Isaac's storm
Subtitle: a man, a time, and the deadliest hurricane in history
By: Erik Larson.
Contributors: Cline, Isaac Monroe, 1861-1955.
Edition: 1st ed.
Publisher: Crown Publishers
Published: 1999
Place of publication: New York
Language: eng
Number of pages: 323
Subjects: Cline, Isaac Monroe, 1861-1955; Hurricanes -- Texas -- Galveston -- History -- 20th century; Floods -- Texas -- Galveston -- History -- 20th century; Galveston (Tex.) -- History -- 20th century; Galveston (Tex.) -- Biography
Genres: Biography.
Description: "At the dawn of the twentieth century, a great confidence suffused America. Isaac Cline was one of the era's new men, a scientist who believed he knew all there was to know about the motion of clouds and the behavior of storms. The idea that a hurricane could damage the city of Galveston, Texas, where he was based, was to him preposterous, "an absurd delusion." It was 1900, a year when America felt bigger and stronger than ever before.

Nothing in nature could hobble the gleaming city of Galveston, then a magical place that seemed destined to become the New York of the Gulf.".

"In Galveston, reassured by Cline's belief that no hurricane could seriously damage the city, there was celebration. Children played in the rising water. Hundreds of people gathered at the beach to marvel at the fantastically tall waves and gorgeous pink sky - until the surf began ripping the city's beloved beachfront apart. Within the next few hours Galveston would endure a hurricane that to this day remains the nation's deadliest natural disaster.

Isaac's Storm is based on Cline's own letters, telegrams, and reports, the testimony of scores of survivors, and our latest understanding of the hows and whys of great storms. Ultimately, however, it is the story of what can happen when human arrogance meets nature's last great uncontrollable force. As such, Isaac's Storm carries a warning for our time."--BOOK JACKET.
Notes: Includes bibliographical references (p. 307-313) and index.
Based on the diaries of Isaac Monroe Cline and on contemporary accounts.