A treasury of early music
Subtitle: [an anthology of masterworks of the Middle Ages, the Renaissance, and the Baroque
By: Carl Parrish, ed
Contributors: Wöldike, Mogens
Published: 1964
Language: fre
Format: [Phonodisc.] /
Subjects: Instrumental music; Vocal music
Notes: Program notes by the editor on slipcases.

Manual sequence.

Contains recordings from the editor's work of the same title (New York, W. W. Norton, c1958)

Danish soloists and ensembles.

Recorded in Copenhagen under the direction of Mogens Wöldike.
Table of contents: title: Vol. 1. side 1.; title: 1. Ambrosian psalmellus for Quadragesima: Redde mihi, anon.; title: 2. Gallican improperia for Good Friday: Popule meus, anon.; title: 3. Mozarabic antiphon for Easter: Gaudete populi, anon.; title: 4. Gregorian hymn for Whitsunday: Veni creator spiritus, by Hrabanus Maurus.; title: 5. Liturgical drama: Infantem vidimus, anon. Vol.1, side 2.; title: 6. Troubadour canso: Be m'an perdut, by Bernart de Ventadorn.; title: 7. Cantiga: Gran dereit', by Alfonso El Sabio.; title: 8. Lauda: Ogne homo, anon.; title: 9. Organum duplum: Viderunt omnes, Leonin.; title: 10. Motet: Ave gloriosa mater, ave virgo, by Domino.; title: 11. Instrumental motet (hocket): In seculum longum, anon.; title: 12. vocal motet: Je n'amerai autre; in seculum, anon. Vol. 2, side 1.; title: 13. Agnus Dei (from the Mass of Tournai, anon.); title: 14. Polyphonic trope: Kyrie Jhesu dulcissime, by Fronciaco.; title: 15. Organ paraphrase of a Kyrie, anon.; title: 16. Caccia: Con brachi assai, by Giovanni de Firenze.; title: 17. Ballade: Notes pour moi, by De Caserta.; title: 18. Isorhythmic motet: Veni sancte spiritus, by Dunstable.; title: 19. Villancico: Soy contento y vos servido, by Del Encina. Vol. 2, side 2.; title: 20. Frottola: O mia cieca e dura sorte, by Cara.; title: 21. Lute transcription: O mia cieca e dura sorte, by Capirola.; title: 22. Meistersinger melody: Gesangweise, by Sachs.; title: 23. Magnificat octavi toni, by Morales.; title: 24. Chorale: Komm, Gott Schöpfer, heiliger Geist, by Walter.; title: 25. Psalm setting (1564): Mon Dieu me paist, by Goudimel.; title: 26. Same, Another version (1565).; title: 27. Anthem: Heare the voyce and prayer of thy servants, by Tallis.; title: 28. Polychoral motet: Laudate Dominum, by Hassler. Vol. 3, side 1.; title: 29. Organ toccata: Toccata quinta, secondo tuono, by Merulo.; title: 30. Pavana for the virginal, by Bull.; title: 31. Quodlibet: Fricassée, anon.; title: 32. Lied: Oho, so geb' der Mann ein'n Pfenning, by Senfl.; title: 33. Madrigal: Moro lasso, by Gesualdo.; title: 34. Lute ayre: My thoughts are wing'd with hope, by Dowland. Vol. 3, side 2.; title: 35. Instrumental dance: Passamezzo d'Italie, anon.; title: 36. Viol consort: In nomine, by Gibbons.; title: 37. Oratorio scene: Rapresentazione di anima e di corpo, by Cavalieri.; title: 38. Chorale concerto: Erschienenist der herrliche Tag, by Schein.; title: 39. Lute piece: Tombeau de Mademoiselle Gaultier, by Gaultier.; title: 40. Harpsichord piece: Capriccio uber das Hennengeschrey, by Poglietti.; title: 41. Organ chorale prelude: Nun komm der Heiden Heiland, by Buxtehude. Vol. 4, side 1.; title: 42. Oratorio scene: La reniement de St. Pierre, by Charpentier.; title: 43. Anglican canticle: Jubilate Deo, by Blow.; title: 44. Sinfonia to the opera; La caduta de decem viri, by Scarlatti.; title: 45. Chaconne from the opera-ballet; Les Fêtes Vénitiennes, by Campra.; title: 46. Opera seria: Aria (from Croesus) "Hoffe noch", by Keiser. Vol 4, side 2.; title: 47. Concerto: Allegro (from La Primavera) by Vivaldi.; title: 48. Fantasie: for violin solo, by Telemann.; title: 49. Cantata da camera: Recitative and aria (from Stravaganze d'amore) "Amor tu sei", by Marcello.; title: 50. Opera buffa: Recitative and aria (from Livietto e Tracollo) "Misero", by Pergolesi.