Victorian testaments
Subtitle: the Bible, christology, and literary authority in early-nineteenth-century British culture
By: Sue Zemka.
Publisher: Stanford University Press
Published: 1997
Place of publication: Stanford, Calif
Language: eng
Number of pages: 279
Subjects: Jesus Christ -- In literature.; Bible -- Criticism, interpretation, etc.; Bible -- In literature.; English literature -- 19th century -- History and criticism.; Christianity and literature -- Great Britain -- History -- 19th century.; Authority -- Religious aspects -- Christianity -- History -- 19th century.; Christian literature, English -- History and criticism.; Popular culture -- Great Britain -- History -- 19th century.; Spirituality -- Great Britain -- History -- 19th century.; Authority in literature.; Religion in literature.; Great Britain -- Civilization -- 19th century.
Description: Victorian Testaments examines the changing nature of biblical and religious authority during the first half of the Victorian period. The book argues that these changes had a profound impact on concepts of cultural authority in general. Among the figures discussed are Coleridge, Thomas Arnold, Ruskin, Dickens, Florence Nightingale, and the missionaries of the British and Foreign Bible Society.

In developing its picture of Victorian religious ideology, the book analyzes major works of the period, as well as works and documents that have received little critical attention. Its methods are interdisciplinary, building upon recent ideas in literary theory, cultural criticism, and gender studies.

The book proposes that, as the credibility of a supernatural source for the scriptures diminished, the need for certainty in moral and religious matters was increasingly filled by the importance attached to individual character. However, the desire for religious heroes was counterpoised by another and highly sentimentalized model of the spiritual life, one where religious authority was decentered across a social spectrum of fathers, mothers, and children.

A large-scale cultural confrontation with the disappearance of God was, to a certain extent, deferred by narratives that picked up the slack in faith, creating performances of sacred power with characters who demonstrated either an awesome religious interiority or a recognizably sentimental display of idealized femininity or childhood innocence.
Notes: Includes bibliographical references (p. [261]-274) and index.
Based on the author's thesis (doctoral)--Stanford University, 1989.