Turning points
Subtitle: essays in the history of cultural expressions
By: Marshall Brown.
Publisher: Stanford University Press
Published: 1997
Place of publication: Stanford, Calif
Language: eng
Number of pages: 344
Subjects: Criticism; Criticism, Textual; Literature -- History and criticism
Description: Through a combination of general reflections, studies of important critics, and both comprehensive and specific analyses of cultural change in literature, music, art, and philosophy, Turning Points demonstrates the role of style and form in promoting and shaping cultural development.

The book proposes that works do not timelessly abstract, retrospectively reflect, or passively express; instead, they promote and shape historical change. Moving rather than consolidating, cultural expressions advance cultures not through what they say (musical works, in particular, say nothing) but through inventing new ways of communicating. Styles and forms are the vessels imagined by cultural works to convey ideas, ideologies, and structures of feeling and society.

Hence, in contrast to much recent work in cultural studies, Turning Points argues that works of the imagination anticipate and produce the intellectual contexts adduced to explain them. In sum, Turning Points presents an interdisciplinary perspective on the achievements of modern European culture that blends fine-grained examples with broad considerations of both intellectual history and trends in literary criticism.
Notes: Includes bibliographical references (p. [311]-333) and index.
Collection of previously published material.
Table of contents: title: Why style matters : the lessons of Taine's History of English literature; title: The classic is the baroque : on the principle of Wölfflin's art history; title: What's in a text?; title: Deconstruction and Enlightenment; title: Mozart and after : the revolution in musical consciousness; title: Kant's misreading of Descartes; title: Toward an archaeology of English Romanticism : Coleridge and Sarbiewski; title: Romanticism and Enlightenment; title: Origins of modernism : musical structures and narrative forms; title: Unheard melodies : the force of form.