Papers read at the 16th Meeting, Vienna, Austria, 2011
By: [edited by Robert Klugseder]
Contributors: Klugseder, Robert; Österreichische Akademie der Wissenschaften. Kommission für Musikforschung
Publisher: ÖAW, Kommission für Musikforschung; Hollinek
Published: 2012
Place of publication: Wien; Purkersdorf
Language: eng
Number of pages: 458
ISBN-13: 9783851193367
Subjects: Music; Congresses; History and criticism; Chants; Hymns
Other titles: Cantus Planus, Vienna, 2011
Notes: Includes bibliographical references.

Contributions in English, German and French.
Table of contents: title: Newly discovered Antiphoners in northern Portugal / Diogo Alte da Veiga; title: The Anonymus Vaticanus and the Paleofrankish Script / Charles M. Atkinson; title: Tone-series in ecclesiastical chant / Terence Bailey; title: The Dominican Antiphoner from the Badija Franciscan Monastery near Korčula: The Question of Provenance / Hrvoje Beban; title: Beobachtungen zur Seckauer Prozessionspraxis anhand des Liber ordinarius A-Gu 756 von 1345 - Cum vero processionem facimus quasi hostibus armati obviamus / Inga Behrendt; title: Interrelations between theory and practice. Influence of theorists' pattern-antiphons on initial formulas of some introits and graduals / Robert Bernagiewicz; title: Famula Dei - textliche und musikalische Besonderheiten in den Messproprien heiliger Frauen in adiastematischen Handschriften aus St. Gallen und Einsiedeln / Dirk van Betteray; title: A (Brief) Introduction to Post-Tridentine Pontifical Chants / James Borders; title: Examples of Liturgical Polyphony from Dalmatia / Hana Breko Kustura; title: The Web of Sources for Planctus ante nescia / Charles E. Brewer; title: Processing from Lateran to Hierusalem and Back: A Unique Ritual for the Cross Relic / Clyde Brockett; title: Mensura as a technical term in chant theory / John Caldwell; title: Beyond diastematy: specific and semitonic indications in the gradual of Saint-Yrieix (Paris, Bibliothèque Nationale de France, Latin 903, XIth century) / Christelle Cazaux-Kowalski; title: Traditionalism and New Influences in an 18th Century Gradual of the Zagreb Cathedral with a Special Focus on the Allelluia Repertory / Orsolya Csomó; title: Die coniunctae des Corpus Hollandrinum in den mitteleuropäischen Choralhandschriften / Zsuzsa Czagány; title: The question of plainchant notation in French Post-Tridentine sources; title: Towards a specific semiology / Cécile Davy-Rigaux; title: Newly Discovered Source of Ordinary Chants in Cantus Planus and Cantus Fractus: A Preliminary Report / Joseph Dyer; title: Die Evangeliumsantiphonen der Donnerstage in der Fastenzeit / David Eben; title: Die liturgischen Handschriften aus St. Lambrecht (Steiermark) / Stefan Engels; title: A Portuguese plainchant treatise / Manuel Pedro Ferreira; title: Medieval Music through the Technological Looking-Glass / Carmen Julia Gutierrez; title: Corpus monodicum - Die einstimmige Musik des lateinischen Mittelalters / Andreas Haug; title: Venite et videte: First Results in the Optical Neume Recognition Project / Kate Helsen, with Inga Behrendt and Alan Sexton; title: Cantus Planus Regensburg :  Web Archive for Gregorian Chant / David Hiley and Robert Klugseder; title: The Sequence Sancti Spiritus in the Nidaros Tradition / Marit Johanne Hoye; title: Assonance, Variation, Repetition: Editing Prosulas to the Gloria Chant / Gunilla Iversen; title: The Tridentinum as a Watershed in the Evolution of Mass cycles / Gábor Kiss; title: Medieval musical manuscripts and fragments in the Austrian National Library (ÖNB), Vienna / Robert Klugseder; title: Renewal, Revival, Rejuvenation: a New Vision for the Cantus Database / Jan Koláček and Debra Lacoste; title: Compositions of Credo: Influences of Latin settings on the respective Byzantine ones of Cretan origin (16th-17th cent.) / Flora Kritikou; title: Elastic Melodies: Variants in Responsory Verses / Debra Lacoste; title: Cultural Intersections in the Transmission of Office Hymns in the Southern Low Countries / Sarah Ann Long; title: Liturgical-musical sources in the votive processions of the bishop of Padua, Pietro Barozzi (1443-1507) / Antonio Lovato; title: Toward a Methodology for Analyzing the Old Hispanic Responsories / Rebecca Maloy and Emma Hornby; title: Habitable surface, habitable space: Graphic contour and melodic constraints for Buddhist chant in early Japan Elizabeth Markham; title: Vind. Suppl. gr. 121: ein Fragment eines Tetraevangeliars mit ekphonetischer Notation in der Österreichischen Nationalbibliothek / Sandra Martani; title: Das von Johannes Winterburger gedruckte Antiphonar aus dem Jahr 1519: ein Antiphonale Pataviense? / David Merlin; title: From the rite of the Oblation to the offering scene in the Officium Stellae musico-liturgical drama. Reges Tharsis et insulae munera offerent, reges Arabum et Saba dona adducent / Nausica Morandi; title: Digital Editing of chant - tools in progress / Stefan Johannes Morent; title: "Fecit" quattuor historie? / Ann-Marie Nilsson; title: Antiphonal Psalmody in Western Monasticism from the Fourth to the Seventh Century / Edward Nowacki; title: Traditio Iohannis Hollandrini; title: Tonare / Ágnes Papp; title: Non Pitch-Specific Notation in Practice and Transcription: Beneventan Chant in campo aperto and in voce / Matthew Peattie; title: Musical references in Serbian hagiography (Žitija) and liturgical poetry (Srbljak) / Ivana Perković; title: Zur Vorgeschichte des lateinischen Acht-Tonarten-Systems / Andreas Pfisterer; title: A Pair of Manuscripts transmitting the Triodion and Pentekostarion in the Russian Studite Tradition - Identifying the prototypes / Svetlana Poliakova; title: Gesang an der Peripherie : Die Choralhandschriften in der Bibliothek des Augustiner-Chorherrenstiftes Vorau / Franz Karl Prasl; title: Un foyer d'avant-garde dans l'introduction du chant gregorien en Castille: La cathedrale de Palencia (1034-1080) / Juan Pablo Rubio; title: Political changes and music writing styles in 11th century Bologna / Cesarino Ruini; title: The Application of the CANTUS Analysis Tool to the Neumed Breviary VI E 4c from St George's Convent, Prague Tereza Seifertova; title: Ruotlib's notated missal and its historical background / Jurij Snoj; title: Notation als Spiegel der Veranderungen in der "nunquam reformata" Tradition am Beispiel der mittelalterlichen Antiphonarien aus der Kartause Žiče (Seiz/Seitz) / Katarina Šter; title: Das Sequenzenrepertoire der osterreichischen Benediktiner / Gyorgyi Taborszky; title: Musical liturgical fragments in the Historical Municipal Archive of Casperia (Latium - Italy) / Nicola Tangari; title: Castles of faith: The transmission of the Kyrie trope set Deus solus et immensus as an example of liturgical exegesis in the orthodoxy Arturo Tello Ruiz-Perez; title: Inedite fonti italiane della Passione in notazione ritmico-proporzionale / Diego Toigo; title: The Hymnic Corpus in the Manuscript Plainsong Choirbooks at Segovia Cathedral - Tradition, Re-elaboration and New Composition / Santiago Ruiz Torres; title: The conception of the chant of the Other : evidence from medieval literary sources Christian Troelsgard; title: Pitch, Rhythm and Text-Setting in Palaeofrankish Notation: The Case of London, British Library, Harley MS 3019 / Giovanni Varelli; title: Liturgical contradictions and political consistency in the liturgico-musical tradition of St. Mark's, Venice Anna Vildera; title: Offertoriale Arnesti: A Forthcoming Edition of Plainchant Offertories with Verses from Bohemian Sources Jana Vozkova; title: The New Web site www.chantdiscography.com: A Demonstration / Jerome F. Weber; title: Untersuchungen zur lateinischen Tradition des byzantinischen Akathistos Hymnus / Gerda Wolfram; title: Die musikalisch-liturgischen Quellen des Hochmittelalters aus dem osterreichischen Benediktinerstift Admont / Hanna Zuhlke.