Dead history, live art?
Subtitle: spectacle, subjectivity and subversion in visual culture since the 1960s
By: edited by Jonathan Harris.
Contributors: Harris, Jonathan; Tate Gallery Liverpool.
Series: Tate Liverpool critical forum -- 9.; Tate Gallery Liverpool critical forum -- v. 9.
Publisher: Liverpool University Press
Published: 2007
Place of publication: Liverpool
Language: eng
Number of pages: 267
ISBN-13: 9780853231899; 9780853234388
Subjects: Performance art; Art, Modern -- 20th century; Art, Modern -- 21st century; Art and popular culture
Notes: Includes bibliographical references.
Table of contents: title: Introduction: performance, critiques, ideology: contemporary art and art history in an age of visual culture / Jonathan Harris; title: Namesake: who's performing whom? / Joshua Sofaer; title: A great technician: document, process and persona in performance and the everyday / Richard Layzell; title: Vaginal Davis does art history / Robert Summers; title: Performativity, cultural-politics, and the embodiments of knowledge: an interview with Amelia Jones conducted by Jonathan Harris; title: The fantasy of privacy: performance after minimalism / Frazer Ward; title: Deterritorializing bodies: body art and the colonial world expositions / Jane Chin Davidson; title: 'Do-it-yourself artworks: a user's guide / Anna Dezeuze; title: Martha Rosler's fighting legions: Semiotics of the kitchen (1975/2003)-performance and the (video) document / August Jordan Davis; title: Interaction/participation: disembodied performance in new media art / Beryl Graham.