Crossing cultures
Subtitle: conflict, migration and convergence : the proceedings of the 32nd International Congress in the History of Art
By: edited by Jaynie Anderson
Contributors: Comité international d'histoire de l'art; International Congress of the History of Art (32nd : 2008 : Melbourne, Vic.)
Series: Miegunyah Press series; Miegunyah Press series
Publisher: Miegunyah Press, Melbourne University Publishing
Published: 2009
Place of publication: Carlton, Vic
Language: eng
Number of pages: 1108
ISBN-13: 9780522855005
Subjects: Art; Congresses; History; Art and globalization; Arts and globalization
Other titles: Conflict, migration and convergence :
Notes: "Comité International d'Histoire de l'Art, CIHA, The University of Melbourne, 13-18 January 2008."

Includes bibliographical references and index.
Table of contents: title: A Melbourne conversation at the town hall on art, migration and indigeneity: what happens when cultures meet? --; title: Introduction to the conversation  -- Gerald Vaughan; title: Playing between the lines: the Melbourne experience of crossing cultures  -- Jaynie Anderson; title: Art in transit: give and take in Dutch art  -- Ronald de Leeuw; title: Found in translation  -- Howard Morphy; title: Hold it away: works of art as citizens and migrants  -- Michael Brand; title: The travels of a Mi'kmaq coat: a nineteenth century world art history and twenty-first century cultural politics  -- Ruth B. Phillips; title: Creating perspectives on global art history --; title: Joe Burk's Legacy: the history of art history in Melbourne  -- Andrew Grimwade; title: The art of being aboriginal  -- Marcia Langton -- on global memory: reflections on barbaric transmission / -- Homi K. Bhabba; title: Art histories in an interconnected world: synergies and new directions --; title: Beyond the national, inside the global: new identity strategies in Asian art in the twenty-first century  -- John Clark; title: Not just images but art: pragmatic issues in the movement towards a more inclusive art history  -- Howard Morphy; title: The world at stake: CIHA after Melbourne  -- Jaynie Anderson; title: Global collections for global cities  -- Neil McGregor; title: The idea of world art history --; title: introduction 1  -- Thomas DaCosta Kaufmann; title: Introduction 2  -- Peter J. Schneemann; title: Methodological ideological perspectives --; title: Neuroarthistory as world art history: why do humans make art and why do they make it differently in different times and places?  -- John Onians; title: Towards historical art history  -- Piotr Piotrowski, Adam Mickiewicz; title: Global aspects on Johnny Roosval's concept of the Artedominium  -- Jan von Bonsdorff; title: Putting the world in a book: how global can art history be today?  -- Parul D. Mukberji, Jawaharlal Nehru; title: From ideology to universal principles: Art history and the visual culture of the Balkans in the Ottoman Empire  -- Nenad Makuljevie; title: From nation via immigration to world art: concepts and methods of Brazilian art theory  -- Jens Baumgarten; title: Universalism and Utopia: Joseph Beuys and Alighiero Boetti as case studies for a world art history  -- Nicola Müllerschön; title: Genius Loci: the revenge of the good Savage?  -- Carmen Popescu; title: A survey of the current state of art history in China  -- Shao Dazhen; title: Recent study in ancient Chinese art history in China  -- Yan Zheng; title: Objects without Borders: cultural economy in the world of artifacts  -- Jennifer Purtle; title: Fluid Borders: Mediterranean art histories --; title: Fluid Borders, hybrid objects: Mediterranean art histories 500-1500, questions of method and terminology  -- Gerhard Wolf; title: Building identities: fluid Borders and 'international style' of monumental architecture in the bronze age  -- Louise A. Hitchcock; title: Byzantine art in Italy: sixth-century as a matrix of confluence?  -- Felicity Harley McGowan; title: 'image-paradigms' as a category of Mediterranean visual culture: a hierotopic approach to art history  -- Alexei Lidov; title: The 'Golden Age' of Al-Andalus as remembered, or how nostalgia forged history  -- Avinoam Shalem; title: Fluid picture-making across borders, genres, media: botanical illustration from Byzantium to Baghdad, ninth to thirteenth centuries  -- Alain Touwaide; title: Greek painters working for Latin and non-Orthodox patrons in the late medieval Mediterranean: some preliminary remarks  -- Michele Bacci; title: Sailing through time and space: how Cyriacus of Ancona rediscovered the classical past  -- Marina Belozerskaya; title: Multi-ethnic Rome and the global Renaissance: Ethiopia, Armenia and cultural exchange with Rome during the fifteenth century  -- Christiane Esche-Ramshorn; title: Hybrid Renaissance in Europe and beyond --; title: Introduction  -- Luke Morgan; title: Hybrid Renaissance in Burgundy  -- Frederick Elsig; title: Heterotopia in the Renaissance: modern hybrids as antiques in Bramante and Cima da Conegliano  -- Lorenzo Pericolo; title: 'Gran Cosa e Roma': the noble parentage of architecture in early sixteenth century Portugal  -- Luisa Franca Luzio; title: A bastard renaissance? Benedikt Ried, master IP and the question of renaissance in Central Europe  -- Pavel Kalina; title: Difference, reputation and Utopia: early modern print's new worlds  -- Christopher P. Heuer; title: The carnivalesque Renaissance  -- John Gregory; title: 'Opinione Contraria': the anatomy of painful as an early drawing by Rosso Fiorentino  -- Vivien Gaston; title: The hermaphrodite in the garden  -- Luke Morgan; title: Reframing of the Renaissance problem today: developing a pluralistic historical vision  -- Claire Farago; title: Do we still need a Renaissance?  -- Keith Moxey; title: Cultural and artistic exchange in the making of the modern world, 1500-1900 --; title: Introduction  -- Larry Silver; title: Cultures and curiosity  -- Larry Silver; title: Human sacrifice as symbolic capital: images of the violated Aztec body for a changing world, 1500-1900 and beyond  -- Cecelia F. Klein; title: Public identity and the curial culture in Dutch Batavia  -- Dawn O'Dell; title: 'exposure to your ways': China, the Dodge and early modern vision  -- Julie Hochstrasser; title: The global Rembrandt  -- Catherine D. Scallen; title: Images of bathing women in early modern Europe and Turkey  -- Patricia Simons; title: Global encounters: conventions and interventions in Hans Burgkmair's images of natives of Africa, India and the New World  -- Ashley West; title: Patterns of domestication: exotic animals, plants and people in Australian and European decorative arts  -- Dagmar Eichberger; title: Dressing up like the cannibals? Adriaen Hanneman's portrait of Princess Mary Stuart in a Tupi feather cape  -- Rebecca Parker Brienen; title: Tupi feather work and the dynamics of intercultural exchange in early modern Brazil  -- Amy J. Buono; title: The visual subplot: local art, global trade and the socio-ethnic of exchange, Amsterdam 1580-1680  -- Elisabeth de Bievre; title: Visual elaborations: Fausto Zonaro's 'Ottoman' self-portraits  -- Mary Roberts; title: The brush and the burin: Mogul encounters with European engravings  -- Yael Rice; title: Imperial exchanges of goods and national identities: Victorian and and Swadeshi views of crafts under the Raj  -- Julie Codell -- 'a; title: glance into a new world': three approaches to Japan, by Christopher Dresser, Siegfried Bing and Justice Brinkmann  -- Rüdiger Joppien; title: George French Angas: colonial artist at large  -- Philip Jones; title: The wanderer, the slave and the aboriginal: Augustus Earle in Rio de Jeneiro and Sydney in the 1920s  -- Sarah Thomas; title: Exchange, gifting, identity and writing history in Fin-de-Siecle Tahiti  -- Elisabeth C. Childs; title: Representations of nature across cultures before the 20th century --; title: Introduction  -- Frederick Asher; title: Capturing nature's inner truth: the 'true view' concept in China, Korea and Japan  -- Khauh Triuh; title: Beauty and truth in nature: Japan and the West  -- Gary Hickory; title: Landscape as placeness in the art of India  -- Frederick Asher; title: Exoticism at home: the artist as explorer in nineteenth-century Sweden  -- Bengt Lärkner; title: The sacred across cultures --; title: Introduction  -- Robert Gaston; title: Plato's dilemma: art, religion and amnesia  -- Donald Preziosi; title: 'Strangers in a strange new land': how the immigrant colonizer and the conqueror use sacred architecture to establish identity -- Ann Thomas Wilkins, and David G.; title: Materiality across cultures --; title: Introduction  -- John Bomford; title: Lapis Lazuli: moving stones at the heart of power  -- Spike Bucklow; title: Materials, origins and the nature of early Italian painting  -- Anne Dunlop; title: Routes and meaning: the use of red marble in medieval Central Europe  -- Pal Lovei; title: Alabastrum Effoditur Pulcherrimum and Candissimum: the influence of imported southern Netherlandish sculpture on the reception of alabaster in Central Europe in the 16th century  -- Aleksandra Lipinska; title: Mosaic and dreaming: materiality, migration and memory  -- Joan Barklay Lloyd, Alison Inglis; title: Outsiders' and Arnhem Landers' material exchanges  -- Louise Hamby; title: Painting practice in the Philippines: two institutionalized practices and their materials and techniques  -- Nicole Tse, Ana Maria Teresa Labrador and Robyn Sloggett; title: A convergence of cultures: Max Meldrum's art theory and practice  -- Alexandra Ellem; title: The Gamelan: melding conservation issues with the Javanese spiritual beliefs  -- Holly Jones-Amin; title: Memory and architecture --; title: Introduction  -- Deborah Howard and Philip Goad; title: Multiple memories: lives of the Taj Mahal  -- Catherine B. Asher; title: The Alhambra in Granada and the memory of its Islamic past  -- Francine Giese-Vögeli; title: Curzon, Kedelston and Government House, Calcutta  -- Sten Ake Nilsson; title: Remembering the Middle Ages: responses to the Gothic revival in colonial New Zealand  -- Ian Lochhead; title: Traveling within memory: vicarious travel and imagined voyages  -- Nicole Sully; title: Moving Finnish houses: the knowledge of objects in former Finnish Karelia --; title: Nation, style, memory: the Crakow experience  -- Jacek Purchla; title: Komar and Melamid: the future memory of international modernism  -- Joe A. Thomas; title: Traces of Utopia: on the architectural renderings published in Kunstwissenschaftliche Forschungen, c. 1933  -- Justine Price; title: Marks and Rembrancers: Alison and Peter Smithson's architectural memory  -- Ryan Johnston; title: A strange case of cultural borrowing: the Australian Pavilion at Expo '70, Osaka  -- Carolyn Barnes and Simon Jackson; title: Analogous landscapes  -- Hannah Lewi; title: Art and migration --; title: Introduction  -- Joan Barklay Lloyd and Stephen Bann; title: Migration of elements in Islamic art into Italy from Spain and the Balearic Islands in the fourteenth century  -- Gottfried Kerscher; title: Mahmud al-Kurdi and his Italian customer  -- Stefano Carboni; title: The Gypsies and their impact in fifteenth century Western European iconography  -- Irwin Pokorny; title: The Ecole de Paris, inside and out: reconsidering the experience of foreign artist in interwar France  -- Kate Kangaslahti; title: Polish artists in France 1918-39: discussion concerning art  -- Anna Wierzbicka; title: Koji Kamoji: a bridge between haiku and Christian mysticism  -- Lukasz Kossowski; title: The role of international exhibitions in the diffusion of a global memory  -- Martine Bouchier; title: Displaced objects, objects in exile? Changing virtues of Cameroon objects in the West  -- Alexandra Loumpet-Galitzine; title: Landscapes of imagination: migration and place in contemporary Iranian art  -- Alisa Eimen; title: Moving pictures: art, Ireland and migration  -- Yvonne Scott; title: Multiplicity of artistic migration in the representation of return: the Odyssey, Hebdomeros and postmodernity in the art of Giorgio de Chirico  -- Mayumi Abe; title: Art and war --; title: Introduction  -- Nigel Lendon andThierry Dufrene; title: Bartholomaus Strobel the Younger and the 30 years war  -- Jan Harasimowicz; title: Landscape and the memory of war  -- Catherine Speck; title: Vasily Vereshchagin's campaign: colonial war and representation of Russia's others  -- Natasha Medvedev; title: Feature films and the shock of the real: regarding wartime documents in art-house cinema and beyond  -- Wolfgang Brückle; title: Surviving war: uniting the nation in postwar Finnish mural paintings  -- Johanna Ruohonen; title: Complexities: Abu Ghraib, contemporary art in the currency of images  -- Morgan Thomas; title: Pyrotechnics: from war to art and back  -- Thierry Dufrene; title: Beauty and horror: identity and conflict in the war carpets of Afghanistan  -- Nigel Lendon; title: Media/ting conflict: Iranian posters of the Iran-Iraq war  -- Christine J. Gruber; title: Art in the face of 'the project for the new American Century': a postmodern Rake's progress  -- Dick Averns; title: Art and clashing urban cultures --; title: Introduction  -- Peter Krieger; title: Manet's Le Dejeuner sur l'herbe: resisting the Parisian 'non-place' during Haussmannisation  -- Bradley Fratello; title: Air travel and omnipresent disaster  -- Melissa Laing; title: Changing politics, changing cityscapes: redesigning, redefining and contesting public space in post-communist Central Europe  -- Arnold Bartetzky; title: Redfern resistance  -- Catherine de Lorenzo; title: Urban bush bashing? Some indigenous artists' responses to the Australian government's emergency intervention in the northern territory  -- Susan Lowish; title: Global modern art: the world inside out and upside down --; title: Introduction  -- Andrea Giunta; title: Art and nation: to Rome and back  -- Laura Malosetti Costa; title: 'That arid feeling for the burnt bush': Giorgio de Chirico's wandering Jew, metaphysical painting and 'Semitic Atavism'  -- Ara H. Merjian; title: Wounded: Lucio Fontana's wartime sculpture in Italy and Argentina  -- Anthony White; title: Surrealism in the antipodes: on James Gleeson's exile  -- David Lomas; title: From constructivism to pop: avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s  -- Michael Ashbury; title: Picasso's Guernica in Latin America  -- Andrea Giunta; title: 'Much more than parrots and banana trees': the art of Helio Oiticica in the 1960s  -- Maria de Fatima Morethy Couto; title: 'From Reo del Plata to the Seine' and back: Pierre Restany and Damian Bayon  -- Isabel Plante; title: Our old Koroua Picasso: Maori modernist art in Aotearoa, New Zealand  -- Damien Skinner; title: Pilgrimage and periphery: Robert Smithson's Spiral Jetty and the discourse of tourism  -- Chris McAuliffe; title: Indigeneity / aboriginality, art/culture and institutions --; title: Introduction  -- Jonathan Mane-Wheoki; title: Belonging and homelands: negotiating identity in Aotearoa, New Zealand  -- Caroline Vercoe; title: Between the indigenous and the exotic: landscapes of Hokkaido and the Russian Far East  -- Hisashi Yakou; title: The reclamation of Southeast Australian aboriginal art practices  -- Vicki Couzens, Kaawirn Kuunawarn; title: Indigenous material culture in the digital age  -- Lyndon Ormonde-Parker; title: 'My art talks about link': the peregrinations of Yolngu art in a globalized world  -- Jessica de Largy Healy; title: Performing landscape and memory: Gija local and global art circulation  -- Arnaud Morvan; title: Post colonial pasts and post-indigenous futures? A cultural genealogy of museums and 'Maori art'  -- Conal McCarthy; title: Indigeneity and the museum paradigm: contacts and debates surrounding the opening ceremonies and exhibitions at the national Museum of the American Indian in Washington DC, September 2004  -- Stephanie Pratt; title: A crisis in identity: Australian indigenous culture, primitivism and modernism in 'recent Australian painting' at the Whitechapel art gallery 1961  -- Sarah Scott; title: Circuit breaking? Indigenous Australian art and critical discourse  -- Julie Gough and Stephen Naylor; title: Aboriginalties and nationalities: Shaping art history in the postcolonial museum -- Anne Whitelaw.; title: Parallel conversions: Asian art histories in the twentieth and twenty first centuries --; title: Introduction  -- Toshiharu Omuka and John Clark; title: The concept of 'art' in Japan and international expositions of the Meiji period  -- Shimura Shoko; title: Takeuchi Seiho, Chigusa Soun, and John Ruskin's modern painters: reconciling realism with Japanese painting, 1900-1910  -- John D. Szostak; title: Amerita Sher-Gil: transformation of the premodern to the modern in early twentieth-century Indian art  -- Yashodara Dalmia; title: Global consciousness of yoga self portraiture  -- Bert Winther-Tamaki; title: Realism as a tool of national modernization in the reformist discourse of late nineteenth and early twentieth century China  -- Francesca Dal Lago; title: New categories, new history: 'the preliminary exhibition of Chinese art' in Shanghai, 1935  -- Hui Guo; title: Alternative fashion histories: sartorial modernity in East Asia  -- Toby Slade; title: The impact of censorship, conflict and the Diaz Barack of Vietnamese art history  -- Annette van den Bosch and Boitran Huynb-Beattie; title: Contending with present pasts: on developing Southeast Asian art histories  -- Michelle Antoinette; title: Picturing early 20th century Sino-Japanese art relations in Omura Seigai's 'Shina Rekiyu Dan': an account of making art history in the 1920s  -- Oliver Krischer; title: Why realism? From social realism to non-realism in modern Chinese art  -- Yiyang Shao; title: Interconnectedness of performance art festivals across and beyond Asia  -- Silvia Fok Siu Har; title: Shanghai dream theater: (re)imagining the city, the condition of existence and the new Shanghai surreal  -- Thomas J. Berghuis; title: The artist as image decoder: Ni Haifeng's agency between Europe and China  -- Kitty Zijlmans; title: Art histories at the crossroads: 'Asian' art in Australia  -- Francis Maravillas; title: A kiss to Matisse: strategies for histories of modernism in Central Asia. Uzbekistan in the 1920s, Kazakhstan in the 1980s-1990s  -- Jane A. Sharp; title: Constructing transnational identities: Paik Nam June and Lee Ufan  -- Youngna Kim -- Contemporaneity in art and its history; title: Introduction  -- Terry Smith; title: Writing the history of contemporary Art: a distinction, three propositions and six lines of inquiry  -- Terry Smith; title: Historicity and aboriginal Art: how long will it take for aboriginal Art to become modern?  -- Ian Maclean; title: Contemporaneity in Inuit art through the 20th and early 21st centuries  -- Cecile Pelaudeix; title: Topographies of chance: tracing the 'contemporary' in 1960s France  -- Jill Carrick; title: Periodizing contemporary art  -- Alexander Alberro; title: Global visions, global contemporaneity: video art in Australia  -- Daniel Palmer; title: The Atlas effect: constraint, freedom and the circulation of images  -- Charles Green; title: On the 'evental' installations: contemporary Art and politics of presence  -- Anthony Gardner; title: New media across the cultures --; title: Introduction  -- Ross Gibson; title: Old traces on a new body  -- Dirk de Bruyn; title: Transients: indigenous, settler and migrant media  -- Sean Cubitt; title: Imagining the future: issues in writing and researching arts histories in a digital age with the DAAO  -- Vivian Johnson and Joanna Mendelssohn; title: Painting as a new medium: the reversed canvas in colonial art  -- Richard Read; title: The fiction of art history: imaginary providences in media art in South Asia  -- Shuddhabrata Sengupta; title: Economies of desire: art collecting and dealing across cultures --; title: Introduction  -- Christopher R. Marshall; title: The impact of unscrupulous dealers unsustainability in the Australian aboriginal desert paintings market: a view from the high end  -- Meaghan Wilson-Anastasios and Neil De Marchi; title: A fine Romance: white money, black art  -- Philip Batty; title: The paradox of collecting the 'other': Percy Grainger's collecting of non-Western cultures  -- Belinda Nemec; title: Art dealing as medium of cultural transfer  -- Michael North; title: Crossing thresholds: the hybrid identities of late 19th-century art dealers  -- Christian Huemer; title: Small mirrors to large empires: towards a theory of meta-museums in contemporary art  -- Khadija Z Carroll; title: Framing confusion: varieties of collecting and display at the Museo Poldi Pezzoli, Milan  -- Christopher R. Marshall; title: An art collecting in Argentina, or how the pre-Columbian past became an object of desire  -- Maria Isabel Baldassare; title: New museums across cultures -- -- Introduction / -- Jonathan Sweet; title: The modern museum in China  -- Zhang Gan; title: The uncanny space of Daniel Libeskind's Jewish Museum  -- Julia Walker; title: New museums: institutionalization of contemporary Art in Central Europe. Crossing inspirations  -- Katarzyna Jagodzinska; title: Problematics of postcolonial dislocation in the case of the national Museum of contemporary Art in Bucharest  -- Cristina Albu; title: Out of context: towards presentation of Japanese art in western museums  -- Chiaki Ajioka; title: Constructing tribal architectures and identities in Native American museums and cultural centers  -- Anne L. Marshall; title: Creating cultural citizenship out of contemporary art at the national Museum of the American Indian?  -- Kyle Message; title: The cosmopolitan museum (of art)  -- Milan Kreuzzieger; title: Repatriation --; title: Introduction  -- Dario Gamboni; title: Art history and repatriation: a case of mutual illumination?  -- Dario Gamboni; title: Shrewd calculations  -- Kenneth Lapatin; title: Repatriating sanctity, or how the Dukes of Bavaria rescued saints during the Reformation  -- Jeffrey Chipps Smith; title: Alexander Newman (Bielitz 1861 -- Wellington 1947): portfolio in exile  -- Andrew Leach; title: Repatriation Anti Patria: repatriating for Tibet  -- Kavita Singh; title: Returning Veronese's the wedding at Cana to Venice: some issues concerning originality and repatriation  -- Adam Lowe; title: Arbitration and mediation is alternative resolution mechanisms in disputes relating to the restitution of cultural property -- Marc-Andre Renold.; title: Wilkins --; title: Holy topographies: aboriginal art from the desert regions and its spiritual relation to western perceptual painting  -- Robert Nelson; title: Visualizing ancestor spirits: name tablets or portraits?  -- Insoo Cho; title: Houses of God, gates of heaven, doors of grace: changes in perception of Lutheran church interiors as 'holy places'  -- Marcin Wislocki; title: Secular Florentines and sacred images  -- Dale Kent; title: 'God is love': representations of Christianity in indigenous art from Ngukurr, Southeast Arnhem land  -- Cath Bowdler; title: Sacred country: ancient footsteps, new pathways  -- Donna Leslie; title: A new conceptualization of Australian religious iconography: the case of David Wright  -- Peter French; title: From silence to multiple incorporation: art and Afro-Brazilian religions  -- Roberto Conduru; title: Trees growing in the wilderness and statues of miracle working madonnas  -- Zirka Z. Filipezak; title: A case of spiritual colonization? The production and reception history of a contentious altarpiece in Jukkasjärvi Church in Lapland, Sweden  -- Britt-Inger Johansson -- Chartres, Chichester and Ajanta: the neo-medievalism of Eric Gill / -- Irena Kossowska; title: A pantheon rediscovered?  -- Naman P. Ahuja, Jawaharlal Nahru; title: Sanctity at the interstices of fine art and popular culture: a case of Esther Helenius  -- Tutta Palin; title: Intersections of time and place in books of hours  -- Bronwyn Stocks; title: A form of secession  -- Junko Ninagawa; title: A new plague saint for Renaissance Italy: suffering and sanctity in narrative cycles of Saint Roch  -- Louise Marshall; title: Sites of convergence and divergence: private devotional sites in sixteenth century Rome -- Glenys L. Adams.