Nationalism, Marxism, and African American literature between the  wars
Subtitle: a new Pandora's box
By: Anthony Dawahare.
Series: Margaret Walker Alexander series in African American studies
Publisher: University Press of Mississippi
Published: 2003
Place of publication: Jackson
Language: eng
Number of pages: 161
Subjects: American literature -- African American authors -- History and criticism.; Nationalism and literature -- United States -- History -- 20th century.; Communism and literature -- United States -- History -- 20th century.; Socialism and literature -- United States -- History -- 20th century.; Black nationalism -- United States -- History -- 20th century.; American literature -- 20th century -- History and criticism.; African Americans -- Intellectual life -- 20th century.; African Americans -- Politics and government.; African Americans in literature.; Black nationalism in literature.; Politics in literature.; Race in literature.
Description: "During and after the Harlem Renaissance, the clash of two tremendous intellectual forces - nationalism and Marxism - changed the future of African American writing. Current literary thinking says that writers with nationalist leanings wrote the most relevant fiction, poetry, and prose of the day.".

"Nationalism, Marxism, and African American Literature between the Wars: A New Pandora's Box challenges that notion. It boldly proposes that such writers as A. Philip Randolph, Langston Hughes, and Richard Wright, who often saw the world in terms of class struggle, did more to advance the anti-racist politics of African American letters than writers such as Countee Cullen, Jessie Redmon Fauset, Alain Locke, and Marcus Garvey who remained enmeshed in nationalist and racist discourse.".

"Evaluating the great impact of Marxism and nationalism on black authors from the Depression era, Anthony Dawahare argues that the spread of nationalist ideologies and movements between the world wars did guide legitimate political desires of black writers for a world without racism. But the nationalist channels of political and cultural resistance did not address the capitalist foundation of modern racial discrimination.".

"Seduced by the ethnic nationalism of the period, most Harlem Renaissance writers replicated in their literary work many of the notions of "racial" and national identity that capitalism used to deflect attention away from economic issues." "During the period known as the "Red Decade" (1929-1941), black writers developed some of the sharpest critiques of the capitalist world and thus anticipated contemporary scholarship on the intellectual and political hazards of nationalism for the working class.".

"As it examines the progression of the Great Depression, the book focuses on the shift of black writers to the Communist Left, including analyses of the Communists' position on the "Negro Question," the radical poetry of Langston Hughes, and the writings of Richard Wright."--BOOK JACKET.
Notes: Includes bibliographical references (p. [141]-156) and index.
Table of contents: title: Black nationalist discourse in the postwar period; title: The dual nationalism of Alain Locke's The new Negro; title: The dance of nationalism in the Harlem Renaissance; title: Marxism and Black proletarian literary theory; title: Langston Hughes's radical poetry and the "end of race"; title: Richard Wright's critique of nationalist desire; title: Beyond twentieth-century nationalisms in the study of African American culture.