South Korean golden age melodrama
Subtitle: gender, genre, and national cinema
By: edited by Kathleen McHugh and Nancy Abelmann.
Contributors: McHugh, Kathleen.; Abelmann, Nancy.
Series: Contemporary approaches to film and television series
Publisher: Wayne State University Press
Published: 2005
Place of publication: Detroit
Language: eng
Number of pages: 262
Subjects: Motion pictures -- Korea (South); Melodrama in motion pictures.
Description: Immediately following the Korean War, South Koreaʹs film industry flourished with vibrant local production of high-quality films. Characterized by its stunning melodramas, this "Golden Age" of South Korean cinema produced a body of work as historically, aesthetically, and politically significant as that of other well-known national film movements such as Italian Neorealism, French New Wave, and New German Cinema. Conditions that fostered South Koreaʹs cinematic Golden Age were short lived; a brief period of intense poverty and struggle - but also creative freedom - was ended by the dictatorship of Park Chung Hee in the late 1960s. Strong international interest in South Koreaʹs current film renaissance make an analysis of this enormously underappreciated cinematic tradition long overdue. South Korean Golden Age Melodrama is the first English-language book to examine this era of remarkable activity, covering the specifics of the Golden Age as well as the influences it has had on contemporary South Korean film and television. Given the compressed, ambiguous, and fundamentally transnational social and political dramas of South Koreaʹs history, South Korean Golden Age Melodrama addresses the widespread appeal of particular film modes and aesthetics, especially that of the melodrama. These essays also examine genre in relation to articulations of nation and constructions of gender in Golden Age films and how the nation manifests itself in persistent gender and genre trouble. -- Publisher description.
Notes: Includes bibliographical references and index.