Image theory, image culture, and contemporary Japan
Subtitle: Theorie de l'image, culture de l'image, et le Japon contemporain
Series: IRIS -- no. 16  Spring 1993.; IRIS -- no. 16.
Publisher: University of Iowa
Published: 1993
Place of publication: Iowa City
Language: eng; fre
Number of pages: 192
Subjects: Motion pictures; History and criticism; Motion picture plays; Philosophy
Other titles: Theorie de l'image, culture de l'image, et le Japon contemporain
Notes: Cover title.

"Revue de theorie de l'image et du son = A journal of theory on image and sound."--cover.

Each article published in French or English and abstracted in the other language.
Table of contents: title: Japanese cinema until 1930: a consideration of its formal aspects / Iwamoto Kenji; title: Celluloid masks: the cinematic image and the image of Japan / Aaron Gerow; title: The impersonalization of the selfin the image society / Kondo Masaki; title: Le son de la violence: court-circuiter la voix dans la bande dessinee Japonaise / Sandra Buckley; title: Not another double suicide: gender, national identity, and repetition in Shinoda Masahiro's Shinjuten no Amijima / Brett de Bary; title: La representation de la femme dans les films d'Oshima: sexualite et difference textuelle / Maureen Turim; title: Japan's outlaw filmmaker: an interview with Hara Kazuo / Kenneth J. Ruoff, Jeffrey K. Ruoff; title: Filming at the margins: the documentaries of Hara Kazuo / kenneth j. Ruoff, Jeffrey k. Ruoff; title: A theory of the cinema and traditional aesthetic thought in Japan / Asanuma Keiji; title: Le postmoderne et les images de masse au Japon / Mitsuhiro Yoshimoto.