth-century culture, and the origins of cinema.
Notes: Includes bibliographical references (p. 283-318) and index.