Film and knowledge
Subtitle: essays on the integration of images and ideas
By: edited by Kevin L. Stoehr.
Contributors: Stoehr, Kevin L., 1967-
Publisher: McFarland
Published: 2002
Place of publication: Jefferson, N.C
Language: eng
Number of pages: 239
Subjects: Motion pictures.
Notes: Includes bibliographical references and index.
Table of contents: title: Losing the plot : narrative form and ethical identity in Lost highway / Jane Stadler; title: The order of rage : epistemology and the need for knowledge in Paul Schrader's Affliction / Christopher Fahy; title: The end of suspicion : Hitchcock, Descartes, and Joan Fontaine / Robert J. Yanal; title: Ordinary, extraordinary, real, and true : negotiating the boundaries in Cronenberg's Naked lunch / Amy Lund; title: The anti-metaphysics game : a Wittgensteinian reading of The crying game / Richard Gull; title: Platonic themes in Chris Marker'a La jet / Sander Lee; title: Persistent ambiguity and moral responsibility in Rashomon / Robert van Es; title: Citizen Kant : themes of consciousness and cognition in Citizen Kane / Dave Leboeuf; title: Epistemology and the philosophy of cinema / Matthew Burstein; title: Is it all in our imagination? : questioning the use of the concept of the imagination in cognitive film theory / Karen Bardsley; title: The epistemology of race and Black American film noir : Spike Lee's Summer of Sam as lynching parable / Dan Flory; title: Feminist film theory as ideology critique / Cynthia A. Freeland; title: It's all ideology, isn't it? / Daniel Shaw; title: Film, feminism, and ideology : a reply to Dan Shaw and Cynthia Freeland / Noël Carroll.