Origins of Cuban music and dance
Subtitle: changüí
By: Benjamin Lapidus.
Publisher: Scarecrow Press
Published: 2008
Place of publication: Lanham, Md
Language: eng
Number of pages: 199
ISBN-13: 9780810862043; 9780810862340
Subjects: Popular music -- Cuba -- History and criticism; Changüí -- History and criticism; Sones -- Cuba -- History and criticism
Description: "Origins of Cuban Music and Dance: Changui is the first in-depth study of changui, a style of music and dance in Guantanamo, Cuba. Changui is analogous to blues in the United States and is a crucible of Cuban Creole culture. Benjamin Lapidus describes changui and its relationship to the roots of son, Cuba's national genre and the style of music that contributed to the development of salsa, in Eastern Cuba. He also highlights the connections between Afro-Haitian music and Cuban popular music through changui, connections with the Caribbean that have been largely overlooked in the past." "After an initial historical discussion about the region of Guantanamo and the inter-connectedness of its various musical styles with a focus on changui, Lapidus discusses the technical aspects of the genre as practiced within the region and beyond. He considers the socio-historical importance of its lyrics, presenting numerous musical transcriptions that explain how the music is structured, as well as providing background stories to songs. In a chapter unique to this book and a first in Cuban musicology and ethnography, Lapidus describes years of festivals and musical competitions to show how local musical identity takes shape, particularly when encountering national narratives of music history. The volume concludes with a comparison between changui and son, as well as a bibliography, discography, and videography."--Jacket.
Notes: Includes bibliographical references and index.
Table of contents: title: Guantánamo and the greater Oriente region; title: Como se toca se baila, como se baila se toca : the instruments and their roles in the changüí ensemble; title: Styles of tres improvisation; title: Historicity and self-referencing in changüí songs; title: The changüí complex in Guantánamo; title: Variations of changüí outside of Guantánamo; title: The Afro-Haitian presence in eastern Cuba and its significance in the development of the Cuban son; title: Cultural festivals and musical competitions in Guantánamo and Oriente; title: Changüí, son, and the Pan-Caribbean perspective.