Staging the blues
Subtitle: from tent shows to tourism
By: Paige A. McGinley
Publisher: Duke University Press
Published: 2014
Language: eng
Number of pages: 286
ISBN-13: 9780822357315; 9780822357452
Copyright date: 2104
Subjects: Blues (Music); History and criticism; Performance practice (Music); History
Description: "Singing was just one element of blues performance in the early twentieth century. Ma Rainey, Bessie Smith, and other classic blues singers also tapped, joked and flaunted extravagant costumes on tent-show and black vaudeville stages. The press even described these women as "actresses" long before they achieved worldwide fame for their musical recordings. [Here], Paige McGinley shows that even though folklorists, record producers and festival promoters set the theatricality of early blues aside in favor of notions of authenticity, it remained creatively vibrant throughout the twentieth century. Highlighting performances by Rainey, Smith, Lead Belly [Leadbelly], Sister Rosetta Tharpe, Sonny Terry and Brownie McGhee in small Mississippi towns, Harlem theaters and the industrial British North, this ... study backgrounds virtuoso blues artists who used the conventions of the theater, including dance, comedy and costume, to stage black mobility, to challenge narratives of racial authenticity, and to fight for racial and economic justice."--Back cover.
Notes: Includes bibliographical references (pages 257-269) and index.
Table of contents: title: Introduction. Beale on Broadway; title: Real personality : the blues actress; title: Theater folk : Huddie Ledbetter on the stage; title: Southern exposure : transatlantic blues; title: Highway 61 revisited : blues tourism at ground zero.