Parallel Lines
Subtitle: Printmakers, Painters, and Photographers in Nineteenth-Century  France
Publisher: Yale University Press
Published: August 1, 2001
Language: eng
Format: Hardcover
Number of pages: 264
ISBN-13: 9780300089325
Subjects: History of art & design styles: c 1800 to c 1900; Painting & paintings; Photography & Photographs; Prints & printmaking; c 1800 to c 1900; 19th Century Art; Arts In General (Multi-Subject); Art; Art & Art Instruction; Europe; European; Art / History / European; 19th century; France; History; Painting; Photography; Prints, French; Study and teaching
Description: "The nineteenth century was a remarkable period in art history during which the practices of painting, printmaking and photography intersected in new and unexpected ways. Massive changes in the technology of reproduction took place, and France in particular became a leading testing ground for new printing and photographic techniques. This illustrated book investigates for the first time the complex and lively interactions between painting, print-making and photography in France during the 1800s.

Cultural historian Stephen Bann explores why rising reproductive media did not supplant traditional modes and how, instead, printmakers, photographers and painters influenced and inspired each other's work, together creating a visual culture of unique richness and breadth.".

"The book focuses especially on pictorial reproduction involving painting, printmaking and photography in combination. Bann includes in the discussion the interweaving careers of Ingres and such contemporary painters as Vernet and Delaroche, such printmakers as lithographer Nicolas Charlet and engraver Luigi Calamatta and such pioneering photographers as Niepce, Daguerre and Robert Bingham.

Setting the nineteenth-century issues of reproduction in the context of art history and theory, Bann also offers insights into the nature of art reproduction in our own era of radically changing reproduction technology."--BOOK JACKET.