The gentleman and cabinet-maker's director
Subtitle: being a large collection of the most elegant and useful designs of household furniture, in the most fashionable taste. Including a great Variety of Chairs, Sofas, Beds, and Couches; China-Tables, Dressing-Tables, Shaving-Tables, Bason-Stands, and Teakettle-Stands; Frames for Marble-Slabs, Bureau-Dressing-Tables, and Commodes; Writing-Tables, and Library-Tables; Library-Book-Cases, Organ-Cases for private Rooms, or Churches, Desks, and Book-Cases; Dressing and Writing-Tables with Book-Cases, Toilets, Cabinets, and Cloaths-Presses; China-Cases, China-Shelves, and Book-Shelves; Candle-Stands, Terms for Busts, Stands for China Jars, and Pedestals; Cisterns for Water, Lanthorns, and Chandeliers; Fire-Screens, Brackets, and Clock-Cases; Pier-Glasses, and Table-Frames; Girandoles, Chimney-Pieces, and Picture-Frames; Stove-Grates, Boarders, Frets, Chinese-Railing, and Brass-Work, for Furniture. And Other Ornaments. To which is Prefixed. A Short Explanation of the Five Orders of Architecture; with Proper Directions for executing the most difficult Pieces, the Mouldings being exhibited at large, and the Dimensions of each Design specified. The Whole comprehended in Two Hundred Copper-Plates, neatly engraved. Calculated to improve and refine the present Taste, and suited to the Fancy and Circumstances of Persons in all Degrees of Life. By Thomas Chippendale, Cabinet-Maker and Upholsterer, in St. Martin's Lane, London
Edition: The third edition.
Series: Eighteenth century collections online
Publisher: Printed for the author, and sold at his House, in St. Martin's Lane; also by T. Becket and P.A. de Hondt, in the Strand
Published: 1762
Place of publication: London
Language: eng
Number of pages: 20
Subjects: Decoration and ornament; Chippendale style; Furniture; History
Notes: Initial unpaginated sequence includes an engraved dedication leaf.

No restrictions on access copy. Unrestricted online access

ESTC, T102007.

In this copy the engraved dedication leaf is bound after p. 20.

Bound in contemporary half calf marbled boards.