British live art
Subtitle: essays and documentations
By: issue editor Nick Kaye.
Contributors: Kaye, Nick.
Series: Contemporary theatre review : an international journal -- v. 2, pt. 2 (1994); Contemporary theatre review -- v. 2, pt. 2
Publisher: Harwood Academic Pub.
Published: 1994
Place of publication: Basel, Switzerland
Language: eng
Number of pages: 227
Subjects: Experimental theater -- Great Britain -- History -- 20th century; Experimental drama -- Great Britain -- History -- 20th century; Performance art -- Great Britain -- History -- 20th century; Avant-garde (Aesthetics) -- Great Britain -- History -- 20th century
Notes: Cover title.

Includes bibliographical references and index.
Table of contents: title: Live art: definition and documentation -- Nick Kaye; title: Forced entertainment "Emanuelle enchanted (or a description of this world as if it were a beautiful place) -- Tim Etchells and Richard Lowdon; title: Searching for redemption with cardboard wings: forced entertainment and the sublime -- Andrew Quick; title: An interview with Mike Pearson of Brith Gof -- Geraldine Cousin; title: Demonology: some thoughts towards a science of chaos in recent performance -- Simon Jones; title: Station House Opera: The oracle -- Julian Maynard Smith; title: Please please me: "empathy" and "sympathy" in critical metapraxis -- Susan Melrose; title: How to shop: the lecture, and interview with Bobby Baker -- Alison Oddey; title: Self as source, part II -- Mara de Wit; title: The screen: looking through it, walking through it -- Tim White; title: A view from the edge -- Greg Giesekam; title: Notes on contributors --; title: The suicide, at the Vakhtangov theater: a document.