The economy of literary form
Subtitle: English literature and the industrialization of publishing, 1800-1850
By: Lee Erickson.
Publisher: Johns Hopkins University Press
Published: 1996
Place of publication: Baltimore
Language: eng
Number of pages: 219
Subjects: English literature -- 19th century -- History and criticism; Literature publishing -- Economic aspects -- Great Britain -- History -- 19th century; Authors and publishers -- Great Britain -- History -- 19th century; Authors and readers -- Great Britain -- History -- 19th century; Authorship -- Economic aspects -- Great Britain; Literature and society -- Great Britain -- History -- 19th century; Printing -- Great Britain -- History -- 19th century; Literary form -- History -- 19th century; London (England) -- Intellectual life -- 19th century
Description: In the first half of the nineteenth century, technological developments in printing led to the industrialization of English publishing, made books and periodicals affordable to many new readers, and changed the market for literature. In The Economy of Literary Form Lee Erickson analyzes the effects on literature as authors and publishers responded to the new demands of a rapidly expanding literary marketplace.

These developments, Erickson argues, offer a new understanding of the differences between Romantic and Victorian literature. As publishing became more profitable, authors were able to devote themselves more professionally to their writing. The changing market for literature also affected the relative cultural status of literary forms. As poetry became less profitable, it became more difficult to publish.

As periodicals grew in popularity, essays became the center of reviews, and their authors the arbiters of culture. The novel, which had long sold chiefly to circulating libraries, found an outlet in magazine serialization - and novelists discovered a new popular audience.

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With chapters on William Wordsworth, Thomas Carlyle, and Jane Austen, as well as on specific literary genres, The Economy of Literary Form provides a significant new synthesis of recent publishing history which helps to explain the differences and continuities between Romantic and Victorian literature.

It will be of interest not only to literary critics and historians but also to bibliographic historians, cultural or economic historians, and all who have an interest in the commercialization of English publishing in the nineteenth century.
Notes: Includes bibliographical references (p. 191-207) and index.