Vision in motion
Subtitle: streams of sensation andconfigurations of time
By: edited by Michael für Zimmermann
Publisher: Diaphanes
Published: 2016
Place of publication: Zurich
Language: eng
Number of pages: 656
ISBN-13: 9783037345221; 9783037349076
Subjects: Motion in art; Motion perception (Vision); European Art; Themes, motives
Notes: Includes bibliographical references and index.
Table of contents: title: Introduction / Michael F. Zimmermann; title: Moving / Claude Imbert; title: Seeing / Michael F. Zimmermann; title: Vision in locomotion: The "train effect" in the visual arts, its anticipation in phantasmagoria, and its continuation in film / Ségolène Le Men; title: Poetic and media-oriented perception in post-Romantic modernism from Baudelaire to Buñuel / Christian Wehr; title: Objects at a distance: Karl Schnaase's description of the Antwerp Cathedral (1834) and the pedagogic conditioning of the eye during the nineteenth cenutry / Tobias Teutenberg; title: Synchronies of violence: Italian colonialism and Marinetti's depiction of Africa in Mafarka the Futurist / Carmen Belmonte; title: From verticality to horizontality: Tilting the gaze and learning how to see / Nolwenn Mégard; title: Mapping the eye: Laocoön and eye movement in art / Christoph Wagner; title: Aesthetic echoes in the beholder's eye? Empirical evidence for the divergence of theory and practice in the perception of abstract art / Laura Commare and Hanna Brinkmann; title: Capturing motion, shaping time: From chronophotography to digital film / Fabienne Liptay; title: Edgar Degas's Ballet Classes: Latent motion and the reconfiguration of motifs / Christian Berger; title: Dancing like Mondrian paints : The interaction of dance and abstract art (1900-1930) / Anja Pawel; title: 1913: Archipenko's plaster statues, or The time of dancing / Ilaria Cicali; title: Pina Bausch's choreography: a laboratory for art or for life? / Fabienne Brugère; title: Arabesque vision: On perceiving dancing as écriture corporelle in William Forsythe's The vertiginous thrill of exactitude / Alexander Schwan; title: Sculpture and temporality: Art as experiment under the spell of vitalism / Catherine Chevillot; title: Configuring poetic time: Figures of movement and perception in Marcel Proust's À la recherche du temps perdu / Boris Roman Gibhardt; title: "Here, everything moves; nothing is dead here" Perpetuum Mobile and time control in the work of Paul Scheerbart and Bruno Taut / Sophie Goetzmann; title: Movement-Afterimages: Marcel Duchamp's ANÉMIC CINÉMA / Henning Schmidgen; title: The physicality of here and now: Place and time in Robert Smithson's works / Annika Schlitte; title: Run: The poetic use of the movinb body in contemporary time-based practices / Meg R. Jackson; title: "Whatever I photograph, I always lose" Images of death and configurations of time in Peeping Tom and Vacancy / Florian Leitner; title: Printed growth: Temporality in sixteenth- and seventeenth-century herbal books / Pia Rudolph; title: Catching a glimpse through time: Notes on Wollheim's concept of the internal spectator / Olga B. Özbek; title: The media of In-Depth Perception: Picasso's work in the interpretation of Ivan Aksenov / Maria Grazia Messina; title: The two times of the word: Reading and watching Dadaist photomontages / Caterina Toschi; title: The temporal dimension in Surrealist paintings of the late 1930s / Shindô Hisano; title: Carlfriedrich Claus's speech sheets Procedural Manifestation of New Relationships between Man and Woman: A crystallization of the exploration and incorporation of Marxist thought / Constanze Fritzsch; title: George Kubler and the question of time and temporality / Hans-Jörg Rheinberger; title: Pathos on the run: Auguste Rodin, Aby Warburg, and the movement of images / Dominik Brabant; title: Art as a form of time: Some remarks on artwork and history based on reflections from and about Erwin Panofsky / Audrey Rieber; title: Henri Focillon's The life of forms, "Forms in the realm of time," and George Kubler's The shape of time / Gottfried Kerscher; title: George Kubler's Time-Solid: A visual model of art-historical time / Karsten Heck; title: Kubler and Focillon: A history of things as a response to The life of forms / Henri Zerner.