The rediscovered writings of Veza Canetti
Subtitle: out of the shadows of a husband
By: Julian Preece
Series: Studies in German literature, linguistics, and culture; Studies in German literature, linguistics, and culture (Unnumbered)
Publisher: Camden House
Published: 2007
Place of publication: Rochester, N.Y
Language: eng
Number of pages: 184
ISBN-13: 9781571133533
Subjects: Canetti, Veza, -- 1897-1963; Authors, Austrian -- 20th century -- Biography
Genres: Biography
Description: "The Viennese playwright, novelist, and short-story writer Veza Canetti was born in 1897 into a mixed Sephardic-Ashkenazi Jewish family and died in 1963 in London. Part of the avant garde in 1920s Vienna (where she met her future husband and Nobel Prize winner, Elias Canetti), from 1932 she wrote radical short stories drawn from everyday life for the Vienna Arbeiter-Zeitung. After censorship under the so-called Corporate State reduced her opportunities for publication, she disguised her critique in irony and humor, but from then on published little. Until 1990, when her first novel, Yellow Street, was finally published, she was known only as her husband's muse and literary assistant. As more of her writings appeared, some critics became convinced that it was he who was responsible for her decline into obscurity, notwithstanding his protestations of support and admiration. This biography tells a more nuanced story, presenting Canetti's literary career against the background of her troubled times, drawing on her husband's unpublished papers to assess their literary partnership, and showing how their early writings constituted a private dialogue on topics as diverse as feminism and Jewish identity and how several key themes in his work are anticipated in hers."--BOOK JACKET.
Notes: Includes bibliographical references (p. [169]-176) and index
Table of contents: title: Introduction; title: A lost literary life recovered: Veza Canetti; title: The case of Veza Magd; title: Shared beginnings; title: Workers' writer: Veza at the Arbeiter-Zeitung, 1932-33; title: What's in a name? On maids; title: Writing under cover, 1934-38; title: Portraits; title: Rivalry and partnership