Journeys in intersemiosis
Subtitle: enchantment and distance in the languages of art
By: José Sanjinés.
Series: Berkeley insights in linguistics and semiotics -- v. 71
Publisher: Peter Lang
Published: 2011
Place of publication: Bern; New York
Language: eng
ISBN-13: 9781433104381
Subjects: Semiotics and the arts
Notes: Includes bibliographical references and index.
Table of contents: title: Introduction: The journey of intersemiosis; title: Frame semiotics; title: The frame in cinema; title: Conscious illusions : the problem of the cinematic frame; title: Duplicity in art; title: Enchantment and distance in the age of metafiction; title: Literature's double gaze; title: The baroque frame; title: Baroque-shores of The island of the day before; title: From both sides of the frame; title: Blow-up : a house with many stories; title: Semiotics of cinema; title: Film and psychoanalysis; title: The screen of our dreams : Christian Metz and the horizons of the imaginary; title: The language of appetite; title: The rhetoric of desire in Like water for chocolate; title: Semiotics of visual art; title: An ABC of seeing; title: Eye on Picasso; title: Creativity of criticism; title: Silvia's visibilia; title: Intermodal communication; title: A metaphor of collaborative art; title: History of the relation between iconic and conventional signs : an overview; title: Semiotics of music; title: Reflections; title: On the question of meaning in music; title: Semiotics of culture; title: Culture and the almanac; title: The book at the outskirts of culture; title: Semiotics of autocommunication; title: The art form of memoir; title: Memory's flexible frames; title: Semiotics of silence; title: Afterthought on silence : towards a poetics of self-communication; title: From antiquity to supermodernity; title: Magician's hand; title: Semiotics and the art of persuasion; title: Non-places; title: Facing the solitude of supermodernity; title: Conclusion: Rewriting as a model of creativity.