Writing at the edge of the universe
Subtitle: essays from the 'Creative Writing in New Zealand' conference, University of Canterbury, August 2003
By: edited by Mark Williams.
Contributors: Williams, Mark, 1951-
Publisher: Canterbury University Press
Published: 2004
Place of publication: Christchurch, N.Z
Language: eng
Number of pages: 328
Subjects: Creative writing -- Congresses.; Literature -- Congresses.; New Zealand literature -- 20th century -- History and criticism.; Literature and society -- New Zealand -- History -- 20th century.; New Zealand -- Social conditions -- 20th century.
Genres: Congresses.
Notes: Includes bibliographical references (p. 312-321).
Table of contents: title: Introduction / Mark Williams; title: True tales from the fiction workshop / Damien Wilkins; title: 'Creative' New Zealand? / Gregory O'Brien; title: Writing that matters: two views of the place of politics in literature / Tim Corballis and Chris Price; title: On originality: no earth tones / Patrick Evans; title: What was the Māori renaissance? / Chris Prentice; title: The politics of culture / Lydia Wevers; title: A country in search of itself: the 1951 New Zealand writer's conference / Peter Simpson; title: The approach of the sublime in New Zealand poetry / Anna Jackson; title: 'The gate to another garden': text and image in Jenny Bornholdt's "These days" / Masami Nakao; title: Literary politeness: not saying it / James Brown; title: Unchristened realm / Kate De Goldi and Anna Smith; title: The perfect planet: comics, games and word-building / Dylan Horrocks; title: Adapt or die: text and technology / Stuart Hoar; title: Where scripts go / Briar Grace-Smith; title: Writer to reader: the publisher's role / Elizabeth Caffin; title: Publishing M; title: ori writing / John Huria; title: No rules but there are precedents: teaching creative writing / Owen Marshall; title: Killed by a review? Literary bouncers / Iain Sharp; title: From one solitude to another: on reading / Margaret Mahy; title: Hands and hooves / Elizabeth Knox; title: Afterword / Andrew Johnston.