Writers for the nation
Subtitle: American literary modernism
By: C. Barry Chabot.
Publisher: University of Alabama Press
Published: 1997
Place of publication: Tuscaloosa
Language: eng
Number of pages: 290
Subjects: Brooks, Van Wyck, 1886-1963.; American literature -- 20th century -- History and criticism.; Modernism (Literature) -- United States.; Politics and literature -- United States -- History -- 20th century.; Literature and society -- United States -- History -- 20th century.; United States -- Intellectual life -- 20th century.
Description: The years between World War I and World War II are commonly seen as the period when international modernism took hold in American art. C. Barry Chabot, however, argues against the assumption that American modernist writers were preoccupied by artistic innovation and thus indifferent to the nation's social and political life.

Chabot shows that American literary modernists participated actively in a broad conversation about ways to restore or create feelings of belonging among their contemporaries who thought that life was becoming increasingly abrasive and that the United State no longer afforded its citizens a viable sense of community. Although each writer identified this loss of community, each described it in somewhat different terms, ascribed to it different causes, and proposed different ways to redress it.

Writers for the Nation represents the cultural debate that American literary modernism staged about how this national problem could best be resolved.

Through careful readings of a select few authors - including Willa Cather, T. S. Eliot, Allen Tate, Jessie Fauset, Langston Hughes, and Wallace Stevens - Chabot demonstrates how these writers understood the social situation, how they proposed to correct it, and how each proposed remedy contained its own limitations. He presents affinities among writers usually assumed to have little in common, writers who all produced powerful variants of American literary modernism.
Notes: Includes bibliographical references (p. 273-287) and index.
Table of contents: title: Van Wyck Brooks and the varieties of American literary modernism; title: Willa Cather and the limits of memory; title: Eliot, Tate, and the limits of tradition; title: Harlem and the limits of a time and place; title: Wallace Stevens and the limits of imagination; title: The thirties and the failure of the future.