The progress of romance
Subtitle: literary historiography and the Gothic novel
By: David H. Richter.
Series: The theory and interpretation of narrative; Theory and interpretation of narrative series.
Publisher: Ohio State University Press
Published: 1996
Place of publication: Columbus
Language: eng
Number of pages: 242
Subjects: Horror tales, English -- History and criticism -- Theory, etc; English fiction -- 18th century -- History and criticism -- Theory, etc; English fiction -- 19th century -- History and criticism -- Theory, etc; Gothic revival (Literature) -- Great Britain; Romanticism -- Great Britain; Reader-response criticism; Literature -- Philosophy; Narration (Rhetoric)
Description: In this vigorous response to recent trends in theory and criticism, David H. Richter asks how we can again learn to practice literary history. Despite the watchword "always historicize," comparatively few monographs attempt genuine historical explanations of literary phenomena.

Richter theorizes that the contemporary evasion of history may stem from our sense that the modern literary ideas underlying our historical explanations - Marxism, formalism, and reception theory - are unable, by themselves, to inscribe an adequate narrative of the origins, development, and decline of genres and style systems. Despite theorists' attempts to incorporate others principles of explanation, each of these master narratives on its own has areas of blindness and areas of insight, questions it can answer and questions it cannot even ask.

But the explanations, however differently focused, complement one another, with one supplying what another lacks.

Using the first heyday of the Gothic novel as the prime object of study, Richter develops his pluralistic vision of literary history in practice. Successive chapters outline first a neo-Marxist history of the Gothic, using the ideas of Raymond Williams and Terry Eagleton to understand the literature of terror as an outgrowth of inexorable tensions within Georgian society; next, a narrative on the Gothic as an institutional form, drawn from the formalist theories of R. S.

Crane and Ralph Rader; and finally a study of the reception of the Gothic - the way the romance was sustained by, and in its turn altered, the motives for literary response in the British public around the turn of the nineteenth century.

In his concluding chapter, Richter returns to the question of theory, to general issues of adequacy and explanatory power in literary history, to the false panaceas of Foucauldian new historicism and cultural studies, and to the necessity of historical pluralism. A learned, engaging, and important book. The Progress of Romance is essential reading for scholars of British literature, narrative, narrative theory, the novel, and the theory of the novel.
Notes: Includes bibliographical references (p. 207-229) and index.