Particular saints
Subtitle: Shakespeare's four Antonios, their contexts, and their plays
By: Cynthia Lewis.
Publisher: University of Delaware Press; Associated University Presses
Published: 1997
Place of publication: Newark, Del; London; Cranbury, NJ
Language: eng
Number of pages: 250
Subjects: Shakespeare, William, 1564-1616 -- Characters -- Antonio.; Anthony, of Egypt, Saint, ca. 250-355 or 6 -- Influence.; Shakespeare, William, 1564-1616.; Shakespeare, William, 1564-1616.; Shakespeare, William, 1564-1616.; Shakespeare, William, 1564-1616.; Anthony (Name); Christianity and literature -- England -- History -- 16th century.; Christianity and literature -- England -- History -- 17th century.; Christian saints in literature.; Religion in literature.
Description: Why do characters named Antonio proliferate on the English Renaissance stage? Why are they so often paired with other characters named Sebastian? And more significantly, why are they repeatedly characterized by Shakespeare and his contemporaries as fools for love?

Particular Saints draws on church history, art history, and theater history to address these questions by illustrating that Renaissance stage Antonios are a type, representing a tradition familiar to early modern audiences and exploited by Shakespeare in portraying his four major characters named Antonio.

Such characters ultimately derive from the rich medieval iconography and hagiography of Saint Anthony of Egypt. How this knowledge reinforms our late-twentieth-century understanding of the four plays in question is addressed in separate chapters that range widely across each work: The Merchant of Venice, Twelfth Night, Antony and Cleopatra, and The Tempest.
Notes: Includes bibliographical references (p. 229-239) and index.