Al mismo tiempo
Subtitle: historias paralelas del videoarte en Colombia
By: Paola Peña Ospina y Juan Bermúdez Tobón
Contributors: Bermúdez Tobón, Juan, author; Bogotá (Colombia). Alcaldía Mayor; Fundación Gilberto Alzate Avendaño
Edition: Primera edición.
Publisher: Fundación Gilberto Alzate Avendaño; Alcaldía Mayor de Bogotá
Published: 2019
Place of publication: Bogotá
Language: spa
Number of pages: 173
ISBN-13: 9789588471822
Subjects: Art; History; Video art
Other titles: Historias paralelas del videoarte en Colombia
Description: The history of Colombian video art is a fragmented story and always in the process of creation. It is not something staggered in which the works are arranged in an orderly manner but an irregular route. From this premise, this book is presented as a critical anthology, neither too narrow in perspectives nor too pretentious, but broad enough to encompass a plurality and disparity of practices, including some contributions from pioneering figures. The book comprises texts on the videographic work of Miguel Ángel Cárdenas, Raúl Marroquín, Jonier Marín, Ana Claudia Múnera, Omaira Abadía, Santiago Echeverry and Rodrigo Facundo, investigating references, forms and strategies shared through different aesthetics and techniques ranging from video mail, video paintings, videographic happening or video performance, video installations and video sculptures. Additionally, reviewing the work of these artists allows us to trace some of the fundamental themes of contemporary Colombian art, such as memory, identity, sexuality, history, politics, etc.
Notes: Includes bibliographical references (pages 164-196).

In Spanish.
Table of contents: title: Presentación; title: Prefacio; title: Ejercicios de calentamiento: Miguel Ángel Cárdenas; title: Artista exhortador; title: Performance, video y video performance; title: Un heredero fluxus: Raúl Marroquín; title: La influencia Pop; title: Ciencia ficción y creación de universos futuros distópicos; title: Tiene que ver con video: glosario acerca de Jonier Marín; title: La cirujana visual: la hibridez del video en Omaira abadía; title: La escenificación del sentimiento: la poética de lo domestico en Ana Claudia Munera; title: Ampliando el régimen de visibilidad: lo autobiográfica como elemento mediador en la obra Santiago Echeverry; title: Contratar el pasado desde los márgenes: el montaje de la historia en Rodrigo Facundo.