Women novelists and the ethics of desire, 1684-1814
Subtitle: in the voice of our biblical mothers
By: Elizabeth Kraft.
Publisher: Ashgate
Published: 2008
Place of publication: Aldershot, Hants, England; Burlington, VT
Language: eng
Number of pages: 199
ISBN-13: 9780754662808
Subjects: English fiction -- Women authors -- History and criticism; English fiction -- 18th century -- History and criticism; English fiction -- Early modern, 1500-1700 -- History and criticism; English fiction -- 19th century -- History and criticism; Women in literature; Desire in literature; Ethics in literature; Desire -- Moral and ethical aspects
Description: "In Women Novelists and the Ethics of Desire, 1684-1814, Elizabeth Kraft radically alters our conventional views of early women novelists by taking seriously their representations of female desire. To this end, she reads the fiction of Aphra Behn, Delarivier Manley, Eliza Haywood, Sarah Fielding, Charlotte Smith, Frances Burney, and Elizabeth Inchbald in light of ethical paradigms drawn from biblical texts about women and desire. Like their paradigmatic foremothers, these early women novelists create female characters who demonstrate subjectivity and responsibility for the other even as they grapple with the exigencies imposed on them by circumstance and convention. Kraft's study, informed by ethical theorists such as Emmanuel Levinas and Luce Irigaray, is remarkable in its juxtaposition of narratives from ancient and early modern times. These pairings enable Kraft to demonstrate not only the centrality of female desire in eighteenth-century culture and literature but its ethical importance as well."--Jacket.
Notes: Includes bibliographical references (p. [181]-190) and index.
Table of contents: title: Introduction : in the voice of a woman; title: Matriarchal desire and ethical relation; title: Men and women in the garden of delight; title: Sexual awakening and political power; title: Hieroglyphics of desire; title: His sister's song; title: The forgotten woman; title: The Lot motif and the redaction of double desire; title: Conclusion : the last word.