Theorizing imitation in the visual arts
Subtitle: global contexts
By: Edited by Paul Duro
Publisher: John Wiley & Sons inc.
Published: 2015
Place of publication: Hoboken
Language: eng
ISBN-13: 9781119004035
Subjects: Imitation in art
Notes: "Originally published as Volume 37, Issue 4 of Art History."

Includes bibliographical references and index.
Table of contents: title: Why Imitation, and Why Global? / Paul Duro; title: Post-Western Poetics : Postmodern Appropriation Art in Australia / Ian McLean; title: Essentially the Same : Eduardo Costa's Minimal Differences and Latin American Conceptualism / Patrick Greaney; title: Like Father, Like Son : Bernini's Filial Imitation of Michelangelo / Carolina Mangone; title: Navajo Sandpainting in the Age of Cross-Cultural Replication / Janet Catherine Berlo; title: Copying and Theory in Edo-Period Japan (1615-1868) / Kazuko Kameda-Madar; title: Original Imitations for Sale : Dafen and Artistic Commodification / Vivian Li; title: The Temporal Logic of Citation in Chinese Painting / Martin J. Powers; title: Ingemination / Richard Shiff; title: The Image Valued 'As Found' and the Reconfi guring of Mimesis in Postwar Art / Alex Potts; title: History Lessons : Imitation, Work and the Temporality of Contemporary Art / Jonathan Bordo.