Théorie et analyse musicales
Subtitle: 1450-1650 : Actes du collogue international Louvain-la-Neuve, 23-25 septembre 1999 = Music theory and analysis : Proceedings of the International Conference Louvain-la-Neuve, 23-25 September 1999
By: publiés sous la direction de Anne-Emmanuelle Ceulemans et Bonnie J. Blackburn.
Contributors: Ceulemans, Anne-Emmanuelle.; Blackburn, Bonnie J.
Series: Publications d'histoire de l'art et d'arch©♭ologie de l'Universit©♭ catholique de Louvain -- C. -- Musicologica neolovaniensia -- studia 9; Publications d'histoire de l'art et d'archeologie de l'Universite catholique de Louvain -- 100.; Publications d'histoire de l'art et d'archéologie de l'Université catholique de Louvain -- studia 9.
Publisher: Départment d'histoire de l'art et d'archéologie, Collège Érasme
Published: 2001
Place of publication: Louvain-la-Neuve
Language: eng
Number of pages: 440
Subjects: Music theory -- Early works to 1800.; Musical analysis.
Genres: Early works to 1800.
Other titles: Music theory and analysis
Notes: Includes bibliographical references and index.

English or French text.
Table of contents: title: The dispute about harmony c. 1500 and the creation of a new style / Bonnie J. Blackburn; title: Minor coloration revisited: Okeghem's Ma bouche rit and beyond / Ronald Woodley; title: On false concords in late fifteenth-century music: Yet another look at Tinctoris / Margaret Bent; title: La magie des cris trenchantz: comment le vray trésorier de musique échappe à la trappe du très terrible satrappe / Jaap Van Benthem; title: Ballata form in the early madrigal / Marco Mangani ; Michaela Zackova Rossi; title: Philomena praevia de Jean Richafort: la complexité du modèle au défi de l'analyse / Alice Tacaille; title: A newly recovered eight-mode motet cycle from the 1540s: Zarlino's Song of songs motets / Cristle Collins Judd; title: L'usage des dissonances dans la théorie du contrepoint de Juan Bermudo, Declaración de instrumentos musicales (1555) / Paloma Otaola; title: Rhetorical functions of harmony and counterpoint in the theory and practice of Nicola Vicentino / Timothy R. McKinney; title: Content and context: On public and private motet style in sixteenth-century Venice / Katelijne Schiltz; title: A propos du motet Philomena praevia de Claude Le Jeune (Melanges de 1585) / Pierre Bonniffet; title: Heinrich Schütz's Heu mihi, Domine: Traditional and progressive attributes in the F-mode repertory / Graham H. Phipps; title: Modes, clefs, and transpositions in the early seventeenth century / Rudolf Rasch.