Paul Strand, circa 1916
By: Maria Morris Hambourg.
Contributors: Strand, Paul, 1890-1976.; Metropolitan Museum of Art (New York, N.Y.)
Publisher: The Metropolitan Museum of Art; Distributed by H.N. Abrams
Published: 1998
Place of publication: New York
Language: eng
Number of pages: 166
Subjects: Strand, Paul, 1890-1976 -- Exhibitions.; Photography, Artistic -- Exhibitions.
Description: Paul Strand (1890-1976) was one of the most important and influential photographers of this century. The dramatic achievements of his early career, which have not until now been studied apart from his entire oeuvre, are the focus of this book, which accompanies an exhibition at The Metropolitan Museum of Art, New York. Spurred by the example of Cezanne, Picasso, and Nietzsche, Strand pushed the medium into artistic terrain considered too difficult, cerebral, or brutal to describe with a camera.

After studying photography with the social reformer Lewis Hine, Strand began to absorb the ideas of the European avant-garde, gradually abandoning the painterly effects of pictorialism in favor of a candid and psychologically potent realism on the one hand and a masterfully wrought abstraction on the other.

The text by Maria Morris Hambourg traces the early development of Strand's ideas, the complex cultural context of his experiments, and the emergence of such masterpieces as Wall Street, White Fence, and Blind.
Notes: Catalogue of an exhibition held at the Metropolitan Mmuseum of Art, Mar. 10-May 31, 1998.