Formal novelty and tradition in the early romantic piano concerto
By: by Stephan D. Lindeman
Published: 1995
Language: eng
Number of pages: 505
Subjects: Concertos (Piano); History and criticism; Music
Notes: Photocopy. Ann Arbor, Mich. : UMI Dissertation Services, 1996.

Thesis (Ph. D.)--Rutgers University, 1995.

Includes bibliographical references (leaves 466-504).
Table of contents: title: Part one: Introduction: Issues in concerto form at the turn of the 19th century; title: 1. Historical overview of the genre ; The Mozart piano concertos ; The Beethoven piano concertos; title: 2. The classical model of concerto form in the early 19th century ; Representative examples from the early 19th century: Jan Ladislav Dussek ; John Field ; Ignaz Moscheles ; Ferdinand Ries ; The new models: Louis Spohr: Violin concerto no. 8 in A minor, op. 47: Franz Schubert: Fantasy in C major, op. 15 ("Wanderer"), D.760. Part two: Seven new approaches to the genre, introduction; title: 3. Carl Maria von Weber:; title: Konzertstücke for piano and orchestra in F minor, op. 79; title: 4. Felix Mendelssohn: Concerto no. 1 for piano and orchestra in G minor, op. 25; and Capriccio brillant in B minor for piano and orchestra, op. 22; title: 5. Johann Baptist Cramer: Concerto no. 8 for piano and orchestra in D minor, op. 70; title: 6. (Charles-)Valentin Alkan: Concerto da camera no. 1 in A minor, op. 10, and Concerto da camera no. 2 in C# minor; title: 7. Clara Wieck: Concerto for piano and orchestra in A minor, op. 7; title: 8. Robert Schumann: Concerto for piano and orchestra in A minor, op. 54; title: 9. Franz Liszt: Piano concerto no. 1 in E♭ major, Piano Concerto no. 2 in A major, and Concerto for piano and orchestra in E♭ major, op. posth.; title: 12 [3] 505 0 major, Piano Concerto no. 2 in A major, and Concerto for piano and orchestra in E♭ major, op. posth.; title: Part one: Introduction: Issues in concerto form at the turn of the 19th century; title: 1. Historical overview of the genre ; The Mozart piano concertos ; The Beethoven piano concertos; title: 2. The classical model of concerto form in the early 19th century ; Representative examples from the early 19th century: Jan Ladislav Dussek ; John Field ; Ignaz Moscheles ; Ferdinand Ries ; The new models: Louis Spohr: Violin concerto no. 8 in A minor, op. 47: Franz Schubert: Fantasy in C major, op. 15 ("Wanderer"), D.760. Part two: Seven new approaches to the genre, introduction; title: 3. Carl Maria von Weber: