From Plato's cave to the multiplex
Subtitle: contemporary philosophy and film
By: edited by Barbara Gabriella Renzi and Stephen Rainey.
Contributors: Renzi, Barbara Gabriella.; Rainey, Stephen.
Publisher: Cambridge Scholars Press
Published: 2006
Place of publication: Newcastle, UK
Language: eng
Number of pages: 117
ISBN-13: 9781847180131
Subjects: Philosophy in motion pictures.
Notes: Errata slip inserted.

Includes bibliographical references and index.
Table of contents: title: Radical realities : British nineteenth-century positivism and fictive mental constructions in the film Fight Club; title: Citing Heidegger in The Thin Red Line; title: The cinematic close-up : reflections in light of the philosophy of Emmanuel Levinas; title: Against filmed theatre; title: There is no paradox of horror; title: It's a Wonderful Life, but why?; title: The spectator as moral agent : Kantian ethics and the films of Michael Haneke; title: Kantian and Marxist issues in I Girasoli and La Classe operaia va in Paradiso; title: The camera as speculum : examining female consciousness in Lost in Translation, using the thought of Luce Irigaray; title: Plato's cave and the big screen.