Shakespeare closely read
Subtitle: a collection of essays
By: written and performance tests edited by Frank Occhiogrosso
Contributors: Occhiogrosso, Frank, 1943-
Publisher: Fairleigh Dickinson University Press, co-published with The Rowman & Littlefield Pub. Group
Published: 2011
Place of publication: Lanham, Md
Language: eng
ISBN-13: 9781611470147; 9781611470154
Subjects: Stage history; Congresses; English drama; History and criticism; Film adaptations; Dramatic production
Notes: Papers presented at the 2008 International Shakespeare Conference at Stratford-upon-Avon.

Includes bibliographical references and  index.
Table of contents: title: Introduction / Frank Occhiogrosso; title: Close readings of the written text. A special meaning of "within" / Mariko Ichikawa; title: "Music plays and they dance": a close reading of Romeo and Juliet, 1.5 / Frank Occhiogrosso; title: "Post-alone": a missing word and the limits of biography / Lachlan Mackinnon; title: Shakespeare's secret language, with specimens from a commentary / John Russell Brown; title: Close reading, illustration, and productive ambivalence / Stuart Sillars; title: A dramatic function of Caliban's "Be not afeared" speech in The tempest / John Mucciolo; title: "Mention my name in Verona": is Cassio Florentine? / Steve Sohmer; title: Close reading of performance. Close enough readings, or trying to ascribe the actor's part in analyzing performance texts / Kevin A. Ewart; title: Reading Morocco: four film versions of The merchant of Venice / Boika Sokolova; title: Red button Shakespeare / Rob Conkie; title: Can we/should we close read performance? / Andrew James Hartley.