Baroque music for flute
By: edited by Peter Wastall ; [continuo realisation by Derek Hyde]
Contributors: Telemann, Georg Philipp, 1681-1767; Chédeville, Nicolas, 1705-1782; Corelli, Arcangelo, 1653-1713; Lœillet, Jean Baptiste, 1688-; Leclair, Jean-Marie, 1697-1764; Blavet, Michel, 1700-1768; Telemann, Georg Philipp, 1681-1767; Sammartini, Giovanni Battista, 1700 or 1701-1775; Couperin, François, 1668-1733
Series: Exploring music series; Exploring music series
Publisher: Boosey & Hawkes
Published: 1977
Place of publication: London
Number of pages: 19
Subjects: Arranged Flute and piano music; Excerpts; Scores and parts; Flute music; Sonatas (Flute and continuo)
Notes: Principally sonatas for flute and piano.

Figured bass realized for piano.

Score serves as piano part; part for flute.

Cover title.
Table of contents: title: Adagio (from no. 1 of Twelve methodic sonatas for flute and continuo) / Georg Philipp Telemann; title: Sonata in C (2d mvt. from Six sonatas for flute and continuo, op. 13) / Antonio Vivaldi [actually by Nicolas Chédeville]; title: Grave (from no. 6 of Twelve sonatas for violin and continuo, op. 5) / Arcangelo Corelli; title: Allegro and Gavotta (from no. 12 of Twelve sonatas for flute and continuo, op. 3); title: Adagio (from Concerto no. 3 for flute and strings, op. 7) / Jean Marie Leclair; title: Les regrets (from Sonata no. 5 for flute and continuo) / M. Blavet; title: Introduction (from Fantaisie no. 10 for unaccompanied flute) / G.P. Telemann; title: Adagio (from no. 5 of Six solos for flute and continuo, op. 8) / G. Sammartini; title: Sarabande (from the Concerto for two unison instruments) / F. Couperin.