Words at play
Subtitle: creative writing and dramaturgy
By: Felicia Hardison Londré ; with a foreword by Barry Kyle.
Series: Theater in the Americas
Publisher: Southern Illinois University Press
Published: 2005
Place of publication: Carbondale
Language: eng
Number of pages: 249
Subjects: Drama -- History and criticism.; Creative writing.
Description: "In this encompassing and accessible introduction to dramaturgy, Felicia Hardison Londre promotes the dramaturgical essay as both an art form and a method for improving creative writing skills. Words at Play: Creative Writing and Dramaturgy includes Londre's essays on plays produced at several regional professional theatre companies interspersed with instructive examples for writing more clearly, economically, and compellingly." "Beginning with an introduction that outlines the purpose of the dramaturgical essay as well as its usefulness as a tool for teaching how to write for the theatre, Londre provides numerous examples of this specialized literary genre culled from program essays she has written for Missouri Repertory Theatre, Nebraska Shakespeare Festival, Heart of America Shakespeare Festival, American Heartland Theatre, and Cincinati Playhouse in the Park.^

Words at Play contains more than sixty complete essays and pertinent selections from twenty others." "Drawing on personal and professional experiences as a teacher and dramaturg, Londre considers plays from timeless classics, including those of Shakespeare and Chekhov, to contemporary favorites and a few unusual and largely unknown pieces. Words at Play furthermore incorporates introductory paragraphs that are informal and personal yet cogent and critical, providing readers with object lessons in both writing style and analysis. Taking the reader into her confidence, Londre also shows how a dramaturg develops a print relationship with other theatre artists and the community." "A pioneering compilation of dramaturgical essays combined with practical writing tips, Words at Play is a valuable tool for aspiring dramaturgs, critics, and directors that will appeal to theatergoers as well.^

The volume also highlights the vitality of American not-for-profit professional theatre in the Midwest, which is often overshadowed by media attention devoted to theatrical activities on the East and West coasts. A foreword by Royal Shakespeare Company associate artist Barry Kyle addresses the evolving role of the dramaturg in Britain and America. Dakin Williams, brother of playwright Tennessee Williams, provides a letter. Book jacket."--Jacket.
Notes: Includes index.