Shakespeare without class
Subtitle: misappropriations of cultural capital
By: edited by Donald Hedrick and Bryan Reynolds.
Contributors: Hedrick, Donald Keith, 1947-; Reynolds, Bryan
Publisher: Palgrave
Published: 2000
Place of publication: New York
Language: eng
Number of pages: 297
Subjects: Shakespeare, William, 1564-1616 -- Adaptations -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation -- History -- 20th century; Shakespeare, William, 1564-1616 -- Stage history -- 1950-; Shakespeare, William, 1564-1616 -- Film and video adaptations; Popular culture -- History -- 20th century
Notes: Includes bibliographical references and index.
Table of contents: title: Shakespace and transversal power / Donald Hedrick and Bryan Reynolds; title: Performance and authority in Hamlet (1603) / Robert Weimann; title: New York's African Theatre: Shakespeare reinterpreted / William Over; title: Vaulting ambitions and killing machines: Shakespeare, Jarry, Ionesco and the Senecan absurd / Curtis Perry; title: "What is the city but the people?": transversal performance and radical politics in Shakespeare's Coriolanus and Brecht's Coriolan; title: Sweet, savage Shakespeare / Laurie Osborne; title: No holes Bard: homonormativity and the gay and lesbian romance with Romeo and Juliet / Richard Burt; title: "Where's the master?": the technologies of the stage, book, and screen in The Tempest and Prospero's books / James Andreas; title: Additional dialogue: William Shakespeare, queer allegory, and My own private Idaho / Matt Bergbusch; title: Rehearsing the Weird Sisters: the word as fetish in Macbeth / Leslie Katz; title: Shakespeare's enduring immorality and the performative turn: toward a transversal pedagogy; title: Afterword: Shakespace on Marloan / Julia Reinhard Lupton.