"The immensity of the universe" in the art of Giovanna Garzoni
By: edited by Sheila Barker
Contributors: Museo Andito degli angiolini
Publisher: Firenze Musei; Sillabe; Le Gallerie degli Uffizi
Published: 2020
Place of publication: Florence]; Livorno; Florence
Language: eng
Number of pages: 263
ISBN-13: 9788833401515
Subjects: Exhibitions
Description: Recognized as a protagonist in the evolution of scientific illustration, Giovanna Garzoni is in fact less known as an illustrator of the Baroque geographical imagery. In her harmonic and often small compositions the painter combines exotic objects of different origins -such as Chinese porcelain, nautilus from the Pacific Coast, Mexican pumpkins and flowers, South American plants or English lounge dogs- with the ultimate goal of amazing and amusing the viewer. Born into a society in which women were not exactly encouraged to leave the confines of their homes, the painter was attracted to nature and exotic things since childhood. In the meantime the world had become bigger and more complex in Giovanna's lifetime. Maps that once had undefined areas and showed only coastal settlements were now filled in as Europeans traders, settlers and missionaries relayed home topographic knowledge of the Americas, Africa, India, Japan and China. Along with information came things: seeds, spices, artisanal goods, even live animals. Europe's nobility prized these exotic imports for their utility, beauty, rarity and the scientific insights they provided. Garzoni found inspiration in the teeming variety of objects in her patrons' collections, the Medici family. Her artworks kindle the wondrous delight she felt upon encountering porcelain from Ming China, shells from the Gulf of California, marigolds from Mexico, and a lapdog from England. Seen through her curious eye, the exotic is naturalized and the marvelous is masterfully counterfeit-ed. Her art invites us to reflect upon the infinite complexity of the world, even its smallest parts.
Notes: Catalog of an exhibition held at the Gallerie degli Uffizi, Palazzo Pitti, Andito degli Angiolini, Florence, Italy, March 10-May 24, 2020.

Includes bibliographical references (pages 255-263).