Rape in art cinema
By: edited by Dominique Russell.
Contributors: Russell, Dominique, 1965-
Publisher: Continuum
Published: 2010
Place of publication: New York
Language: eng
ISBN-13: 9780826429674
Subjects: Rape in motion pictures; Independent films -- History and criticism
Notes: Includes bibliographical references and index.
Table of contents: title: Introduction: why rape? / Dominique Russell; title: Canonical works and auteurs. Screen/memory: rape and its alibis in Last year at Marienbad / Lynn A.Higgins; title: Kurosawa's Rashomon and Oshima's The man left his will on film / Eugenie Brinkema; title: Buñuel: stories, desire and the question of rape / Dominique Russell; title: Materiality and metaphor: rape in Anne Claire Poirier's Mourir à tue-tête and Jean-Luc Godard's Weekend / Shana MacDonald; title: Rape and marriage: Die Marquise von O and Breaking the waves / Victoria Anderson; title: Rough awakenings: unconscious women and rape in Kill Bill and Talk to her / Adriana Novoa; title: English-language independent cinemas. Jane Campion's women's films: art cinema and the postfeminist rape narrative / Shelley Cobb; title: Boys don't get raped / Ann J. Cahill; title: "If it was a rape, then why would she be a whore?" rape in Todd Solondz' films / Michelle E. Moore; title: Case study: cinéma brut and the new French extremists. "Typically French"?: mediating screened rape to British audiences / Martin Barker; title: On watching and turning away: Ono's rape, cinéma direct aesthetics and the genealogy of cinéma brut / Scott MacKenzie; title: Uncanny horrors: male rape in Bruno Dumont's Twentynine palms / Lisa Coulthard; title: Sexual trauma and jouissance in Baise-moi / Joanna Bourke; title: Shame and the sisters: Catherine Breillat's À ma soeur! (Fat Girl) / Tanya Horeck.