Danger pay
Subtitle: memoir of a photojournalist in the Middle East, 1984-1994
By: by Carol Spencer Mitchell ; edited by Ellen Spencer Susman.
Contributors: Susman, Ellen Spencer, 1950-
Edition: 1st ed.
Series: Focus on American history series
Publisher: University of Texas Press
Published: 2008
Place of publication: Austin, TX
Language: eng
Number of pages: 167
ISBN-13: 9780292718821
Subjects: Mitchell, Carol Spencer, -- 1954-2004; Photojournalists -- United States -- Biography; Arab countries -- Description and travel; Arab countries -- Pictorial works
Genres: Biography.; Pictorial works.
Description: "In this intensely thoughtful memoir, Carol Spencer Mitchell probes the motivations that impelled her - a single, Jewish woman - to document the turmoil roiling the Arab world in the 1980s and 1990s, as well as how her experiences as a photojournalist compelled her to set aside her cameras and reexamine the way images are created, scenes are framed, and how "real life" is packaged for specific news stories." "In Danger Pay, Spencer Mitchell takes us on a harrowing journey to PLO military training camps for Palestinian children and to refugee camps in the Gaza Strip before, during, and after the first intifada. Through her eyes, we experience the media frenzy surrounding the 1985 hijackings of TWA Flight #847 and the Italian cruise liner Achille Lauro. We meet Middle Eastern leaders, in particular Yasser Arafat and King Hussein of Jordan, with whom Spencer Mitchell developed close working relationships. And we witness Spencer Mitchell's growing conviction that the Western media's portrayal of conflicts in the Middle East actually helps to fuel those conflicts." "Although the events that Spencer Mitchell records took place a generation ago, their repercussions reverberate in the Middle Eastern conflicts of today. Likewise, her concern about "the triumph of image over reality" takes on greater urgency as our knowledge of the world becomes ever more filtered by virtual media."--Jacket.
Notes: Includes bibliographical references and index.
Table of contents: title: Foreword; title: Acknowledgments; title: Prologue; title: There's a new kid in town. The burning bush; title: Reorienting; title: Crossing the bridge; title: Ode to Abu Ammar; title: Gaza slick; title: Photo op; title: A room with a view; title: The moment and the mask. His majesty; title: Let's get some color; title: House of Hashem; title: Up, up, and away; title: Private conversations (I); title: Passing through. TWA flight #847; title: Exile; title: Cruising; title: Caviar, khat, and cover pix; title: Inside terror, Inc. Dance into darkness; title: Journalists are used to danger; title: He who builds; title: Private conversations (II); title: Promise me I won't be touched; title: Lebanon; title: Travels in Sudan. Sorry, all lines are jammed; title: Wau (wow!); title: I don't know what I'm feeling; title: You need something to peg the story on; title: The striptease. Everybody must get stoned; title: Photo-realism, The "real" picture, and the ingathering; title: The striptease; title: The mother of all battles. What the hell am I doing?; title: The sealed room; title: The striptease, take 2; title: Epilogue. The old man; title: War on another front.