Raising Cain
Subtitle: blackface performance from Jim Crow to Hip Hop
By: W.T. Lhamon, Jr.
Publisher: Harvard University Press
Published: 1998
Place of publication: Cambridge, Mass
Language: eng
Number of pages: 269
Subjects: Minstrel shows -- United States -- History; Blackface entertainers -- United States -- Biography; United States -- Race relations; Minstrel music
Description: Unearthing a wealth of long-buried plays and songs, rethinking materials often deemed too troubling or lowly to handle, and overturning cherished ideas about classics from Uncle Tom's Cabin to Benito Cereno to The Jazz Singer, W.T. Lhamon Jr. sets out an original history of blackface as a cultural ritual that, for all its racist elements, was ultimately liberating.

He shows that early blackface, dating back to the 1830s, put forward an interpretation of blackness as that which endured a commonly felt scorn and often outwitted it. To follow the subsequent turns taken by the many forms of blackface is to pursue the way modern social shifts produce and disperse culture.

Raising Cain follows these forms as they prolong and adapt folk performance and popular rites for industrial commerce, then project themselves into the rougher modes of postmodern life through such heirs of blackface as stand-up comedy, rock 'n' roll, talk TV, and hip hop.
Notes: Includes bibliographical references (p. 229-262) and index.