Nasty noises
Subtitle: error as a compositional element in electro-acoustic music
By: Stephen Gard
Publisher: VDM Verlag Dr. Müller
Published: 2008
Place of publication: Saarbrücken
Language: eng
Number of pages: 56
ISBN-13: 9783836493529
Subjects: Computer composition; Computer music
Notes: Thesis (Ph.D.) - University, Sydney, 2006.
Table of contents: title: Introduction: Nasty noises; title: Glitch music; title: Tradition of shock and confrontation in art; title: Duchamp and the "readymade"; title: Scope of this work; title: Searching the literature: Search terms; title: Material in the dissertation abstracts database; title: Other voices; title: On the topic of "wrongness" in music; title: Inclusion and exclusion of noise as musical material; title: On the nature of "glitch" music; title: On the topic of recontextualizing sound; title: On the blurring of boundaries between Art and Pop musics; title: Conclusion; title: Definitions and derivations: Defining and exampling some terms; title: "Nasty" noises; title: Glitch music; title: Microsound; title: Noise music; title: Lowercase music; title: Techno; title: Sampling; title: Turntablism; title: Recontextualization; title: Glitch and glitching: Why is glitch music?; title: Never ending story; title: Do it yourself; title: Error=individuality; title: Refracted meanings; title: On deconstruction; title: Decay of composition; title: Blitz; title: Glitz; title: Sitz; title: Intertextuality, and the anxiety of influence; title: Glitchers on glitching; title: My glitch; title: Spirit trace; title: Study 1.0 (FM); title: Village football; title: BAG; title: Talking the talk - modes; title: Walking the walk - plex; title: Art of glitch: Grabbing glitch; title: Limits of glitch; title: Neuter noises; title: Appendix: "carriers," an essay in radiosonic glitch; title: References.S